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The fame of Giovanni Antonio Canal, known as Canaletto, rests mainly on his vivid paintings of Venice, his native city. Only rarely was he tempted to travel, but the popularity of his works with British tourists and patrons led him to England in 1746, and his visit became a productive, nine-year stay. This beautiful book focuses on the fruits of Canaletto’s English sojourn, reproducing the views of London he painted while there, as well as the Italian and imaginary views he painted in response to the vigorous demands of his patrons. The book offers a full study of Canaletto’s English period along with detailed catalogue entries for about fifty paintings and twenty drawings. The works depict such landmarks as St. Paul’s Cathedral, Somerset House, and Westminster Bridge as well as views of Venice and Rome and caprices in which the artist playfully organizes Renaissance palaces and Classical ruins in fanciful juxtapositions.
View-painting in eighteenth-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793. This title presents an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them.
The Royal Collection has one of the largest and finest collections of Venetian art from the first half of the eighteenth century. It includes paintings, prints and drawings by Canaletto himself, as well as those of his contemporaries, such as Sebastiano and Marco Ricci, Antonio Visentini, Francesco Zuccarelli and Giovanni Battista Piazzetta. These artists were patronised by Consul Smith and their works were later purchased by George III. This lavishly illustrated catalogue marks the first time that the rich holdings of eighteenth-century Venetian art in the Royal Collection will have been brought together, and focuses on presenting these extraordinary works against the background of the social and artistic networks of the period. Whilst displaying and analysing the brilliant works of Canaletto himself, including his cityscapes, capriccios and paintings of architecture, this catalogue also discusses the intimate interior of Venetian life, explores the links between artists and the theatre in Venice at this time and looks at Venice as a centre for printmaking and book production.
A technical volume exploring the prospects for decreasing the level of flooding in and around Venice.
In the age of the Grand Tour and the Enlightenment, it was Giovanni Antonio Canal, known as Canaletto, who made the limpid, radiant light of Venice famous far beyound the frontiers of Italy. He developed veduta painting to its finest flowering. As well as numerous views of squares and canals, the artist celebrates - especially in his "Solennita dogali", his group of city festivals - Venice's former magnificence, to which he has created a memorable monument.
England's views are remarkable for their beauty and variety. With his usual insight and authority, bestselling author Simon Jenkins picks 100 of the very best from the white cliffs of Dover to Hadrian's Wall - and explains the fascinating stories behind each. Jenkins' entertaining and erudite entries provide the rich historical, geographical, botanical and architectural background to breathtaking sights - all beautifully illustrated - both iconic and undiscovered. From Gold Hill, the Dorset village street so famously picturesque it was used in a Hovis advert, to the view of the City of London famously depicted by Canaletto and the wilds of the Yorkshire moors. This book will inspire you to discover the treasures of England's sea, city and landscapes for yourself. Filled with roman roads, cliff-tops, follies, mountains, ancient castles, rolling forests and heart-stopping moments, you'll soon wonder how you chose walks, mini-breaks or spontaneous diversions without it. The perfect guide to Britain's landscape - now available in paperback.
Famous series of paintings reproduced in contemporary engravings by Visentini. Wonderful view of 18th-century Venice; thorough text by J. Links. 50 illustrations.