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ONE OF THE MOST SPOKEN DIALECTS in China, Southeast Asia, and globally, Cantonese was nevertheless deemed a local dialect enjoying little prestige among the intellectuals. Not much was recorded in official documents or gazetteers about the early history of Hong Kong. The Cantonese language and its origin remained much of a mystery until the mid-20th century when scholars started to accord it with increasing attention. Thanks to dedicated efforts of early missionaries, pedagogues, and linguists, we can now trace back the evolution of modern Cantonese since the 19th century— how differences in sounds, words, and grammar distinguish the old from contemporary speech today. In this book, Hung-nin Samuel Cheung, an acclaimed scholar on the study of Cantonese, offers profound insights to various firsthand century-old materials including language manuals, Bible translations, and maps of Hong Kong, with findings that will be useful for ongoing efforts to study the development of the Cantonese language that has gone through many rounds of incredible and, at times, dramatic changes during the last two hundred years.
Cantonese is a language from southern China that is spoken by roughly 70 million people worldwide. It is the language of Hong Kong cinema and has traditionally been the most prominent language spoken in Chinatowns around the world. People choose to learn Cantonese for a variety of social and economic reasons: because it is a heritage language that one’s relatives speak; because it is the language of one’s partner and monolingual in-laws; because it is necessary for living and working in Hong Kong, Macau, Guangzhou, or other Cantonese-speaking communities; because it is the bridge to fully appreciating and understanding Cantonese culture; or simply because it is an irresistible challenge. Whatever the motivation, more and more people are choosing to learn Cantonese as an additional language. This book discusses many issues related to both acquiring and teaching Cantonese. If you are a learner of Cantonese, this long overdue volume is essential to understanding both the grammatical and the social issues involved with learning this notoriously difficult language. If you are a teacher, this book will be invaluable to gaining insight into your students’ motivations and needs. And finally, if you are an applied linguist, the unique aspects related to the acquisition of Cantonese offer a fascinating contribution to the literature.
Cantonese is the only dialect of Chinese which has developed a widely known and used written form. It has played a role in publishing in the Guangdong region since the late Ming dynasty when various types of verses using Cantonese were published as mu yu shu (‘wooden fish books’). In the early twentieth century these dialect texts were joined by Cantonese opera scripts, published as popular reading material. However, it was only after the end of the Second World War that written Cantonese came to be widely used in popular newspapers and magazines, advertising, and in the private communications. Cantonese as Written Language examines this development in the broader context of diglossia, and also of the patterns by which spoken vernaculars have developed written forms in other societies. Based on primary source research, including interviews with publishers and writers who played an important role in the growth of written Cantonese, the author argues that this move of Cantonese into the realm of written language is closely associated with Hong Kong's distinct local culture and identity. The growth of the written vernacular also reflects the territory's evolving cultural distinctiveness from mainland China, first as a British colony, and now as a Special Administrative Region of China.
This Grammar and Workbook is ideal for learners of Cantonese wishing to take their knowledge of the language beyond the elementary level. Its twenty-eight units highlight the key building blocks of sentence structure and comprise a structured introduction to essential grammar points. Each unit also features exercises, focusing on the communicative language, devised to perfect the students knowledge of these grammar points. Its clear presentation and lack of jargon mean that it can be used in conjunction with a language course or for independent study. It will also prove invaluable for revision and reference. Featuring an introduction to the language, full key to exercises and a glossary of grammatical terms, the Grammar and Workbook provides a firm foundation on which to build proficiency and confidence in speaking, reading and writing Cantonese.
Professor Riccardo Moratto and Professor Defeng Li present contributions focusing on the interdisciplinarity of corpus studies, with a special emphasis on literary and translation studies which offer a broad and varied picture of the promise and potential of methods and approaches. Inside scholars share their research findings concerning current advances in corpus applications in literary and translation studies and explore possible and tangible collaborative research projects. The volume is split into two sections focusing on the applications of corpora in literary studies and translation studies. Issues explored include historical backgrounds, current trends, theories, methodologies, operational methods, and techniques, as well as training of research students. This international, dynamic, and interdisciplinary exploration of corpus studies and corpus application in various cultural contexts and different countries will provide valuable insights for any researcher in literary or translation studies who wishes to have a better understanding when working with corpora.
Speak Cantonese, Book Three, is one of a series of books that teaches the modern spoken language of Cantonese, one of the major dialects of Chinese. As appropriate for a text of its kind, it is entirely in romaniation. This volume is the last of the Speak Cantonese series. It emphasizes introducing more idiomatic expressions heard in daily-life situations- a chat in a teahouse, an argument on a bus, a skit broadcast on the radio, etc.
The papers in this volume go back to a conference held September 14-15, 2002, at the University of British Columbia in Vancouver, B.C., in honour of Prof. Daniel L. Overmyer on his retirement. The contributions pay tribute to this renowned scholar of Chinese religious traditions, whose work is a constant reminder to look beyond text to context, beyond idea to practice, to study religion as it was and is lived by real people rather than as an abstract system of ideas and doctrines. Contents PHILIP CLART: Introduction RANDALL L. NADEAU: A Critical Review of Daniel L. Overmyer’s Contribution to the Study of Chinese Religions. I. Popular Sects and Religious Movements HUBERT SEIWERT: The Transformation of Popular Religious Movements of the Ming and Qing Dynasties: A Rational Choice Interpretation SHIN-YI CHAO: The Precious Volume of Bodhisattva Zhenwu Attaining the Way. A Case Study of the Worship of Zhenwu (Perfected Warrior) in Ming-Qing Sectarian Groups CHRISTIAN JOCHIM: Popular Lay Sects and Confucianism: A Study Based on the Way of Unity in Postwar Taiwan SOO KHIN WAH: The Recent Development of the Yiguan Dao Fayi Chongde Sub-Branch in Singapore, Malaysia, and Thailand PHILIP CLART: Merit beyond Measure. Notes on the Moral (and Real) Economy of Religious Publishing in Taiwan JEAN DEBERNARDI: "Ascend to Heaven and Stand on a Cloud." Daoist Teaching and Practice at Penang’s Taishang Laojun Temple. II. Historical and Ethnographic Studies of Chinese Popular Religion JOHN LAGERWEY: The History and Sociology of Religion in Changting County, Fujian KENNETH DEAN: The Growth of Local Control over Cultural and Environmental Resources in Ming and Qing Coastal Fujian PAUL R. KATZ: Religion, Recruiting and Resistance in Colonial Taiwan: A Case Study of the Xilai An Incident, 1915 WANG CHIEN-CH’UAN. Transl. PHILIP CLART: The White Dragon Hermitage and the Spread of the Eight Generals Procession Troupe in Taiwan TUEN WAI MARY YEUNG: Rituals and Beliefs of Female Performers in Cantonese Opera JORDAN PAPER: The Role of Possession Trance in Chinese Culture and Religion: A Comparative Overview from the Neolithic to the Present. III. The Religious Life of Clerics, Literati, and Emperors JUDITH BOLTZ: On the Legacy of Zigu and a Manual on Spirit-writing in Her Name STEPHEN ESKILDSEN: Death, Immortality, and Spirit Liberation in Northern Song Daoism. The Hagiographical Accounts of Zhao Daoyi ROBERTO K. ONG: Chen Shiyuan and Chinese Dream Theory BAREND J. TER HAAR: Yongzheng and His Buddhist Abbots. Glossary – Index
This in-depth historical analysis highlights the enormous contributions of Chinese Americans to the professions, politics, and popular culture of America, from the 19th century through the present day. While the number of Chinese Americans has grown very rapidly in the last decade, this group has long thrived in the United States in spite of racism, discrimination, and segregation. This comprehensive volume takes a global view of the Chinese experience in the Americas. While the focus is on Chinese Americans in the United States, author Jonathan H. X. Lee also explores the experiences of Chinese immigrants in Canada, Mexico, and South America. He considers why the Chinese chose to leave their home country, where they settled, and how the distinctive Chinese American identity was formed. This volume is organized into four sections: historical overview; political and economic life; cultural and religious life; and literature, the arts, and popular culture. Detailed essays capture the essence of everyday life for this immigrant group as they assimilated, established communities, and interacted with other ethnic groups. Alphabetically arranged entries describe the political, social, and religious institutions begun by Chinese Americans and explores their roles as business owners, activists, and philanthropic benefactors for their communities.
According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.