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Thirty-five years ago, Jeanne Adlon became New York City’s first full-time cat sitter, and since then, she has done it all. Jeanne has dodged tarantulas, served up kosher cat meals,and fed pampered felines in Waterford crystal goblets. Cat Calls recounts Jeanne’s experiences, from adventures with quirky cats to the challenges faced by a woman who’s determined to reach her clients despite blinding winter storms. But since Jeanne Adlon is no ordinary cat sitter, Cat Calls offers far more than tales of the cat. Over years of devoting herself to feline needs, Jeanne has become a recognized expert on cat care, so along with coauthor Susan Logan, Jeanne designed each of Cat Calls’ chapters to focus on important issues for cat owners, including adopting new pets, feeding your cat, coping with litter box problems, and much more. Charming anecdotes about Jeanne’s furry clients add examples of cat-care strategies that work. Whether you’re looking for commonsense cat-care advice or you simply want to relax with stories about little cats in a big city, Cat Calls is sure to please.
"An exploration of the untamed crossroads where 'the feline' and 'the feminine' mingle and make magic. From ancient Egypt to early modern Venice to Edo Japan, the witch trials to the Women's March, Catwoman to cat ladies, kitten play to cat conventions, this book tracks the cat's circuitous connection to women and femininity through a magical lens. By combining historical research, pop culture and art analyses, and original interviews, this book uncovers what the 'feral feminine' might mean to witches, sluts, feminists, artists, historians, philosophers, cat ladies, and cat lovers today"--
In this graphic novel version of "Tantalize," told from a different perspective, werewolf-in-training Kieren is torn between joining an urban wolf pack and staying to protect his human best friend (and love interest) Quincie, whose restaurant is in danger of morphing into a vampire lair.
Cats! Love 'em or hate 'em, they have a way of insinuating themselves into your affections and into your life. Retired schoolmistress Josephine Reid hated cats. Nasty, flea-ridden, bird-murdering pests - she would've preferred to share her home with vermin than one of those loathsome creatures. So when her grandchildren found a lost kitten in her garden and begged her to look after it for them until they had a suitable home for it, Josephine was appalled. Reluctantly, she agreed - on condition that the arrangement was purely temporary. However, it took a great deal longer than anyone expected before the children were able to offer their kitten a home, during which time initial animosity gave way to tolerance and finally a tentative bond, growing stronger as time passed, formed between ex-school mistress and cat, only to be broken when the family moved to their new home with a garden. Appalled by the realisation that herself and the cat, christened "Mikey" by the children, were about to be separated, Josephine is forced to confront her feelings and admit she has grown fond of the creature, though she realizes she has little choice but to let him go. Mikey, however, has other ideas!
To the majority of biologists, the physiological control of mammalian vocalizations is only a small part of the large field of motor physiology. It is indeed a very specialized part, and the number of scientists dealing with it is relatively small. Still, it is an autonomous subject embracing more than the motor control of the body and is, therefore, by far more complex. Anatomically, essential cerebral structures involved in the control of gross and fine movements of the mammalian body seem to participate in the control of the voice as well. The central control system, however, as well as the larynx (the primary effector organ), possess features not found in the remaining motor system. An example is the perfect synergism of the many muscles which control the m. vocaZis, not to speak of the speed of successions in which this occurs. Furthermore, this muscle, similar to the facial muscles, is segmentally adjustable independently of the joints. The most remarkable feature of the central control area, however, seems to be the effector organ's manifold direct and indirect dependence on the limbic system of the brain. This makes the voice--like no other motor organ (with the partial exception of the facial musculature)--the chief organ for the expression of emotion and the indicator of behavioral states. Except in man, the voice is in dependent of neocortical control. Animal vocalizations are species typical and genetically programmed. Ethologically, they belong to the behavioral class of fixed action patterns.