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In this book, Richardson crosses disciplinary boundaries to examine mental hygiene issues of contemporary concern in both the United States and Canada. The work juxtaposes a social history of the child in the twentieth century to shifts in private and public power as influenced by the mental hygiene movements in both countries. The author shows how the historical record sheds light on current policy concerned with mentally, emotionally, and educationally handicapped children. As a sociology of mental illness, the book examines the relationship between mental hygiene as a form of knowledge and the social institutions that fostered the use of psychiatric perspectives concerning child and family life. Significant topics covered in this regard include the history of early childhood and parent education, the origins of child psychiatry in treating juvenile delinquency, and the evolution of contemporary concepts of normal development.
In postwar Canada, having a child out-of-wedlock invariably meant being subject to the adoption mandate. Andrews describes the mandate as a process of interrelated institutional power systems which, together with socio-cultural norms, ideals of gender heteronormativity, and emerging sociological and psychoanalytic theories, created historically unique conditions in the post WWII decades wherein the white unmarried mother was systematically separated from her baby by means of adoption. This volume uncovers and substantiates evidence of the mandate, ultimately finding that at least 350,000 unmarried mothers in Canada were impacted.
Drawing on a wide variety of newly available source material, Angela McAuliffe examines the roots of Pratt's religious attitudes, including his strict Methodist upbringing in Newfoundland and his plans to enter the ministry. She explores Pratt's early prose and unpublished poetry, including his theses on demonology and Pauline eschatology and the unpublished poem "Clay," to trace the origins of religious ideas and motifs that occur in his later work. McAuliffe focuses on key motifs in Pratt's poetry, such as his image of a distant and formidable God, his apocalyptic vision of the world, and his belief in determinism and fate. She concludes that the diversity of religious positions attributed to Pratt and the image of God that emerges from his poetry are facets of the ironic vision of a man of twentieth-century sensibility who wrestled with God and sought a medium of expression equal to his themes.