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Historical Fiction set during the Revolutionary War in northern New England. The Protagonist is a spy in New York during a significant part of the war, then uses his intimate knowledge of the Native American Indians to aid the war effort during the latter part of the war. A romance is woven into the story, and the writing style is that of the late 1800's early 1900's. If one does not find the language style too challenging the book is well written and enjoyable. Recommended. (Newell) About the author: Robert William Chambers (May 26, 1865 - December 16, 1933) was an American artist and fiction writer, best known for his book of short stories titled The King in Yellow, published in 1895. Chambers was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was a fellow student. his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter, written in 1887 in Munich. His most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane. E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction. It was also strongly admired by H. P. Lovecraft and his circle. Chambers's main work of historical fiction was a series of novels set during the Franco-Prussian War. These novels were The Red Republic (1895, centring on the Paris Commune), Lorraine (1898), Ashes of Empire (1898) and Maids of Paradise (1903). Chambers wrote Special Messenger (1909), Ailsa Paige (1910) and Whistling Cat (1932), novels set during the American Civil War. Chambers also wrote Cardigan (1901), a historical novel for younger readers, set at the outbreak of the American Revolution. Chambers later turned to writing romantic fiction to earn a living. According to some estimates, Chambers had one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status. Chambers' romance novels often featured intimate relationships between "caddish" men and sexually willing women, resulting in some reviewers accusing Chambers' works of promoting immorality. Many of his works were also serialised in magazines. (wikipedia.org)
Renowned author Robert W. Chambers dabbled in virtually every literary style under the sun, garnering acclaim from top writers and critics along the way. The story collection A Young Man in a Hurry brings together some of Chambers' most engrossing shorter pieces. As part of our mission to publish great works of literary fiction and nonfiction, Sheba Blake Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.
This is the classic series from Pulitzer Prize-winning historical novelist Kenneth Roberts, all featuring characters from the town of Arundel, Maine. Arundel follows Steven Nason as he joins Benedict Arnold in his march to Quebec during the American Revolution.
Utterly unequipped for anything except to ornament his environment, the crash in Steel stunned him. Dazed but polite, he remained a passive observer of the sale which followed and which apparently realized sufficient to satisfy every creditor, but not enough for an income to continue a harmlessly idle career which he had supposed was to continue indefinitely. He had never earned a penny; he had not the vaguest idea of how people made money. To do something, however, was absolutely necessary. He wasted some time in finding out just how much aid he might expect from his late father's friends, but when he understood the attitude of society toward a knocked-out gentleman he wisely ceased to annoy society, and turned to the business world. Here he wasted some more time. Perhaps the time was not absolutely wasted, for during that period he learned that he could use nobody who could not use him; and as he appeared to be perfectly useless, except for ornament, and as a business house is not a kindergarten, and furthermore, as he had neither time nor money to attend any school where anybody could teach him anything, it occurred to him to take a day off for minute and thorough self-examination concerning his qualifications and even his right to occupy a few feet of space upon the earth's surface. Four years at Harvard, two more in postgraduate courses, two more in Europe to perfect himself in electrical engineering, and a year at home attempting to invent a wireless apparatus for intercepting and transmitting psychical waves had left him pitifully unfit for wage earning. There remained his accomplishments; but the market was overstocked with assorted time-killers. His last asset was a trivial though unusual talent--a natural manual dexterity cultivated since childhood to amuse himself--something he never took seriously. This, and a curious control over animals, had, as the pleasant years flowed by, become an astonishing skill which was much more than sleight of hand; and he, always as good-humored as well-bred, had never refused to amuse the frivolous, of which he was also one, by picking silver dollars out of space and causing the proper card to fall fluttering from the ceiling. Day by day, as the little money left him melted away, he continued his vigorous mental examination, until the alarming shrinkage in his funds left him staring fixedly at his last asset. Could he use it? Was it an asset, after all? How clever was he? Could he face an audience and perform the usual magician tricks without bungling? A slip by a careless, laughing, fashionable young amateur amusing his social equals at a house party is excusable; a bungle by a hired professional meant an end to hope in that direction.
Written by JEFF KATZ & JAMES KUHORIC - Art by JASON CRAIG Cover by ARTHUR SUYDAM Beneath the bloody waters of Crystal Lake, an immortal evil wakes and begins a new cycle of violence in this new collection of the second hit miniseries. Co-published with Dynamite Entertainment.
NEW YORK TIMES BESTSELLER • United States Senator Kirsten Gillibrand recounts her personal journey in public service and galvanizes women to make a meaningful difference in the world around them. “One of the most helpful, readable, down-to-earth, and truly democratic books ever to come out of the halls of power.”—Gloria Steinem Off the Sidelines is a playbook for women who want to step up, whether in Congress or the boardroom or the local PTA. If women were fully represented in politics, Gillibrand says, national priorities would shift to issues that directly impact them: affordable daycare, paid family medical leave, and equal pay. Pulling back the curtain on Beltway politics, she speaks candidly about her legislative successes (securing federally funded medical care for 9/11 first responders, repealing Don’t Ask, Don’t Tell) and her crushing disappointments (failing by five votes to pass a bill protecting survivors of sexual assault in the military). Gillibrand also shares stories of growing up the daughter and granddaughter of two trailblazing feminists in a politically active family in Albany, New York, and retraces her nonlinear path to public office. She lays bare the highs and lows of being a young (pregnant!) woman in Congress, the joys and sacrifices every working mother shares, and the support system she turns to in her darkest moments: her husband, their two little boys, and lots of girlfriends. In Off the Sidelines, Gillibrand is the tough-love older sister and cheerleader every woman needs. She explains why “ambition” is not a dirty word, failure is a gift, listening is the most effective tool, and the debate over women “having it all” is absurd at best and demeaning at worst. In her sharp, honest, and refreshingly relatable voice, she dares us all to tap into our inner strength, find personal fulfillment, and speak up for what we believe in. Praise for Off the Sidelines “Gillibrand has written a handbook for the next generation of women to redefine their role in our world.”—Arianna Huffington “There are moments of immensely appealing self-disclosure that seldom appear in other books of this genre. . . . This isn’t your mother’s political memoir.”—The New York Times Book Review
Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.
Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the