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Murder. Not an intricately plotted "whodunit" or fiery passionate fury. But dirty, sad, disturbing actions from real people. That's what Truman Capote decided to use for IN COLD BLOOD—his bold experiment in the realm of the non-fiction "novel." Following in that legacy is CAPOTE IN KANSAS, a fictionalized tale of Capote's time in Middle America researching his classic book. Capote's struggles with the town, the betrayal, and his own troubled past make this book a compelling portrait of one of the greatest literary talents of the 20th century.
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
A young adult, fictional reimagining of Truman Capote's In Cold Blood and the brutal murders that inspired it. Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote. November is usually quiet in Holcomb, Kansas, but in 1959, the town is shattered by the quadruple murder of the Clutter family. Suspicion falls on Nancy Clutter’s boyfriend, Bobby Rupp, the last one to see them alive. New Yorker Carly Fleming, new to the small Midwestern town, is an outsider. She tutored Nancy, and (in private, at least) they were close. Carly and Bobby were the only ones who saw that Nancy was always performing, and that she was cracking under the pressure of being Holcomb’s golden girl. This secret connected Carly and Bobby. Now that Bobby is an outsider, too, they’re bound closer than ever. Determined to clear Bobby’s name, Carly dives into the murder investigation and ends up in trouble with the local authorities. But that’s nothing compared to the wrath she faces from Holcomb once the real perpetrators are caught. When her father is appointed to defend the killers of the Clutter family, the entire town labels the Flemings as traitors. Now Carly must fight for what she knows is right.
"Truman Capote and the Legacy of In Cold Blood" is the anatomy of the origins of an American literary landmark and its legacy.
Based on stunning new details discovered in the personal archives of former Kansas Bureau of Investigation Director Harold R. Nye, "And Every Word Is True" lays out a fresh, meticulously-researched perspective on the Clutter murder case made famous by Truman Capote's "In Cold Blood."
Dave Hickock never pulled the trigger of a gun or held a knife to murder another person, but he was sentenced to a lifetime of shame, ostracism, guilt, and psychological anguish because of the actions of one man—his brother. On November 15, 1959, Richard Hickock drove to a bus station in Kansas City and picked up Perry Smith, a prison buddy. Together, they drove to Emporia, Kansas, and purchased rubber gloves, nylon cord, and black stockings. Before day's end, four innocent members of the Clutter family in a town across the state of Kansas would have their throats slashed and Richard and his buddy would be arrested and charged with one of the most brutal and infamous murders ever. As the brother of a cold-blooded killer, Dave's life would never be the same. In this compelling narrative told to Linda LeBert-Corbello, Dave shares his journey from the depths of a family tragedy to how he eventually found the kind of inner-peace that accompanies acceptance of the truth and forgiveness. I do not just want to forget and live happily ever after. I want to be forgiven. —David Hickock
In the latest volume in Ig's acclaimed Bookmarked series, award-wining author Justin St. Germain writes about his obsession with Truman Capote's In Cold Blood and the influence seminal true crime book had on his best-selling memoir about his mother's murder, Son of A Gun.
The early fiction of one of the nation’s most celebrated writers, Truman Capote, as he takes his first bold steps into the canon of American literature Recently rediscovered in the archives of the New York Public Library, these short stories provide an unparalleled look at Truman Capote writing in his teens and early twenties, before he penned such classics as Other Voices, Other Rooms, Breakfast at Tiffany’s, and In Cold Blood. This collection of more than a dozen pieces showcases the young Capote developing the unique voice and sensibility that would make him one of the twentieth century’s most original writers. Spare yet heartfelt, these stories summon our compassion and feeling at every turn. Capote was always drawn to outsiders—women, children, African Americans, the poor—because he felt like one himself from a very early age. Here we see Capote’s powers of empathy developing as he depicts his characters struggling at the margins of their known worlds. A boy experiences the violence of adulthood when he pursues an escaped convict into the woods. Petty jealousies lead to a life-altering event for a popular girl at Miss Burke’s Academy for Young Ladies. In a time of extraordinary loss, a woman fights to save the life of a child who has her lover’s eyes. In these stories we see early signs of Capote’s genius for creating unforgettable characters built of complexity and yearning. Young women experience the joys and pains of new love. Urbane sophisticates are worn down by cynicism. Children and adults alike seek understanding in a treacherous world. There are tales of crime and violence; of racism and injustice; of poverty and despair. And there are tales of generosity and tenderness; compassion and connection; wit and wonder. Above all there is the developing voice of a writer born in the Deep South who will use and eventually break from that tradition to become a literary figure like no other. With a foreword by the celebrated New Yorker critic Hilton Als, this volume of early stories is essential for understanding how a boy from Monroeville, Alabama, became a legend in American literature. Praise for The Early Stories of Truman Capote “Succeeds at conveying the writer’s youthful rawness . . . These stories capture a moment when Capote was hungry to capture the rural South, the big city, and the subtle emotions that so many around him were determined to keep unspoken.”—USA Today “A window on the young writer’s emerging voice and creativity . . . Capote’s ability to conjure a time, place and mood with just a few sentences is remarkable.”—Associated Press
He was the most social of writers, and at the height of his career, he was the very nexus of the glamorous worlds of the arts, politics and society, a position best exemplified by his still legendary Black and White Ball. Truman truly knew everyone, and now the people who knew him best tell his remarkable story to bestselling author and literary lion, George Plimpton. Using the oral-biography style that made his Edie (edited with Jean Stein) a bestseller, George Plimpton has blended the voices of Capote's friends, lovers, and colleagues into a captivating and narrative. Here we see the entire span of Capote's life, from his Southern childhood, to his early days in New York; his first literary success with the publication of Other Voices, Other Rooms; his highly active love life; the groundbreaking excitement of In Cold Blood, the first "nonfiction novel"; his years as a jet-setter; and his final days of flagging inspiration, alcoholism, and isolation. All his famous friends and enemies are here: C.Z. Guest, Katharine Graham, Lauren Bacall, Gore Vidal, Norman Mailer, Joan Didion, John Huston, William F. Buckley, Jr., and dozens of others. Full of wonderful stories, startlingly intimate and altogether fascinating, this is the most entertaining account of Truman Capote's life yet, as only the incomparable George Plimpton could have done it.
The national bestselling biography and the basis for the film Capote starring Philip Seymour Hoffman in an Academy Award–winning turn. One of the strongest fiction writers of his generation, Truman Capote became a literary star while still in his teens. His most phenomenal successes include Breakfast at Tiffany’s, In Cold Blood, and Other Voices, Other Rooms. Even while his literary achievements were setting the standards that other fiction and nonfiction writers would follow for generations, Capote descended into a spiral of self-destruction and despair. This biography by Gerald Clarke was first published in 1988—just four years after Capote’s death. In it, Clarke paints a vivid behind-the-scenes picture of the author’s life—based on hundreds of hours of in-depth interviews with the man himself and the people close to him. From the glittering heights of notoriety and parties with the rich and famous to his later struggles with addiction, Capote emerges as a richly multidimensional person—both brilliant and flawed. “A book of extraordinary substance, a study rich in intelligence and compassion . . . To read Capote is to have the sense that someone has put together all the important pieces of this consummate artist’s life, has given everything its due emphasis, and comprehended its ultimate meaning.” —Bruce Bawer, The Wall Street Journal “Mesmerising . . . [Capote] reads as if it had been written alongside his life, rather than after it.” —Molly Haskell, The New York Times Book Review