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A study of supernatural activity in the halls of higher learning from the author of Haunted Oklahoma City. Since Norman’s inception more than 120 years ago as a college town, it has gathered a shadowy history and more than a few residents who refuse to leave. Ghostly organ music and sinister whispers fill school buildings in the night. Patients walk the surgical suites of the old infirmary, which was once a quarantine ward for polio victims. Long-deceased sisters still occupy their sororities—one even requiring an exorcism—and dorms are notorious for poltergeists and unexplainable sounds. Professor Jeff Provine sheds light on some of the darker corners of this historic campus and the secrets that reside there.
More than just a college town, Norman owes its persistent population of ghosts to a past rich in legend and steeped in murder. The infamous gangster Lew Murray still lingers in Brendle Corner, searching for his long-buried treasure. Patients who perished in a deadly fire at Griffin Memorial Hospital still roam the vacant wards, while the White Lady eternally descends the east stairs at the Sooner Theater, one of the oldest stages in the state. Author Jeff Provine undertakes a chilling journey through some of Norman's spookiest haunted sites.
Oklahoma City boasts a rich heritage of gumption and perseverance, but there are many tales only whispered from shadows. A spectral woman may be seen in the upper window of the Overholser Mansion, looking for her long-lost love. The spirit of one of Oklahoma's feistiest leaders is said to dwell in the Governor's Mansion, where he trips guests on the stairs. Perhaps still thirsty for the drink a fatal gunshot interrupted, the ghost of a cheating mobster rattles the glasses at Gabriella's off Route 66. Jeff Provine and Tanya McCoy uncover the curious and creepy tales of the Sooner State capital.
Contains over seventy tales of ghostly hauntings from each of the fifty United States and Canada.
Oklahoma’s ghostly legends are as varied as its history and culture. The state boasts hauntings by ancient Native Americans, Spanish miners, soldiers, outlaws, ranchers, performers, students, repairmen, and many more. Oklahoma’s stately mansions, theaters, and old hotels still have previous residents dwelling in a spectral form. One parallel that may be surprising is Oklahoma’s uncanny number of headless ghosts. Haunted Oklahoma explores King Tut’s Tomb on the Arkansas, Mr. Apple’s Mausoleum and the Spooksville Triangle to name just a few. Eerie occurrences, spooky events, unsolved mysteries, and terrifying specters make for a scary journey through Oklahoma’s haunted past.
A Victorian district frozen in time, Guthrie was the first territorial and state capital of Oklahoma, and many of its former residents still wander some of its majestic brick buildings. Outlaws and cultists haunt the infamous Black Jail, the state's first territorial prison. Once a bustling neighborhood, the houses of the overgrown Elbow now stand in ruins. Secrets remain at the famous Masonic Temple shrouded in mystery, and a lonely girl wanders the railroad in search of her beau who never returned home from the Great War. Oklahoma Paranormal Association co-founder Tanya McCoy and Oklahoma historian Jeff Provine invite you to explore these and many more spine-chilling accounts from one of America's most haunted cities.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Oklahoma City was called “A City Born Grown” after it went from a population of a handful at Oklahoma Depot to over 10,000 on its first day. Nobody seems to mention how the streets were laid crooked and took 80 years to fix by tearing up half of downtown and that two rival city governments aimed guns at one another until the Supreme Court sorted out who was in charge. And that was only its first six months! Secret Oklahoma City: A Guide to the Weird, Wonderful, and Obscure shares the places and stories that you won’t hear in History class, though you probably should! Learn about the Chinese Tunnels that housed hundreds of immigrant workers underground. Visit the Overholser Mansion and see if the lady of the house is still in, sixty years after her death! Gain new respect for animal heroes at the American Pigeon Museum. Find out what a giant milk bottle is doing on top of an old grocery store off 23rd. Speaking of groceries, did you know the grocery cart was invented on the south side of town? Or that the parking meter got its start in downtown Oklahoma City? Oklahoma farm kid-turned-professor Jeff Provine has spent more than a decade learning the lesserknown tales of OKC. Come with him on a tour of the unexpected side of Oklahoma City.
For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits. Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness. On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind. Translated by Helge Dascher and Rob Aspinall
"Barry deftly portrays the capricious nature of teen friendships, adolescent peer-pressure, and the kill or be killed nature of a middle school's social scene in her signature style. In an authentic teen voice full of diffidence and melodrama, the bespectacled and freckled Maybonne relates all of life's indignities on equal measure. Heartbreaking stories of a broken home, child molestation, an alcoholic absentee father and a bitter mom emerge between strips about home ec class, summer vacation, and babysitting, illustrating Barry's peerless ability to make the reader both cry and laugh."--