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Theoretical and ethnographical approaches examine symbolic interactionism’s ability to deploy the concepts of structure and agency in sociological explanation. It illuminates the dialectic of oppression and resistance in everyday life, illustrating that actors make meaning through resistance.
The artists in this exhibition respond to the ecological crises of our Anthropocene, which we ignore at the peril of our own ecocide. Artists Include: Alma Collective (Christoph Both-Asmus/Owanto/Robbin Ami Silverberg/Andreas Wengel/Hervé Youmbi), Thorsten Baensch/Karin Dürr/Carolin Röckelein/Zoe Zin Moe, Sammy Baloji, Julie Dodd, Stephan Erasmus, Nuno Henrique, Daniel Knorr, Guy Laramée, Gideon Mendel, Barbara Milman, Heidi Neilson, Tara O'Brien, Sara Parkel, Susan Reynolds, Ian Van Coller, Shu-Ju Wang, Käthe Wenzel, Thomas Parker Williams, Michelle Wilson, Philip Zimmermann
A bold and entertaining exploration of the epic struggles of yesterday and today. Blackshirts & Reds explores some of the big issues of our time: fascism, capitalism, communism, revolution, democracy, and ecology. These terms are often bandied about, but seldom explored in the original and exciting way that has become Michael Parenti's trademark. Parenti shows how "rational fascism" renders service to capitalism, how corporate power undermines democracy, and how revolutions are a mass empowerment against the forces of exploitative privilege. He also maps out the external and internal forces that destroyed communism, and the disastrous impact of the "free-market" victory on eastern Europe and the former Soviet Union. He affirms the relevance of taboo ideologies like Marxism, demonstrating the importance of class analysis in understanding political realities and dealing with the ongoing collision between ecology and global corporatism. Written with lucid and compelling style, this book goes beyond truncated modes of thought, inviting us to entertain iconoclastic views, and to ask why things are as they are. "A penetrating and persuasive writer with an astonishing array of documentation to implement his attacks." —The Catholic Journalist "By portraying the struggle between fascism and Communism in this century as a single conflict, and not a series of discrete encounters, between the insatiable need for new capital on the one hand and the survival of a system under siege on the other, Parenti defines fascism as the weapon of capitalism, not simply an extreme form of it. Fascism is not an aberration, he points out, but a 'rational' and integral component of the system."—Stan Goff, author of Full Spectrum Disorder: The Military in the New American Century Michael Parenti, PhD Yale, is an internationally known author and lecturer. He is one of the nation's leading progressive political analysts. Author of over 275 published articles and twenty books, his writings are published in popular periodicals, scholarly journals, and his op-ed pieces have been in leading newspapers such as The New York Times and The Los Angeles Times. His informative and entertaining books and talks have reached a wide range of audiences in North America and abroad.
"365 Days of Invisible Work is a compendium of political representations of domestic work collected by the Domestic Worker Photographer Network, an online community of amateur photographers made up of migrant workers, gardeners, dishwashers, artists, teachers, and many more. Organized as a calendar, 365 Days of Invisible Work, is dedicated to making visible the myriad lavours negated by oppressive capitalist structures by highlighting the daily work of cleaners, mothers, interns, care-givers, and many others! The network drew name and inspiration from the international worker-photography movement of the 1920s and 1930s, the first amateur photographers using cameras to represent the lives and conditions of workers. In that spirit, 356 Days of Invisible Work collectively re-thinks today's living and labour conditions, starting from the routines of domestic maintance and care. Conceived during the Grand Domestic Revolution, organized by Casco--Office for Art, Design and Theory, Utrecht, 356 Days of Invisible Work is the third edition of the Werker Magazine series initiated by artists Marc Roig Blesa and Rogier Delfos."--
Little Red Riding Hood set during the Salem Witch Trials
This beautifully produced, highly praised and readable retrospective survey of Andy Goldsworthy's early work covers the fourteen years between 1976 and 1990. It embraces not only photographs of his ephemeral works, but also his earliest permanent sculptures constructed of stone and earth, as well as drawings for monumental sculpture projects in the landscape. The combination of superlative illustrations and incisive texts makes it the most authoritative and comprehensive publication available on the artist's early work.
The innovation of the codex in late antiquity -- The wooden tablet codex -- The single gathering codex -- The multigathering codex : an introduction -- Sewing the gatherings -- Boards and their attachment -- Spine linings -- Endbands -- Covers and their decoration -- Fastenings -- Bookmarks and board corner straps