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"Ted Scheinman spent his childhood eating Yorkshire pudding, singing in an Anglican choir, and watching Laurence Olivier as Mr. Darcy. As the son of a devoted Jane Austen scholar, this seemed normal. Despite his attempts to leave his mother's world behind, he found himself in grad school organizing the first ever University of North Carolina Jane Austen Summer Camp, a weekend-long event that falls somewhere between an academic conference and superfan extravaganza. In Camp Austen, Scheinman tells the story of his indoctrination into this enthusiastic world, delivering a hilarious and poignant survey of one of the most enduring and passionate literary coteries in history. Combining clandestine journalism with frank memoir, and academic savvy with insider knowledge, Camp Austen is perhaps the most comprehensive study of Austen that can be read in a single sitting. Brimming with stockings, culinary etiquette, and scandalous dance partners, this is summer camp as you've never seen it before--back cover.
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Jane Davies—a new pregnant widow on the Oregon Trail—spends too much of her time thinking about what could have been. To help herself as well as others, she offers to help a family with three young children whose mother has passed by cooking their meals for them. Her only intention is to help the other family. Soon she finds herself falling in love with the three children in the family she helps. Matthew Henderson cannot believe his bad luck. His wife was the first of their company to die on the trek to Oregon, and now he’s gotten a bad ankle sprain going down Big Hill. He can barely keep his family alive without being injured, and now he must do it when he can’t walk. When Jane Davies offers to cook for his small family, Matthew jumps at the chance, and quickly asks her to be his wife—in name only. Will the two strangers be able to come together and form a real relationship? Or will they spend the rest of their lives together with no love between them?
Imagine leading a life of happiness and freedom when one day everything is taken away from you. That is a reality for Jane Thompson, a young girl in the midst of a terrible war. Jane along with her siblings strive to stay optimistic despite the terrible conditions, during the hard and long years of confinement in the concentration camp. Will Jane survive, or will the war take her away too?
"So, where are you headed?" Maggie asked her fellow traveler. "Upstate to a resort in the Catskill mountains," she responded shyly. "I won an essay contest and got invited to this Regency-era theme resort for the summer, all expenses paid and ..." "Camp Jane " Maggie exclaimed. "You're going to Camp Jane, too?" "You too? You're an Austen essay winner?" "Most ardently, yes!" They laughed and hugged like old friends. What if you could spend a summer as the Austen character you most resemble in a lush resort setting surrounded by the other quirky characters from Jane's novels? Maggie Argyle has just that prospect ahead of her. This book is in the tradition of Austenland. Join a cast of Austen favorites as the winners rally round for laughter, love, camaraderie and intrigue, a summer of pure Jane fun.
On the southern portion of what was known as the Sibley’s Pezuna del Caballo (Horse’s Hoof) Ranch in West Texas’ Culberson County are two mountains that nearly meet, forming a gap that frames a salt flat where Indians and later, pioneers came to gather salt to preserve foodstuffs. According to the US Geological Survey, the gap that provides this breathtaking and historic view is named “Jane’s Window.” In Jane’s Window: My Spirited Life in West Texas and Austin, Jane Dunn Sibley, the inimitable namesake of that mountain gap, gives readers a similarly enchanting view: she tells the story of a small-town West Texas girl coming into her own in Texas’ capital city, where her commitment to philanthropy and the arts and her flair for fashion—epitomized by her signature buzzard feather—have made her name a society staple. Growing up during the Depression in Fort Stockton, Jane Sibley learned first-hand the value of hard work and determination. In what she describes as “a more innocent age,” she experienced the “pleasant life” of a rural community with good schools, friends and neighbors, and daily dips in the Comanche Springs swimming pool. She arrived as a student at the University of Texas only ninety days before the bombing of Pearl Harbor and studied art under such luminaries as sculptor Charles Umlauf. Her enchanting stories of returning to Fort Stockton, working in the oil industry, marrying local doctor D. J. Sibley, and rearing a family evoke both her love for her origins and her clear-eyed aspirations. The Sibleys never discussed the details of their good fortune, and, to their gratitude, no one ever asked. In Jane’s Window, Sibley narrates travel adventures, shares vignettes of famous visitors, and tells of her favorite causes, among which the Austin Symphony and the preservation of lower Pecos prehistoric rock art are especially prominent. Peopled with vivid characters and told in Sibley’s uniquely down-to-earth and humorous manner, Jane’s Window paints a portrait of a life filled to the brim with events both heartwarming and heartbreaking.
I told you we were going to be happy here, didn't I, Zara? The speaker was Dolly Ransom, a black-haired, mischievous Wood Gatherer of the Camp Fire Girls, a member of the Manasquan Camp Fire, the Guardian of which was Miss Eleanor Mercer, or Wanaka, as she was known in the ceremonial camp fires that were held each month. The girls were staying with her at her father's farm, and only a few days before Zara, who had enemies determined to keep her from her friends of the Camp Fire, had been restored to them, through the shrewd suspicions that a faithless friend had aroused in Bessie King, Zara's best chum. Zara and Dolly were on top of a big wagon, half filled with new-mown hay, the sweet smell of which delighted Dolly, although Zara, who had lived in the country, knew it too well to become wildly enthusiastic over anything that was so commonplace to her. Below them, on the ground, two other Camp Fire Girls in the regular working costume of the Camp Fire - middy blouses and wide blue bloomers - were tossing up the hay, under the amused direction of Walter Stubbs, one of the boys who worked on the farm.
A thorough investigation of how Jane Jacobs’s ideas about the life and economy of great cities grew from her home city, Scranton Jane Jacobs’s First City vividly reveals how this influential thinker and writer’s classic works germinated in the once vibrant, mid-size city of Scranton, Pennsylvania, where Jane spent her initial eighteen years. In the 1920s and 1930s, Scranton was a place of enormous diversity and opportunity. Small businesses of all kinds abounded and flourished, quality public education was available to and supported by all, and even recent immigrants could save enough to buy a house. Opposing political parties joined forces to tackle problems, and citizens worked together for the public good. Through interviews with contemporary Scrantonians and research of historic newspapers, city directories, and vital records, author Glenna Lang has uncovered Scranton as young Jane experienced it and shows us the lasting impact of her growing up in this thriving and accessible environment. Readers can follow the development of Jane’s acute observational abilities from childhood through her passion in early adulthood to understand and write about what she saw. Reflecting Jane’s belief in trusting one’s own direct observation above all, this volume has been richly illustrated with historic and modern color images that help bring alive a lost Scranton. The book demonstrates why, at the end of Jacobs’s life, her thoughts and conversations increasingly returned to Scranton and the potential for cohesion and inclusiveness in all cities.
"The Camp Fire Girls at Long Lake" by Jane L. Stewart is an engrossing masterwork. This piece exemplifies Stewart's skill at building testimonies that pass beyond simple narration and establish a bond among readers and the diverse range of feelings and reviews that the tale carries. Stewart's story, which is about against the terrifi backdrop of Long Lake, takes the reader on an enchanting journey in which love and creativeness are combined with the Camp Fire Girls. The author's commitment to the younger person literature genre is plain as he crafts a tale that encourages readers to connect and recognize each other in addition to being entertained. Stewart's writing is outstanding by using its tasteful simplicity, which makes the story each understandable and notion-scary. The narrative will become an exploratory canvas, exposing readers to various emotional landscapes and possibilities for private development. Stewart teaches readers of every age well-known standards via the exploits of the Camp Fire Girls, similarly to the delights of kids. "The Camp Fire Girls at Long Lake" is a literary masterpiece that exemplifies Jane L. Stewart's willpower to telling terrific testimonies with an enduring have an impact on.
In Artifacts of Loss, Jane E. Dusselier looks at the lives of these internees through the lens of their art. These camp-made creations included flowers made with tissue paper and shells, wood carvings of pets left behind, furniture made from discarded apple crates, gardens grown next to their housingùanything to help alleviate the visual deprivation and isolation caused by their circumstances. Their crafts were also central in sustaining, re-forming, and inspiring new relationships. Creating, exhibiting, consuming, living with, and thinking about art became embedded in the everyday patterns of camp life and helped provide internees with sustenance for mental, emotional, and psychic survival.