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"From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost). J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat. After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.
Part of our new and growing Mysteries and Legends series, Mysteries and Legends of North Carolina explores unusual phenomena, strange events, and mysteries in North Carolina's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in North Carolina history. Read about the Cherokee legend of the Judaculla rock. Try to figure out if Tom Dula, subject of many a local myth and a popular folk song, really did murder his wife. Speculate as to what really caused the Carolina Bays indentations.
A collection of spine-tingling Appalachian ghost stories and tall tales passed down from generation to generation. Whether they tell of faucets that drip blood, monster catfish that lurk at the bottom of quarries, or strange lights on the mountaintop, these stories will make you--like the people who are sharing them--question what you believe. Foxfire has brought the philosophy of simple living to hundreds of thousands of readers, teaching creative self-sufficiency and preserving the stories, crafts, and customs of Appalachia. Inspiring and practical, this classic series has become an American institution. In July 2016, Vintage Shorts celebrates Foxfire's 50th Anniversary.
North CarolinaMyths and Legends explores unusual phenomena, strange events, and mysteries in North Carolina’s history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in North Carolina history. Read about the Cherokee legend of the Judaculla rock. Try to figure out if Tom Dula, subject of many a local myth and a popular folk song, really did murder his wife. Speculate as to what really caused the Carolina Bays indentations.
"Haints" are what people in the low country of Georgia's southeast coast call "spirits." It is believed by some folks that the color Haint Blue keeps evil spirits out of a house. When Haint Blue paint is removed from a house in Savannah, strange occurrences begin and those in the know suspect that wicked spirits are wreaking havoc in the haunted historical district. A series of renters flee the house, afraid for their lives. But when two college students move in and frantically attempt to solve the mysterious happenings and rid the house of wicked haints, one scary encounter after another threatens to take over the house – and those who interfere! This easy read is fun for all ages and guaranteed to make everyone laugh – even the dead! And in case you forget: Be mindful where you tread; you walk upon Savannah's dead.
ONCE A PERSON LEAVES THE MOUNTAIN, THEY NEVER COME BACK, NOT REALLY. THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
Gold Medalist for Paranormal Fiction in the 2021 Reader's Favorite Contest "Charleston’s favorite ghost-talking divorcée returns in Alexander’s latest supernatural mystery... A well-told, deeply felt addition to a ghostly mystery series." — Kirkus "... a highly engaging paranormal mystery filled with frolic, fun, and genuine nail-biting moments... a really fresh take on the paranormal genre, setting this novel apart from others...." — Readers' Favorite Clairvoyant single mom Tipsy Collins is easing into a post-divorce new normal. She’s solved a century-old murder mystery and brought peace to her house. She’s rebuilding her artistic career and co-parenting with her ornery ex-husband. She’s hopeful that her boyfriend is Mr. Right. Mercurial phantom Henry Mott still haunts her house, but he’s become a dear friend. Tipsy plans to return to her lifelong habit of ignoring restless spirits. A series of sudden financial and personal setbacks leave her feeling like she's back to square one, until a new friendship offers unexpected financial salvation. Ivy More has been haunting a Sullivan's Island cottage since the 1940s. Ivy's eccentric granddaughter, Pamella Brewton, will pay big bucks if Tipsy can figure out how to free her moody, volatile Meemaw. It turns out there was more to Ivy’s death than a simple swan dive off the dock at low tide. To complicate matters, Ivy had a secret lover. Shockingly, he's someone Tipsy has seen before. As Tipsy struggles with heartbreak, her ex-husband's shenanigans, and a growing sense of frustration with life, she turns to Henry for help solving Ivy's mystery. She finds herself learning from her brooding housemate, but also from Ivy, who has far more in common with Tipsy than either of them expect.
Will Alexander, sheriff of a small town in southern Appalachia, is baffled by a murder case with no body and no suspect, and sets out to find the truth about what really happened to a local thug.
In this book, Lindsey A. Sherrill explores the exponential growth of true crime podcasting, including the role of the ubiquitous Serial podcast in the growth of the industry. Using both demographic population analysis and interviews with podcast hosts and producers, Sherill demonstrates that true crime podcasts exist as hybrid organizations, with diverse goals ranging from entertainment to criminal justice reform advocacy to journalistic inquiry. These competing motivations of podcast producers are explored, along with the ethical quandaries that emerge in the process of telling true crime stories. Sherrill traces true crime podcasting back to the infancy of the medium and examines the influences, innovations, and events that created the true crime podcast ecosystem, as well as its influence on real cases in the United States. Scholars of communication, sociology, and media studies will find this book of particular interest.