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Disillusioned by Amerika at the end of the 1980s, Jess packs a bag and heads for Europe not knowing what he will find in his search for Bohemian ideals of Truth, Beauty, Love and Freedom. This quest of a young man's search for himself leads the young artist from California to an art school in Norway and on to Spain where he befriends a coterie of bohemian artists that give him everything he ever dreamed of, and much more. This Kerouacian road trip drowns Jess in wine, drums, horses, love, devotion, adventure, Hemingwayesque festivals, questionable gurus, fireworks, and finally a home.
The majority Evangelical view is that once someone has accepted Christ as Saviour they are guaranteed salvation. But is it safe to assume that once we are saved, we are saved for always? David Pawson investigates this through biblical evidence, historical figures such as Augustine, Luther and Wesley, and evangelical assumptions about grace and justification, divine sovereignty and human responsibility. He asks whether something more than being born again is required so that our inheritance is not lost. This book helps us decide whether ‘once saved, always saved’ is real assurance or a misleading assumption. The answer will have profound effects on the way we live and disciple others.
In the aftermath of the Mexican Revolution, Stridentism (estridentismo) burst on the scene in the 1920s as an avant-garde challenge to political and intellectual complacency. Led by poets Manuel Maples Arce, Germ n List Arzubide, and Salvador Gallardo, prose writer Arqueles Vela, painters Ferm n Revueltas, Ram n Alva de la Canal, Leopoldo M ndez, and Jean Charlot, and sculptor Germ n Cueto, the Stridentists rejected academic conservatism, celebrated modernity and technological novelties such as the radio, cinema and the airplane, and sought to transform not only written and visual language but also everyday life through the creation of new aesthetic spaces and new approaches to the urban environment. From 1921 to 1927, they issued manifestos, published magazines and books, organized performances, and served as a critical force in Mexican art and literature that was known and admired in intellectual circles throughout the Americas. Initially active in Mexico City and Puebla, Stridentism reached its peak in Xalapa, Veracruz, where its members collaborated with the state government to the extent that critics accused them of "stridentizing" the state. By 1928 the movement had dispersed, but its iconoclastic spirit lived on in other forms, merging into and influencing other movements of the 1930s and beyond. This book is a history of Stridentism as a multifaceted cultural movement deeply imbued with the spirit of 1920s Mexico. Bringing together original interdisciplinary research and critical analysis, it explores the ways in which the Stridentists pushed the limits of the collective imagination in an era of conflict and change.
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