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When Ben tries to hide from bullies at a carnival, he is drawn into a sideshow that promises to make his dreams of popularity and good grades come true, if only he signs a contract agreeing to give up a few minutes of his time.
Reader beware--you choose the scare! GIVE YOURSELF GOOSEBUMPS! Late one night you and your friends visit the old fairgrounds. They're putting up rides and booths for the annual carnival. But this year things look really different. Really odd. Really scary. The place is lit up by a hundred fiery torches. And spooky music is coming from the main tent. Then you meeting Big Al, the creepy carnival manager. He's invited you in to test some of the rides. Will you brave the terrifying Supersonic Space Coaster? Risk the horrors of the Reptile Petting Zoo? Slice through the oily waters of Booger Bog? Or confront the evil Snake Lady? The choice is yours in this scary GOOSEBUMPS adventure that's packed with over 20 super-spooky endings!
In order to get out of the Carnival before midnight, and avoid being trapped there forever, it is necessary to win three sideshow games. The prize would be a chance to fight for freedom, and you really don't want to lose.
When we last saw Desmond Pucket, he was fresh from rescuing a bus full of monsters from the now defunct amusement park ride The Mountain Full of Monsters. But in all the chaos of the monster rescue, Desmond never stopped to think what he was going to do with all of these scary props. But if there's one thing Desmond always has, it's ideas for making monster magic! Join Desmond and his posse of pranksters as they create their greatest show yet: The Cloverfield Junior High Carnival of Horrors!
Turn off your lights, get ready for frights! When the clock strikes midnight and the moon's full and bright, it's time for dread and fear. For Mr. Midnight is here with two stories, double the danger and twice the terror! STORY ONE: When Priscilla and her friends visit an old fortune teller, they learn that their future is fraught with fear and danger. Join them at THE CARNIVAL OF HORRORS - if you dare! STORY TWO: THE BOY WITH BLOOD RED-EYES steps ashore on the beach at night. But when he takes Rahul, Pui Min and their friends for a swim, their lives are changed forever!
Roll up, roll up! Welcome to the carnival! Enjoy the sweet smells of the cotton candy and candy apples. Listen to the calliope music as you wander among the many stalls, to the screams of children enjoying the various rides. It's all been designed to take your money, but you already know that. What you are not aware of, however, are the strange goings-on of the carnival world after dark. Do the carnies want more than your money? Does the fortune teller know more than she tells you? Are some of the games more dangerous than others? Explore your worst fears, and perhaps gain some new ones, in these twisted tales of what really goes on at the carnival after dark!Table of Contents:Mark Fleming - LifebloodLex H. Jones - For One Night OnlyAndrew Lennon - House of IllusionJason M. Light - AbandonlandDavid J. Fielding - Wobbly BobIke Hamill - The PinchChristina Bergling - ZoltaraGary A. Braunbeck - In a Hand or FaceJohn Dover - Frimby's Big DayDavid Owain Hughes - The Last Freakshow on Earth H.R. Boldwood - Mister Weasels and the Cosmic CarnivalJoe X. Young - The Frog Prince Guy N. Smith - Blood Show at the CarnivalSteven Stacy - The Voodoo ManJ.C. Michael - What a Price to Pay for a Fucking Teddy Bear Selene MacLeod - SweetheartKevin J. Kennedy - VampiroEdited by Brandy Yassa & Lisa Lee Tone
The Halloween carnival seemed like the perfect way to spend a Friday night, but when a group of teenagers find themselves trapped in the haunted mansion, they learn the awful truth about the carnival, and the demons that run it. Now they're trapped, fighting their way through a maze of torturous attractions where vampires, werewolves, aliens, and other monsters come to life, eager for human blood. As the body count rises, friendships are made and lost, and unlikely heroes emerge. The final showdown takes place in Hell, where the ultimate battle between good and evil will determine their fate. The Carnival of Fear - the price of admission is your soul!
The Gothic and the Carnivalesque in American Culture Offers an overview and critique of the development of Gothic studies as a field. This provides a short history of the field. Introduces the idea that the way we read Gothic texts is often different to how we might read ‘literature’. This offers a new way of understanding texts that are not wholly ‘serious’ in their representations, and is widely applicable to a number of genre productions. Provides analysis of popular and cult authors, shows and publications that are underdescribed in most discussions of the American Gothic; including H.P. Lovecraft and Weird Tales, Ray Bradbury, EC Comics, Creepy, Eerie and Vampirella magazines, TV shows such as Thriller and Night Gallery, Stephen King, Anne Rice, Poppy Z. Brite and Neil Gaiman’s Sandman.
The show crept into town late one dark October night to the eerie whine of a calliope. In the terrifying days that followed, everything changed... Two boys stumbled onto the first of the secrets - the nightmare merry-go-round that produced the grisly turnabout of human beings. But not until they actually became part of the dance of death did they discover the final mystery of all...
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women