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Walt Disney World hosts more than 2,500 weddings each year, and it's one of the most popular honeymoon destinations in the world. Whether you're looking for a casual vow renewal on the beach, a designer wedding in the shadow of Cinderella Castle, or a honeymoon with a touch of pixie dust, this book is for you! PassPorter's Disney Weddings & Honeymoons is both a guidebook and a bridal organizer tailored to the unique requirements of planning a wedding, vow renewal, or commitment ceremony at Walt Disney World or on the Disney Cruise Line. It will take you through the entire process, outline your options, offer valuable tips, organize your information, and help you plan your event down to the last detail--including what to say when the umpteenth person asks, "Is Mickey going to officiate?" (Answer: "No, that's Goofy's job!"). We've combined everything you'll want to know about prices, the contract, locations, food, decor, entertainment, photography, and transportation with worksheets that help you capture essential details, compare choices, and record your inspiration. We've also included two chapters full of ideas for making a Walt Disney World or Disney Cruise Line honeymoon extra special. This 280 page volume includes 225+ beautiful black and white photos and includes a full chapter on Disney's brand-new, low-cost Memories Collection for vow renewals and elopements. These intimate ceremonies for groups of six or fewer will be available throughout 2011 as part of Disney's Fairy Tale Weddings' 20th anniversary celebration. We cover everything you need to know including the price, locations, package elements, available upgrades, and booking policies of these and every Disney wedding offering. Also included is complete information on Disney's new Facebook app, My Disney's Fairy Tale Wedding, which serves as a wedding web site, RSVP tracker, room booking engine, and social network for your event.
Vibrant, splendidly hued, and charming beyond compare, the work of Disney designer and illustrator Mary Blair is more than just acclaimed—it is adored. She has charmed generations with her whimsical creations, from stunning art direction for Cinderella and Peter Pan to the wowing and wonderful “It’s a Small World” ride at Disneyland. Magic Color Flair celebrates this Disney icon, tracing the evolution of her mesmerizing style and showcasing her work in gorgeous, full-color imagery. Curated by award winning animation director and designer, John Canemaker, the Magic Color Flair is an authoritative celebration of Blair’s life work. From her precocious paintings she made while studying at the renowned Chouinard Art Institute, to her concept drawings for Disney films, to her treasured Golden Books, delightful advertisements and large-scale installations. With annotations about her artistic process, Magic Color Flair gives readers an inside look to her bold and lively artistic process that yielded such loveable, and memorable work. While at art school, Blair developed a dynamic style that emphasized drama and emotion. Her gift for visual storytelling caught the eye of Walt Disney himself, who loved her bold graphics, sophisticated whimsicality, and eye-catching use of color and who became a lifelong friend and champion of her work. This book accompanies the Walt Disney Family Museum’s 2014 Mary Blair exhibit of the same title.
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
Part one of an unusual and astonishing new fantasy trilogy that blends fine literary fare with a terrific romp through the reimagined outskirts of Victorian-era London In the imaginary borough of Filching, the extensive Iremonger family (“kings of mildew, moguls of mould”) have made a fortune from junk, building a dark and sprawling mansion from salvage scrap. Heap House is surrounded by the dangerous, noxious, shifting Heaps that stretch beyond its bounds. And within its walls, certain objects begin to display strange signs of life. Young Clod Iremonger is about to be "trousered" and betrothed (unwillingly) to his cousin Pinalippy when he meets the plucky orphan servant Lucy Pennant, with whose help he begins to uncover the dark secrets of his family’s empire. Mystery, romance and the perils of the Heaps await! Gorgeously (and ghoulishly) illustrated by the author, Heap House is peopled with unforgettable characters with delightfully skewed names--anxious, animal-loving Tummis with his pet seagull; menacing cousin Moorcus; dreadful Aunt Rosamud and more. As Carey writes, “Every life is thick with rubbish, but the Iremongers did it with a difference.”
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Wedding Planning and Management: Consultancy for Diverse Clients, 2nd Edition provides students, consultants, vendors, scholars and engaged couples with a comprehensive introduction to the business of weddings. Looking through an event management lens, this is the only book to thoroughly explore the fundamentals of weddings, including historical and cultural foundations, practice, and the business of wedding planning in one volume. An emphasis on diversity, traditions from cultures around the globe are integrated throughout with over 80 international case studies that inspire and set standards for best practice. Since the first edition, there have been many changes in the business of weddings and this second edition has been updated in the following ways: Updated content to reflect recent issues and trends in areas such as family dynamics, media influences, impacts of technology, legislation and the global economy. Every chapter is updated with the most recent research, statistics, vendor information and consultant guidelines. New international case studies explore current research, cultural traditions, vendor relations and consulting best practice. New companion website for instructors that includes PowerPoint slides, case study solutions, additional discussion ideas and assignments. The book is illustrated in full color and contains over 150 images by top wedding photojournalist Rodney Bailey end-of-chapter checklists, practical scenarios and review questions to test readers' knowledge as they progress. Maggie Daniels and Carrie Loveless bring a combination of over 40 years of industry practice and teaching experience, and have written a book that is the ideal guide to successful wedding planning and management.
“Groundbreaking in its call to reconsider our approach to the slow rhythm of time in the very concrete realms of environmental health and social justice.” —Wold Literature Today The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of "slow violence" to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode. In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. And by skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.
A template for pranksters, artists, adventurers and anyone interested in rampant creativity, this is the history of the most influential underground cabal that has never been exposed by the mainstream media. Rising from the ashes of the mysterious and legendary Suicide Club, the Cacophony Society at its zenith hosted chapters in most major US cities and influenced much of what was once called the 'underground'. Packed with original art, never before published photographs, original documents and incredulous news stories this is an homage to the San Francisco group.