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In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years. She illustrates how these caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism.
A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today.
Comic empires is an innovative collection of new scholarly research, exploring the relationship between imperialism and cartoons, caricature, and comic art.
"On September 30, 2005, the Danish newspaper Jyllands-Posten published twelve cartoons of the Prophet Muhammad. Five months later, thousands of Muslims inundated the newspaper with outpourings of anger and grief by phone, email, and fax; from Asia to Europe Muslims took to the streets in protest. This book is the first comprehensive investigation of the conflict that aroused impassioned debates around the world on freedom of expression, blasphemy, and the nature of modern Islam". --Publisher.
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.
Ever wondered why The Scream brings a smile to the faces of people worldwide? Felt inadequate because you don’t find the Sistine Chapel ceiling as funny as it should be? After reading this book you’ll never be daunted by art again. From Pop Art to Pollock, Renoir to Rodin, Hockney to Hirst and Matisse to Monet, Peter Duggan’s Artoons is a clever and satirical series of cartoons on artists, artworks and all things art related from the popular Guardian Online series by Peter Duggan. With over 100 unique takes on the history of art, Peter Duggan’s Artoons will have you laughing along with the rest of the gallery crowd. The perfect gift for people who love both art and smiling and will make you look at your favourite paintings in a new and surprising way.
This thought-provoking collection offers a multi-disciplinary approach on the subject of humour, Muslims, and Islam. Beginning with theoretical perspectives and scriptural guidance on permissible and restricted humour, the volume presents a variety of case studies about Muslim comedic practices in various cultural, political, and religious contexts. This unprecedented scholarship sheds new light on common misconceptions about humour and laughter in Islam and deftly tackles sensitive themes from blasphemy to freedom of speech. Chapter 9 is available Open Access via OAPEN under CC-BY-NC-ND licence.
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.