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I began listening to Celtic music in the early 90's when a friend introduced me to Fiona Ritchie's NPR radio program, The Thistle and Shamrock. I'd already become aware of some session tunes through the pennywhistle primer my father had given me in the 80's (when he was still a well, active musician and would play duets with me at family Christmas parties), but I had never before heard recordings of the masters of the whistle, fiddle, harp and uilleann pipes. Needless to say, it was a revelation. Shortly thereafter it seemed like the entire world was listening to the lilting jigs and high-stepping dance tunes in the wake of 1995's Riverdance phenomenon. I loved most everything I heard in that period, from the very traditional, but incredibly virtuosic playing of The Chieftains to the dreamy Celtic-inspired pop of Enya, to the amazing blend of the two extremes by artists like Loreena McKennitt. Fast forward to 2010s . . . Ever since I started writing and arranging for the ukulele I've been planning this book; one that combines my love of traditional Celtic music with my love of the reentrant ukulele (gCEA), which sounds fantastic on solo dance tunes played in the campanella-style (where you try to avoid playing two consecutive notes on the same string to give the sonic illusion of playing on a harp). I'd like to acknowledge Alistair Wood for introducing me to this style of playing as well as three other inspiring arrangers of Celtic tunes for uke: Jonathan Lewis, Rob MacKillop and Wilfried Welti (though I've avoided their books while working on this title to avoid any unintentional borrowing). If you love this style, please check out their work as well! How were the 'Top 25' Celtic session tunes chosen out of the thousands of tunes and variations that are available? Quite simply, I went to the top two sites for traditional tunes and chose to arrange the 25 most bookmarked tunes. Hardly scientific, but a good measure of tune popularity nonetheless. I hope you enjoy the results! Slainte mhaith (good health)! M. Ryan Taylor CONTENTS: There are no page numbers in this book. The contents are listed in alphabetical order, as follows. Although there are no 'easy' tunes in this volume, 10 of the 'easier' tunes are marked with an asterisk. Banish Misfortune Banshee* Blarney Pilgrim* Boys of Bluehill Butterfly Conaughtman's Rambles Cooley's Drowsy Maggie Gravel Walks* Harvest Home* Jimmy Ward's* Kesh Kid on the Mountain King of the Fairies Lilting Banshee* Maid Behind the Bar Mason's Apron Morrison's* Mountain Road Musical Priest* Out on the Ocean Rights of Man Silver Spear Tam Lin* Wind that Shakes the Barley* NOTES: * All of the tunes (except 'King of the Fairies') are arranged in the campanella-style. There are some places, however, where a repetition of a note on separate strings was not practical. * Slur marks have been used in the staff notation to indicate places you may wish to use a hammer-on, pull-off or slide. * A number of the arrangements go up to the 14th fret. I realize not all players have more than 12 frets, but I think enough do to warrant the inclusion. If your ukulele does not go above the 12th fret, experiment with taking these sections or phrases down an octave. * Although there are no 'easy' tunes in this volume, 10 of the 'easier' tunes are marked with an asterisk on the contents page."
Gaspar Sanz (1640 –1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. the smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces.
Recognizing the new role of English as a language of opportunities and possibilities, many academic bodies are launching new courses aimed to equip students with the requisite knowledge and skills. Communicative English for Beginner Level aims to develop students' ability to use English accurately and appropriately in academic, professional and social contexts. This course manly focuses on the development of Listening, Speaking, Reading, Writing, Grammar and Vocabulary skills. Key features:* Simple explanations.* Strengthens students' vocabulary.* Develops accuracy, appropriacy and fluency in communication.* Prepares students face-to-face and telephone communication in academic, social and business contexts.* Engage students in meaningful communication through interactive tasks.* Offers excellent models of use of English through a variety of listening exercises on the CD-ROM.
The ukulele is a great instrument to play jazz songs on.Ukulele is always associated with good vibes, that it makes this instrument particularly adaptable to play any genre of music on, but the richness of ukulele chords and the large amount of repertoire to choose from makes Jazz a priceless source of beautiful tunes. Ten simple arrangements of ten famous jazz standards: - All of Me - Summertime - Satin Doll - Cheek to Cheek - Hello, Dolly! - 12th Street Rag - Blue Moon - Autumn Leaves - Fly Me to the Moon - Moon River
Academy Award-winning songwriter Glen Hansard has wowed the world through the years with his artistic output, including his role in Once, The Swell Season, The Frames, and, starting in 2012, his solo material. This guitar TAB songbook chronicles the best of Hansard's music and draws from all of those periods. Titles: * Back Broke * Drown Out * Falling Slowly * High Hope * Lay Me Down * Love Don’t Leave Me Waiting * Low Rising * Maybe Not Tonight * The Moon * Red Chord * The Song of Good Hope * Star Star * Talking with the Wolves * This Gift * What Are We Gonna Do * What Happens When the Heart Just Stops * You Will Become * Your Face
Brazilian Choro: A Method for Mandolin focuses on teaching bandolim technique for playing Choro. the combination of method book and CD offers a great opportunity to add performance practice to the black-and-white notes on the page. the book, presented in both English and Portuguese, is written for two different groups-Brazilians learning to play bandolim in the Choro tradition, and non-Brazilians who play other styles and want to learn Choro. Mr. Sá, a native Carioca who as played Choro since childhood, understands Choro intuitively and brings a Brazilian perspective to the project. Ms. Mair, a classical mandolinist who has spent much of the past four years refining her Choro technique in Rio, brings an outsider's viewpoint, recognizing the subtle distinctions that make Choro style unique. Together these renowned performers and university professors have created a pathway to help you play Choro with a true Carioca accent. Music presented in standard notation.
Hoewel enorm invloedrijk in Duitstalig Europa, heeft de conceptuele geschiedschrijving (Begriffsgeschichte) tot nu toe weinig aandacht in het Engels gekregen. Dit genre van intellectuele geschiedschrijving verschilt van zowel de Franse geschiedschrijving van mentalités als de Engelstalige geschiedschrijving van verhandelingen door het concept. Aan de hand van practische voorbeelden in de geschiedschrijving wordt deze vorm toegelicht door Bram Kempers, Eddy de Jongh en Rolf Reichardt.
(Ukulele). "Saddle up" with 50 cowboy songs arranged for ukulele: Abilene * Back in the Saddle Again * The Colorado Trail * Don't Take Your Guns to Town * Empty Saddles * Happy Trails * Home on the Range * I Want to Be a Cowboy's Sweetheart * Jesse James * Little Joe, the Wrangler * Mexicali Rose * Pecos Bill * The Red River Valley * Streets of Laredo (The Cowboy's Lament) * Twilight on the Trail * Wagon Wheels * The Yellow Rose of Texas * and more.