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"Captain America created by Joe Simon & Jack Kirby; Iron man created by Stan Lee, Larry Lieber, Don Heck & Jack Kirby"--Page facing title page.
This provocative collection, edited by acclaimed media psychology writer Travis Langley and with a foreword by the legendary Stan Lee (!), examines the complex psychological and political choices made by Captain America and Iron Man throughout their careers, culminating in Marvel's superhero civil war which spreads far beyond the Avengers themselves. Why do Steve Rogers and Tony Stark see things so differently? What are their motivations? Is either one truly in the right?
Captain America and Iron Man head to Madripoor for a technology expo! What could possibly go wrong? Everything, that's what - especially when Batroc's Brigade shows up, and a technological nightmare threatens to bring the world to its knees! As Cap and Tony fight their way through Madripoor in search of the villains behind the disaster, the elusive Kashmir Vennema is prepared to sell the dangerous secrets she's stolen to the highest bidder - including A.I.M. and M.O.D.O.K. - and foremost among those secrets is complete specs on Iron Man's armor! Plus: Captain America and Namor battle the Thule Society during WWII! As the Thule unleash the Kraken, an Atlantean weapon of ungodly power, Namor encounters a clandestine society - but are they friend or foe? Collecting CAPTAIN AMERICA AND IRON MAN #633-635 and CAPTAIN AMERICA AND NAMOR #635.1.
Marvel's Captain America: Civil War pits hero against hero! Captain America and Iron Man lead two teams of heroes in a clash that will change the course of the Marvel Cinematic Universe. Following the record-breaking success of Marvel's Captain America: The Winter Soldier, the First Avenger will jump into his next big screen solo adventure on May 6, 2016 in Marvel's Captain America: Civil War! Inspired by a classic Marvel comics storyline, the third cinematic Captain America adventure will put Cap against his fellow Avenger, Iron Man. Chris Evans will reprise his role as Captain America, joined by Robert Downey Jr. as Iron Man and Chadwick Boseman (42, Get On Up) as the Black Panther, a character who will make his big screen debut in the film.
This deluxe kit comes with everything needed to build the iconic Iron Man helmet from Marvel’s Cinematic Universe. Build and color your own 3D Iron Man model! Wounded, captured, and forced to build a weapon by his enemies, billionaire industrialist Tony Stark instead created an advanced suit of armor to save his life and escape captivity. Now with a new outlook on life, Tony uses his resources and intelligence to make the world a safer, better place as Iron Man. Now fans can create a wood model of Tony Stark’s Iron Man armor with this deluxe model set. Fun and interactive, IncrediBuilds: Marvel’s Captain America: Civil War: Iron Man 3D Wood Model is the perfect gift for fans of the films. Includes: -Laser-cut, FSC-certified wood sheet with easy-to-assemble pieces -Step-by-step instructions -Coloring and crafting ideas and a booklet Skill Level: Expert © 2016 Marvel
"Marvel's Captain America: Civil War pits hero against hero! Captain America and Iron Man lead two teams of heroes in a clash that will change the course of the Marvel Cinematic Universe. The Winter Soldier is on the run from Black Panther! Captain America will do everything he can to help his old friend"--
In the waning days of World War II, Steve Rogers - Captain America - seemingly sacrifices his life to save his nation. But decades later, he finds himself revived, thrust into a strange new America he barely recognizes. As he meets the heroes his legend inspired, Cap comes to understand what his sacrifice has meant. But it doesn't change one fact: His partner and friend, Bucky, is dead - and Cap may have the means to return to the past and save him. For the sake of the timestream, the Avengers must do everything in their power to stop him! Collecting CAPTAIN AMERICA: MAN OUT OF TIME #1-5 and AVENGERS (1963) #4.
Iron Man or Captain America? Which one is superior—as a hero, as a role model, or as a personification of American virtue? Philosophers who take different sides come together in Iron Man versus Captain America to debate these issues and arrive at a deeper understanding of the strengths and weaknesses of these iconic characters. The discussion ranges over politics, religion, ethics, psychology, and metaphysics. John Altmann argues that Captain America’s thoughtful patriotism, is superior to Iron Man’s individualist-cosmopolitanism. Matthew William Brake also votes for Cap, maintaining that it’s his ability to believe in the impossible that makes him a hero, and in the end, he is vindicated. Cole Bowman investigates the nature of friendship within the Avengers team, focusing predominantly on the political and social implications of each side of the Civil War as the Avengers are forced to choose between Stark and Rogers. According to Derrida’s Politics of Friendship, Cap is the better friend, but that doesn’t make him the winner! Aron Ericson’s chapter tracks our heroes’ journeys in the movies, culminating with Civil War, where the original attitudes of Tony (trusts only himself) and Steve (trusts “the system”) are inverted. Corey Horn’s chapter focuses on one of the many tensions between the sides of Iron Man and Captain America—the side of Security (Iron Man) versus Liberty (Cap). But Maxwell Henderson contends that if we dig deeper into the true heart of the Marvel Civil War, it isn’t really about security or privacy but more about utilitarianism—what’s best for everybody. Henderson explains why Iron Man was wrong about what was best for everybody and discloses what the philosopher Derek Parfit has to say about evaluating society from this perspective. Daniel Malloy explains that while both Captain America and Iron Man have faced setbacks, only Iron Man has failed at being a hero—and that makes him the better hero! In his other chapter, Malloy shows that where Iron Man trusts technology and systems, Captain America trusts people. Jacob Thomas May explores loss from the two heroes’ points of view and explains why the more tragic losses suffered by Stark clearly make him the better hero and the better person. Louis Melancon unpacks how Captain America and Iron Man each embodies key facets of America attempts to wage wars: through attrition and the prophylactic of technology; neither satisfactorily resolves conflict and the cycle of violence continues. Clara Nisley tests Captain America and Iron Man’s moral obligations to the Avengers and their shared relationship, establishing Captain America’s associative obligations that do not extend to the arbitration and protection of humans that Iron Man advocates. Fernando Pagnoni Berns considers that while Iron Man is too much attached to his time (and the thinking that comes with it), Captain America embraces-historical values, and thinks that there are such things as intrinsic human dignity and rights—an ethical imperative. Christophe Porot claims that the true difference between Captain America and Iron Man stems from the different ways they extend their minds. Cap extends his mind socially while Stark extends his through technology. Heidi Samuelson argues that the true American spirit isn't standing up to bullies, but comes out of the self-interested traditions of liberal capitalism, which is why billionaire, former-arms-industry-giant Tony Stark is ultimately a more appropriate American symbol than Steve Rogers. By contrast, Jeffrey Ewing shows that the core of Captain America: Civil War centers on the challenge superpowers impose on state sovereignty (and the monopoly of coercion it implies). Nicol Smith finds that Cap and Shell-Head’s clash during the Civil War does not necessarily boil down to the issue of freedom vs. regulation but rather stems from the likelihood that both these iconic heroes are political and ideological wannabe supreme rules or “Leviathans.” Craig Van Pelt reconstructs a debate between Captain America and Iron Man about whether robots can ever have objective moral values, because human bias may influence the design and programming. James Holt looks into the nature of God within Captain America’s world and how much this draws on the “previous life” of Captain Steve Rogers. Holt’s inquiry focuses on the God of Moses in the burning bush, as contrasted with David Hume’s understanding of religion. Gerald Browning examines our two heroes in a comparison with the Greek gods Hephaestus and Hercules. Christopher Ketcham supposes that, with the yellow bustard wreaking havoc on Earth, God asks Thomas Aquinas to use his logical process from Summa Theologica to figure which one of the two superheroes would be better at fixing an economic meltdown, and which one would be better at preventing a war. Rob Luzecky and Charlene Elsby argue that gods cannot be heroes, and therefore that the god-like members of the Avengers (Iron Man, with a god’s intelligence; Thor, with a god’s strength, and the Hulk, with a god’s wrath) are not true heroes in the same sense as Captain America. Cap is like Albert Camus’s Sisyphus, heroic in the way that he rallies against abstract entities like the gods and the government.
Understand the shared story in which we all play a part. Connect human creativity with the impulse of our Creator. Explore the relationship between images and imaging God. Do you like movies? Are you a cinephile? Do your friends consult YOU instead of IMDB? Were you raised on television? Spend hours talking cinema? This book is definitely for you. If you're a casual consumer who thinks Hollywood exists simply for diversion, this book may change your life. ""I am a Junior film and Television student... your interpretations of the films have helped formed the kind of filmmaker I am becoming, and also the way I experience films."" Humans crave narrative and usually don't stop to question why. Are we perhaps created to consume story, to create story, because we're image bearers of a Master Storyteller? In this book, movies meet God at the multiplex as the author challenges readers to redefine entertainment, understand the story they're in, and experience a new integrated level of spirituality and entertainment. ""You actually look at the film aspects and see how the artist's worldview really comes through."" What can we learn about God from Doctor Who and Han Solo? What are people like Jon Stewart and even Michael Bay helping us understand about story, good and bad? Peppered with movie quotes and metaphors, journey through the incredible changes film and storytelling have had on 21st century culture. Instead of an overly-academic offering on film and faith, Cinemagogue weaves a narrative from the author's own pop culture saturated life to the Greatest Story Ever Told, from Superman to Citizen Kane, Bertrand Russell to John Frame, Kurt Vonnegut to the apostle Paul, from our favorite narrative to our shared meganarrative. .".".I grew up on television in the 80s and relate to the context you grew up in.... I thank God for you and your ability to glorify him in everything, no matter what."" Classic notions of story structure, "monomyth" and universally shared themes in both popular and classic tales are examined in light of ancient scripture. From there, readers can see the genesis of creativity and worldview distortions from which conversation can bring us back to the future. After a dirty dozen examples of popular film in chapter five (with questions for discussion) the book tackles common objections with genre and content: horror movies, foul language, violence, sexuality, magic and more... and how many traditional objections are overshadowed by incredible opportunities for those brave enough to overcome fear and wade into the culture stream, secure in their faith. ""Your talk was one of the final confirmations of our move to Los Angeles to re-engage the film business by getting upstream in culture and trying to influence from the top down. Worked as an assistant on a TV series for a year, and now I'm working at a digital marketing agency that does a ton of film/TV work, as well as writing/producing my own projects."" The book ends with a call and commission to those who consider themselves spiritual and religious to get their heads out of the sand, to start realizing and utilizing the power of narrative. .".".really convicted me in both the movie and gaming arena to analyze what I am watching/playing and why. I had almost zero discernment before stumbling onto your series..."" A requested resource by movie-goers, movie-makers, pastors and teachers, Cinemagogue is an extension of a website and podcast, providing a "how-to" for those who want to experience the transforming power inherent in all story. ""Listening to your podcasts... opened my eyes to examine what I watch even closer."" Take your entertainment seriously while simultaneously having more fun with it than ever before. Learn how to watch to glorify, to be edified, and possibly to evangelize. Even better, create to
Captain America has fallen into a clash with his government and his friends, and the people close to him are paying the price. Sharon Carter's life is torn apart as her superiors use her divided loyalties against her. The Winter Soldier comes face-to-face with Cap, but which side will he choose? Then, get inside Tony Stark's mind, and learn why he feels that only he can lead the charge for superhuman registration! In the midst of the war, Captain America and Iron Man meet secretly. COLLECTING: CAPTAIN AMERICA #22-24, WINTER SOLDIER: WINTER KILLS, IRON MAN #13-14, IRON MAN/CAPTAIN AMERICA: CASUALTIES OF WAR, CIVIL WAR: THE CONFESSION.