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Articles by E.D. Cleland, A. Wise and T.S. Denny separately annotated.
Excerpt from Cassell's Picturesque Australasia, Vol. 4 Mount Cook is surely the centre and the glory of New Zealand's natural beauties, but until lately it has been practically inaccessible, except at considerable trouble and expense. Camping-out used to be a regular feature of the trip, and camping-out, especially if you have ladies in the party, means no little paraphernalia. Mount Cook has, however, lately been opened up, chie y through the praiseworthy exertions of a single enthusiast, of whom more presently; and travellers in New Zealand are now supplied with a very fascinating advertisement, which, on thick paper, and with every advantage of type, explains the facilities that are now offered - may the mild joke be excused - to Cook's tourists. This advertisement, and the real facilities of the journey, have already attracted a stream of visitors, which will certainly increase as the years go on, until Mount Cook is included in the regular round. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.
Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women eagerly spreading commerce and civilization around the globe, this thoroughly researched, engagingly written, and lavishly illustrated account suggests instead that boredom was central to the experience of empire. Combining individual stories of pain and perseverance with broader analysis, Professor Auerbach considers what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India. He reveals that for numerous men and women, from explorers to governors, tourists to settlers, the Victorian Empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, Imperial Boredom demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work tedious and unfulfilling. The empires early years may have been about wonder and marvel, but the Victorian Empire was a far less exciting project. Many books about the British Empire focus on what happened; this book concentrates on how people felt.
Travel writer, explorer and novelist. 'Gaunts never give up', the motto of Mary's ancestor, Prince John of Gaunt (1340-1399) was quoted by Mary's father, William Gaunt, to his children. In the 1880s, Mary Gaunt was one of the first women admitted to Melbourne University. Miss Gaunt's desire to study law was denied since male academics believed women incapable of studying 'difficult' subjects. In 1909, Mary, now widowed, led her own expedition into the West African jungle, staying in remote villages to gather information for her book 'Alone in West Africa'. In 1913, in the absence of sealed roads, Mary travelled in a bone-shaking mule cart from Peking to the edge of the Gobi desert and returned to Europe on a Russian troop train. Her amazing experiences in China and Russia produced two more travel books. Mary donated her royalties to the Red Cross to help Belgian refugees. For many years she lived in Italy and, during World War Two, died in France. Prelude: Outwitting Mussolini1. 'Gaunts never give up'2. Encountering prejudice at university3. Finding Doctor Right4. Mary postpones a visit to China5. Africa - the 'Dark Continent'6. Heading a band of naked warriors7. 'Madame, you have the heart of a lion'8. 'Murder Hill' and German Togoland9. Black magic among the Ashanti10. The male dinosaurs of Londonís RGS11. Through Tsarist Russia to Peking12. Inside the walls of the Forbidden City13. A political assassination14. The Great Wall of China15. 'Behind every small foot is a jar of tears'16. Chengde and the hunting palace of the Manchu17. The temple of the Three Mountains18. 'Please keep your last bullet for yourself'19. Last days in China20. Exploring the Amur River and Saghalien21. On a troop train through Siberia22. St Petersburg and after23. Captured by Germans24. The Gaunts in wartime25. The final years of a cosmopolitan author
Photographing Papua is a study of photography in the public domain in the late nineteenth and early twentieth centuries. It argues that southeastern New Guinea, known as British New Guinea and then as Papua when it became an Australian colony, was created as a geographical place through visual representation in illustrated magazines and newspapers, lavishly illustrated travelogues and mission hagiography, serial encyclopedia, lantern slides and postcards. Readers :knew" Papua because many thousands of black and white photographs of Papuans, villages and material culture rapidly swamped the reading public once the process of halftone, newsprint reproduction became possible. In an innovative and breakthrough fashion Photographing Papua switches attention from a few well known prints in museums and archives, in some cases repeatedly reproduced, but mostly rarely seen outside of scientific and scholarly circles. It deals instead with thousands of photographs, often used in ways not intended when the photograph was taken, but which editors and publishers (and subsequent photographers) gradually made conform to an iconographic imperative, a sort of abbreviated visual gallery of "natives" and a quick-access pathway to the actual and imagined lives of Papuans in the "last Unknown" as New Guinea was titled. It is a study of representation, colonialism, cross-cultural encounters and the early world of illustrated media and photo-journalism.