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"Casa Grande Ruin" by Cosmos Mindeleff. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
First published in 1942, John R. Swanton’s Source Material on the History and Ethnology of the Caddo Indians is a classic reference on the Caddos. Long regarded as the dean of southeastern Native American studies, Swanton worked for decades as an ethnographer, ethnohistorian, folklorist, and linguist. In this volume he presents the history and culture of the Caddos according to the principal French, Spanish, and English sources. In the seventeenth century, French and Spanish explorers encountered four regional alliances-Cahinnio, Cadohadacho, Hasinai, and Natchitoches-within the boundaries of the present-day states of Arkansas, Louisiana, Texas, and Oklahoma. Their descriptions of Caddo culture are the earliest sources available, and Swanton weaves the information from these primary documents into a narrative, translated into English, for the benefit of the modern reader. For the scholar, he includes in an appendix the extire test of three principal documents in their original Spanish. The first half of the book is devoted to an extensive history of the Caddos, from De Soto’s encounters in 1521 to the Caddos’ involvement in the Ghost Dance Religion of 1890. The second half discusses Caddo culture, including origin legends and religious beliefs, material culture, social relations, government, warfare, leisure, and trade. For this edition, Helen Hornbeck Tanner also provides a new foreword surveying the scholarship published on the Caddos since Swanton’s time.
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society