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What did the Edwardians know about Spain and what was that knowledge worth? This book explores a vast store of largely unstudied primary source material to trace Spain's transformation in the British popular and economic imagination during the decades either side of the turn of the twentieth century.
De Quincey's Gothic Masquerade is what has long been needed, a study of Thomas De Quincey's Gothic and Gothic-related texts by a Germanist working on Gothic and specializing in Anglo-German literary relations. Variously identified as Gothic Hero, Gothic Parasite, and author of a Gothick sport, De Quincey is the dark horse of Gothicism, for while his work has, increasingly, been associated with Gothic, not one of the recent companions to Gothic so much as mentions his name. Definitions of what is meant by 'Gothic' have changed, of course, and are still evolving, claiming more territory all the time, but Gothic specialists also have their blind spots, of whom De Quincey is one. One reason for this state of affairs will be the fact that in his work the Gothic is interwoven with the German, to which modern English studies all too often turn a blind eye. In this timely study of his work in relation to Gothic convention the author addresses the question of De Quincey's reputed knowledge of German 'Gothic' Romantic literature and the related question of supposed German influences on his Gothic work, and shows that his fiction is not less but more original than has been thought. The texts examined are those on which, for better or worse, his reputation as a writer both of autobiography and of fiction depends. Focusing on the Gothic takes one to the heart of his literary masquerade, and more especially to the heart of his masked autobiographical enterprise. Gothic, because of its formulaic nature, represents a place where he belongs, a place where his sense of guilt can be seen as part of a wider pattern, thus countering his pariah self-image and enabling him to make some sort of sense of the Gothic ruin of his life. Addressed to all who are interested in De Quincey's work and its place in literary history, and to the many readers in the English and German-speaking worlds who share De Quincey's and the author's enthusiasm for Gothic, this book adds considerably to the scope of De Quincey studies, which it enables to move on from some of the main unanswered questions of the past.
An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.
Michael Blackheart is a famous jewel thief known to all in the underworld. He wants to wash his hands of the trade, but he agrees to take one last heist: an art collection belonging to Bill Helms, an infamous and hated multimillionaire. Michael infiltrates a private exhibition of Bill’s collection, but it’s not the art that catches his eye?it’s Bill’s assistant, Isabel. Michael’s true target was never the art collection anyway. He wants only to seek revenge on Bill’s head of security?his father, Patrick Blackheart. But as he finds himself increasingly enchanted with Isabel, the end of the exhibition draws closer by the hour and he must decide what to do... This volume also includes Back in the Spaniard’s Bed, the tale of powerful tycoon Alejandro Rodriguez and his plan to buy back the passions of the only woman who ever walked out on him.
Captain Henry Morgan's capture of the city of Panamá in 1671 is seen as one of the most audacious military operations in history. In The Sack of Panamá , Peter Earle masterfully retells this classic story, combining thorough research with an emphasis on the battles that made Morgan a pirate legend. Morgan's raid was the last in a series of brutal attacks on Spanish possessions in the Caribbean, all sanctioned by the British crown. Earle recounts the five violent years leading up to the raid, then delivers a detailed account of Morgan's march across enemy territory, as his soldiers contended with hunger, tropical diseases, and possible ambushes from locals. He brings a unique dimension to the story by devoting nearly as much space to the Spanish victims as to the Jamican privateers who were the aggressors. The book covers not only the scandalous events in the Colonial West Indies, but also the alarmed reactions of diplomats and statesmen in Madrid and London. While Morgan and his men were laying siege to Panamá , the simmering hostilities between the two nations resulted in vicious political infighting that rivaled the military battles in intensity. With a wealth of colorful characters and international intrigue, The Sack of Panamá is a painstaking history that doubles as a rip-roaring adventure tale.
The complex, colorful history of South Carolina's southeastern corner In the first volume of The History of Beaufort County, South Carolina, three distinguished historians of the Palmetto State recount more than three centuries of Spanish and French exploration, English and Huguenot agriculture, and African slave labor as they trace the history of one of North America's oldest European settlements. From the sixteenth-century forays of the Spaniards to the invasion of Union forces in 1861, Lawrence S. Rowland, Alexander Moore, and George C. Rogers, Jr., chronicle the settlement and development of the geographical region comprised of what is now Beaufort, Jasper, Hampton, and part of Allendale counties. The authors describe the ill-fated attempts of the Spanish and French to settle the Port Royal Sound area and the arrival of the British in 1663, which established the Beaufort District as the southern frontier of English North America. They tell of the region's bloody Indian Wars, participation in the American Revolution, and golden age of prosperity and influence following the introduction of Sea Island cotton. In charting the approach of civil war, Rowland, Moore, and Rogers relate Beaufort District's decisive role in the Nullification Crisis and in the cultivation, by some of the district's native sons, of South Carolina's secessionist movement. Of particular interest, they profile the local African American, or Gullah, population - a community that has become well known for the retention of its African cultural and linguistic heritage.
Penny dreadfuls - sensational stories published in weekly parts - were an important feature of Victorian popular literature. They were often anonymous, and inspired by the melodramas of the day. This is the catalogue of a comprehensive collection bequeathed by music-hall performer Barry Ono.