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No matter what, the four very different Richardson sisters always uphold their family’s reputation and legacy—a historic bed-and-breakfast in Charleston, South Carolina. But romance that one sister never saw coming will up-end all their expectations . . . She's the responsible sister, making sacrifices to run the family’s treasured B&B. But for once, Alexandria Richardson decides to take a vacation—a singles’ cruise, where she throws caution to the wind. And the handsome stranger she meets is just what she needs to make every moment sizzle—for all seven wildly sexy days. Energized and refreshed, Alex returns home—only to discover her holiday hottie is also the renowned architect tapped for the B&B’s major renovation project. How is she supposed to manage a business—and an all-consuming desire? Wesley Prescott knows how easy it is to put success above everything else. And he has a lot riding on the prestigious Richardson deal—and on working smoothly with the suddenly serious, buttoned-down Alex. But he can’t resist teasing out the daring, adventurous—and lovable—woman he knows she truly is. Will mixing business with way more than pleasure convince them both that this is one fling that won’t be so easily flung? . . .
Terror has forever changed the life of psychiatrist Tess Ciccotelli. Someone is tormenting her patients, pushing them to commit suicide, and setting her up to take the blame. But Tess can't break her oath to protect her patients' privacy at all costs. Even when detective Aidan Reagan demands a list of everyone she's treating. Even when the mounting danger threatens Tess herself. Aidan doesn't like anyone who stalls his cases. Still, he can't help but admire Tess's fierce loyalty to her patients, especially when it becomes clear that a nameless, facelss enemy is set on destroying her career, her family , and finally, Tess herself. As Aidan's heart softens, the killer's will hardens, and one thing becomes clear - the noose is tightening around Tess's neck.
Havens reflects on his career, the music business, marine conservation and more.
On a cold winter evening in a secluded fjord in Iceland, a neighbour visits the house of a family that has not been seen in a week. No one comes to the door when he knocks. After breaking down the back door, his worst fears are realised. Their home is now an horrific crime scene. Policeman Týr and forensic pathologist Iðunn are called to the house to investigate. As the case advances, harrowing secrets about the family are revealed. Along with a young policeman Karó, the investigative team quickly realise that the case forces them to face their own suppressed past and opens a Pandora's box to much darker crimes. Can't Run, Can't Hide is a masterclass in tension from one of the world's finest crime writers.
The only complete history of Billboard's "Hot RandB/Hip-Hop Singles" chart, this book by Joel Whitburn is a mammoth monument to one of America's most beloved music styles. All the chart hits are here with complete with in-depth chart data, essential artist information and much, much more! Arranged by artist, this authorized Billboard Chart book includes everything from the the early RandB bands, doo-wop groups, sweet soul singers, hot funk unites, sexy divas and the hottest hip-hop stars of today. Each listing has a bio summary and then shows peak chart position, chart debut date, total weeks charted for every song that cracked the charts. Over 4,400 artists and nearly 20,000 song titles.
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.