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Method -- Oratory -- Morality -- Institutions & Empire.
Cassius Dio’s Speeches and the Collapse of the Roman Republic provides a detailed analysis of one of our most important historical sources for the transition from Republic to Principate, using the speeches it contains as the point of departure.
Cassius Dio’s Roman History is an essential, yet still undervalued, source for modern historians of the late Roman Republic. The papers in this volume show how his account can be used to gain new perspectives on such topics as the memory of the conspirator Catiline, debates over leadership in Rome, and the nature of alliance formation in civil war. Contributors also establish Dio as fully in command of his narrative, shaping it to suit his own interests as a senator, a political theorist, and, above all, a historian. Sophisticated use of chronology, manipulation of annalistic form, and engagement with Thucydides are just some of the ways Dio engages with the rich tradition of Greco-Roman historiography to advance his own interpretations.
An insightful and original exploration of Roman Republic politics In A Companion to the Political Culture of the Roman Republic, editors Valentina Arena and Jonathan Prag deliver an incisive and original collection of forty contributions from leading academics representing various intellectual and academic traditions. The collected works represent some of the best scholarship in recent decades and adopt a variety of approaches, each of which confronts major problems in the field and contributes to ongoing research. The book represents a new, updated, and comprehensive view of the political world of Republican Rome and some of the included essays are available in English for the first time. Divided into six parts, the discussions consider the institutionalized loci, political actors, and values, rituals, and discourse that characterized Republican Rome. The Companion also offers several case studies and sections on the history of the interpretation of political life in the Roman Republic. Key features include: A thorough introduction to the Roman political world as seen through the wider lenses of Roman political culture Comprehensive explorations of the fundamental components of Roman political culture, including ideas and values, civic and religious rituals, myths, and communicative strategies Practical discussions of Roman Republic institutions, both with reference to their formal rules and prescriptions, and as patterns of social organization In depth examinations of the 'afterlife' of the Roman Republic, both in ancient authors and in early modern and modern times Perfect for students of all levels of the ancient world, A Companion to the Political Culture of the Roman Republic will also earn a place in the libraries of scholars and students of politics, political history, and the history of ideas.
In a radical change of approach, Cassius Dio’s Forgotten History of Early Rome illuminates the least explored and understood part of Cassius Dio’s enormous Roman History: the first two decads, which span over half a millennium of history and constitute a quarter of Dio’s work. Combining literary and historiographical perspectives with source-criticism and textual analysis for the first time in the study of Dio’s early books, this collection of chapters demonstrates the integral place of ‘early Rome’ within the text as a whole and Dio’s distinctive approach to this semi-mythical period. By focussing on these hitherto neglected portions of the text, this volume seeks to further the ongoing reappraisal of one of Rome’s most significant but traditionally under-appreciated historians.
Winner of the 2017 Choice Outstanding Academic Title Award Cassius Dio: Greek Intellectual and Roman Politician, a collection of essays on this historian, is the first to appear in the new Brill series Historiography of Rome and Its Empire. The volume brings together case studies that highlight various aspects of Dio’s Roman History, focusing on previously ignored or misunderstood aspects of his narrative. The main purpose of the volume is to pursue a combined historiographic, literary and rhetorical analysis of Dio’s work and of its political and intellectual agendas. Dio's work is often used as a handy resource, with scholars looking at isolated sections of his annalistic structure. Contrary to this approach, the volume puts emphasis on Cassius Dio and his Roman History in its historiographical setting, thus allowing us to link and understand the different parts of his work.
"Cassius Dio (c. 160-c. 230) is a familiar name to Roman historians, but still an enigmatic one. His text has shaped our understanding of his own period and earlier eras, but basic questions remain about his Greek and Roman cultural identities and his literary and intellectual influences. Contributors to this volume read Dio against different backgrounds including the politics of the Severan court, the cultural milieu of the Second Sophistic and Roman traditions of historiography and political theory. Dio emerges as not just a recounter of events, but a representative of his times in all their complexity"--
"This volume focuses on Cassius Dio as a historian - the only historian who allows us to follow the developments of Rome's political institutions during a more than thousand year period, from the foundation of the city to Cassius Dio's retirement from public life in 229 CE. The volume explores the Roman historian's methodology and agendas, all of which influenced his approaches to Rome's history. It offers a reassessment that rests on a deeper study of his relationship with historiographical traditions as well as his narrative and structural approach to Roman history. It examines Cassius Dio as both a writer in the historiographic tradition with his own agenda for writing The Roman History and a historian with his own ambition to tell the history of Rome. Contributors are: Valérie Fromentin, Mads O. Lindholmer, Christopher Baron, Konstantin V. Markov, Josip Parat, Christopher Burden-Strevens, Adam M. Kemezis, Andrew G. Scott, Jesper M. Madsen, Alex Imrie, Graham Andrews, Eric Adler, Carsten H. Lange, Antonio Pistellato, Jesper Carlsen, Brandon Jones, Julie Langford"--
In her new book about the men who were instrumental in establishing the Rome of the Emperors, Colleen McCullough tells the story of a famous love affair and a man whose sheer ability could lead to only one end -- assassination. As The October Horse begins, Gaius Julius Caesar is at the height of his stupendous career. When he becomes embroiled in a civil war between Egypt's King Ptolemy and Queen Cleopatra, he finds himself torn between the fascinations of a remarkable woman and his duty as a Roman. Though he must leave Cleopatra, she remains a force in his life as a lover and as the mother of his only son, who can never inherit Caesar's Roman mantle, and therefore cannot solve his father's greatest dilemma -- who will be Caesar's Roman heir? A hero to all of Rome except to those among his colleagues who see his dictatorial powers as threats to the democratic system they prize so highly, Caesar is determined not to be worshiped as a god or crowned king, but his unique situation conspires to make it seem otherwise. Swearing to bring him down, Caesar's enemies masquerade as friends and loyal supporters while they plot to destroy him. Among them are his cousin and Master of the Horse, Mark Antony, feral and avaricious, priapic and impulsive; Gaius Trebonius, the nobody, who owes him everything; Gaius Cassius, eaten by jealousy; and the two Brutuses, his cousin Decimus, and Marcus, the son of his mistress Servilia, sad victim of his mother and of his uncle Cato, whose daughter he marries. All are in Caesar's debt, all have been raised to high positions, all are outraged by Caesar's autocracy. Caesar must die, they decide, for only when he is dead will Rome return to her old ways, her old republican self. With her extraordinary knowledge of Roman history, Colleen McCullough brings Caesar to life as no one has ever done before and surrounds him with an enormous and vivid cast of historical characters, characters like Cleopatra who call to us from beyond the centuries, for McCullough's genius is to make them live again without losing any of the grandeur that was Rome. Packed with battles on land and sea, with intrigue, love affairs, and murders, the novel moves with amazing speed toward the assassination itself, and then into the ever more complex and dangerous consequences of that act, in which the very fate of Rome is at stake. The October Horse is about one of the world's pivotal eras, relating as it does events that have continued to echo even into our own times.
The volume Cassius Dio the Historian: Methods and Approaches explores the Roman historian’s methodology and agendas. He had his own agendas for writing his Roman History, but at the same time, he was a historian with an ambition to tell the history of Rome.