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Can I Get There by Candlelight? is Jean Slaughter Doty's story of a young girl and her closest friend—a pony named Candlelight. Lonely and unhappy after her family moves to the East and with only her pony, Candlelight, for company, Gail meets Hilary who is later killed in a pony-cart accident.
In the new Secret, Book, and Scone Society novel from New York Times bestselling author Ellery Adams, the rain in Miracle Springs, North Carolina, has been relentless—and a flood of trouble is about to be unleashed . . . Nora Pennington figures all the wet weather this spring is at least good for business. The local inns are packed with stranded travelers, and among them Nora finds new customers for her store, Miracle Books. Since a little rain never hurt anyone, Nora rides her bike over to the flea market one sodden day and buys a bowl from Danny, a Cherokee potter. But the next day, after Miracle River overflows its banks, and Danny’s body is found floating within the churning waters, Nora decides it’s time for the Secret, Book, and Scone Society to spring into action. A crucial clue may lie within the stone walls of the Inn of Mist and Roses: a diary, over a century old and spattered with candle wax, that leads Nora and her friends through a maze of intrigue—and onto the trail of a murderer . . . “A love letter to reading, with sharp characterizations and a smart central mystery.” —Entertainment Weekly on The Whispered Word
Professor Bowen's book is more than a simple collection of musical allusions; it is an engaging discussion of how Joyce uses music to expand and orchestrate his major themes. The introductions to the separate sections, on each of Joyce's works, express a new and cohesive critical theory and reevaluate the major thematic patterns in the works. The introductory material proceeds to analyze the general workings of music in each particular book. The specific musical references follow, accompanied by their sources and an examination of the role each plays in the work. While the author considers the early works with equal care, the bulk of this volume explores the musical resonances of Ulysses, especially as they affect the style, structure, characterization, and themes. Like motifs in Wagnerian opera, some allusions introduce and later remind us of characters--bits of Molly's songs for instance constantly intrude her impending adultery on Bloom's consciousness. Other motifs are linked to concerns such as Stephen's Oedipal guilt over his mother's death, which in turn connects to his preoccupation with Shakespeare, the creator, the father, and the cuckold. Music helps create the bond which briefly joins Stephen and Bloom, and music augments the entire grand theme of consubstantiality. Professor Bowen's style is simple and clear, allowing Joycean artifice to speak for itself. The volume includes a bibliography.
From a Whitbread Award–winning author: A WWI novel of loyalty and friendship “graced with the immanent lyrical talent of the Irish writers at their best” (Kirkus Reviews, starred review). Born to an aristocratic family on an estate outside of Dublin, Alexander Moore feels the constraints of his position most acutely in his friendship with Jerry Crowe, a Catholic laborer in town. Jerry is one of the few bright spots in Alec’s otherwise troubled life. The boys bond over their love of swimming and horses, despite the admonitions of Alec’s cold and overbearing mother, who scolds her son for venturing outside of his class. When the Great War begins, he seizes the opportunity to escape his overbearing mother and taciturn father, and enlists in the British army. Jerry, too, enlists—not out of loyalty to Britain, but to prepare himself for the Republican cause. Stationed in Flanders, the young men are reunited and find that, while encamped in the trenches, their commonalities are what help them survive. Now a lieutenant and an officer, Alec and Jerry again find their friendship under assault, this time from the rigid Major Glendinning, whose unyielding adherence to rank leads the two men toward a harrowing impasse that will change their lives forever.
The #1 bestselling chapter book series of all time celebrates 25 years with new covers and a new, easy-to-use numbering system! Jack and Annie head back in time to Venice, Italy in the 1700s. With the help of a research book, a book of magic rhymes, and a set of mysterious instructions from Merlin, the heroes will save the beautiful city from a flood! Formerly numbered as Magic Tree House #33, the title of this book is now Magic Tree House Merlin Mission #5: Carnival at Candlelight. Did you know that there’s a Magic Tree House book for every kid? Magic Tree House: Adventures with Jack and Annie, perfect for readers who are just beginning chapter books Merlin Missions: More challenging adventures for the experienced reader Super Edition: A longer and more dangerous adventure Fact Trackers: Nonfiction companions to your favorite Magic Tree House adventures Have more fun with Jack and Annie at MagicTreeHouse.com!
Although Karen Frazer had been divorced by her husband Paul two years before, and had heard that he had since become engaged to another woman, she still loved him. But she was not yet free of him—for Paul's married brother was pursuing Karen's irresponsible young sister, and her mother had asked Karen to persuade Paul to do what he could to put a stop to the affair. Karen dreaded the thought of meeting Paul again, but for the sake of her mother and sister, what else could she do? And there was Lewis to consider as well—Lewis, who loved Karen and had the best of reasons for keeping her and Paul apart. But when the fateful meeting took place, Paul himself felt some of the old attraction return. Had he been mistaken about Karen all this time?
“The engaging stories . . . draw on Peru’s violent history, the plight of Lima’s poor and the hopes of immigrants in New York . . . finely crafted fiction.” —Chicago Tribune Winner of the Whiting Writers’ Award In this exquisite collection, Daniel Alarcón takes the reader from Third World urban centers to the fault lines that divide nations and people. Wars, both national and internal, are waged in jungles, across borders, in the streets of Lima, in the intimacy of New York apartments. These are lives at the margins of the globalized and not-yet-globalized worlds, the stories of those who shuttle between them and never quite feel at home in the cities where they were born: an unrepentant terrorist remembers where it all began, a would-be emigrant contemplates the ramifications of leaving and never coming back, a reporter turns in his pad and pencil for the inglorious costume of a street clown. War by Candlelight is a devastating portrait of a world in flux, and Daniel Alarcón is an extraordinary new voice in literary fiction, one you will not soon forget. “[A] raw debut collection filled with dislocated, dutiful souls.” —Entertainment Weekly “Precise, searing language and immediately embraceable characters . . . Alarcón’s skill with language and his eye for the beautiful tragedy of the human condition are on brilliant display in War by Candlelight.” —Minneapolis Star Tribune “Alarcón draws on the plight of Lima’s poor and the hopes of New York’s immigrants in this raw first collection.” —The New York Times Book Review
A young girl and her pony become involved in the horse show circuit when she gets a job helping out at a nearby stable and riding school.
There’s a new girl at Rookwood School, and new mystery for Scarlet and Ivy to solve.
*AN IRISH TIMES BOOK OF THE YEAR* 'I can't bear the thought of a world without Michael Longley, yet his poetry keeps hurtling towards that fact more and more urgently as it stretches in an unflinching way beyond comfort or certainty.' So wrote Maria Johnston, reviewing Longley's previous book Angel Hill. Yet The Candlelight Master does not only face into shadows. The title poem sums up the chiaroscuro of this collection, named after a mysterious Baroque painter. Other poems about painters - Matisse, Bonnard - imply that age makes the quest for artistic perfection all the more vital. A poem addressed to the eighth-century Japanese poet, Otomo Yakamochi, says: 'We gaze on our soul-landscapes / More intensely with every year.' The soul-landscape of The Candlelight Master is often a landscape of memory. But if Longley looks back over formative experiences, and over the forms he has given them, he channels memory into freshly fluid structures. His new poems about war and the Holocaust speak to our own dark times. Translation brings dead poets up to date too. The bawdy of Catullus becomes Scots 'Hochmagandy'. Yakamochi and the lyric poets of Ancient Greece find themselves at home in Longley's Carrigskeewaun.