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Reprint of the original, first published in 1876.
When Duty To Your Country Is All You Have To Live For, How Do You Go On Living? Ericha is a woman with nothing—not even her father’s name. Following her mother’s death she is guided to Horstberg in search of answers and contentment. When her path repeatedly crosses with the brooding Stefan Heinrich, she is drawn to him by feelings too profound to ignore. The love they share is intense and undeniable, but Ericha’s ignorance of Stefan’s circumstances puts her on a scale in his life opposite to the country he rules and the wife he loathes. While Stefan questions daily what kind of madness drove him to marry the deceptive and tawdry Johanna Von Bindorf, a princess from the neighboring country of Kohenswald, he is torn between his commitment to do what is right and his love for a woman that he cannot have; a woman who fills his aching soul. Years of spiraling downward in hopelessness finally drive him to make Ericha a part of his life as far as it is possible, while deep inside he knows that eventually a price for his happiness will have to be paid. As Ericha develops a deep bond with the legendary Abbi du Woernig, she unknowingly breathes life back into the heart and soul of Horstberg. But happiness and peace for the entire family are fleeting and fragile. Both Stefan and Ericha quickly realize the price for their choices is higher than either of them ever could have imagined. When Horstberg’s freedom is bargained for with the life of its ruler, Stefan knows that he must sacrifice everything to once again prove himself worthy to serve the people of his country with dignity and to live his life with the woman he loves.
"Text and detailed drawings follow the planning and construction of a "typical" castle and adjoining town in thirteenth-century Wales."--Title page verso.
Caldecott Medal winner Allen Say brings his lavish illustrations and hybrid narrative and artistic styles to the story of artist James Castle. James Castle was born two months premature on September 25, 1899, on a farm in Garden Valley, Idaho. He was deaf, mute, autistic, and probably dyslexic. He didn't walk until he was four; he would never learn to speak, write, read, or use sign language.Yet, today Castle's artwork hangs in major museums throughout the world. The Philadelphia Museum of Art opened "James Castle: A Retrospective" in 2008. The 2013 Venice Biennale included eleven works by Castle in the feature exhibition "The Encyclopedic Palace." And his reputation continues to grow.Caldecott Medal winner Allen Say, author of the acclaimed memoir Drawing from Memory, takes readers through an imagined look at Castle's childhood, allows them to experience his emergence as an artist despite the overwhelming difficulties he faced, and ultimately reveals the triumphs that he would go on toachieve.
The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s. The Invention of the Colonial Americas is an architectural history and mediaarchaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa. In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
An epic quest, a dragon, a knight in shining armor—this classic children’s story is the perfect read for 3rd and 4th graders who love medieval fantasy. A magical toy castle plunges 10-year-old William into a wild fantasy adventure—where he discovers the true meaning of courage. When his beloved caretaker Mrs. Phillips tells him she's leaving, William is devastated. Not even her farewell gift of a model medieval castle helps him feel better—though he has to admit it’s fascinating. From the working drawbridge and portcullis to the fully-furnished rooms, it's perfect in every detail. It almost seems magical. And when William looks at the silver knight, the tiny figure comes to life in his hand—and tells him a tale of a wicked sorcerer, a vicious dragon, and a kingdom in need of a hero. Hoping the castle's magic will help him find a way to make his friend stay, William embarks on a daring quest with Sir Simon, the Silver Knight—but he will have to face his own doubts and regrets if he's going to succeed. William’s story continues in The Battle for the Castle, available as a redesigned companion edition.
History in the Early Years is an innovative and accessible guide to helping young children explore the past through their environment, family history and story. This fully revised edition includes guidance on introducing children to the past at the Foundation Stage in school and pre-school settings. Throughout it shows how the requirements of the early years curriculum can be met in innovative ways, and is fully illustrated by case study examples of children's learning and also supported by recent research. The book will support both new and experienced early years practitioners in developing young children's sense of identity through history. It encourages practitioners to ensure that history is a significant dimension of early years education and will be essential reading for all teachers in the early and primary years.
As modern tourist destinations, museums, and sites of archaeological and architectural study, medieval castles continue to captivate students of history and laymen alike. Medieval cathedrals, many refurbished and still in use, also inspire awe, inspiration, and historical interest. In this book, readers will be enthralled by the vivid imagery of the castles and cathedrals that remain all over Europe and the rich historical narratives their stories convey. This work will be a surefire hit with those seeking the history behind some of the most impressive and romantic castles ever constructed and the most soaring and grand cathedrals of the medieval era.