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This publication is devoted to Walter Sickert's remarkable group of paintings of female nudes produced in and around Camden Town between 1905 and 1912 and now considered to be among his most important and provocative works.
'An intricate and brilliantly written psychiatric perspective on the most perplexing of crimes' Kerry Daynes, author of The Dark Side of the Mind 'Beautifully written and very dark' Nimco Ali OBE 'Whodunnit' doesn't matter so much, not to a forensic psychiatrist. We're more interested in the 'why'. In his twenty-six years in the field, Richard Taylor has worked on well over a hundred murder cases, with victims and perpetrators from all walks of life. In this fascinating memoir, Taylor draws on some of the most tragic, horrific and illuminating of these cases - as well as dark secrets from his own family's past - to explore some of the questions he grapples with every day: Why do people kill? Does committing a monstrous act make someone a monster? Could any of us, in the wrong circumstances, become a killer? As Taylor helps us understand what lies inside the minds of those charged with murder - both prisoners he has assessed and patients he has treated - he presents us with the most important challenge of all: how can we even begin to comprehend the darkest of human deeds, and why it is so vital that we try? The Mind of a Murderer is a fascinating exploration into the psyche of killers, as well as a unique insight into the life and mind of the doctor who treats them. For fans of Unnatural Causes, The Examined Life and All That Remains. MORE PRAISE FOR THE MIND OF A MURDERER: 'A fascinating insight into what drives criminality - and a punchy polemic against mental-health service cuts' Jake Kerridge, Sunday Telegraph 'A fascinating, well-written and compelling account of the mental state in homicide' Alisdair Williamson, TLS 'A dark, fascinating and often surprising glimpse into the minds of those who kill, from a forensic psychiatrist who's seen it all' Rob Williams, writer of BBC's The Victim 'An excellent, engaging and honest book, full of interesting, powerful and important observations' Alison Liebling, Professor of Criminology and Criminal Justice, University of Cambridge
When Delia Balmer entered into a relationship with the attentive John Sweeney, she had no idea he was a serial killer. At first he was caring but over the course of their relationship he became violent and controlling. On more than one occasion he held Delia hostage and tortured her. Chillingly, he also confessed to the murder of his previous girlfriend. After one serious assault, Sweeney was released on bail, and left her in the utmost fear knowing that he would return to finish her off. After a final frenzied attack leaving Delia on the brink of death, Sweeney went on the run. Astonishingly, it would take the police six years to capture and convict Sweeney of multiple murders. This is her compelling memoir.
November 1940. As dawn begins to break, blackout regulations are rendered pointless by a car burning fiercely near the Regent's Canal in Camden Town, north London. In the burnt-out vehicle police find the charred remains of a body. The victim is Les Latham, a commercial traveller for the Baring and Sons confectionery company. He liked to be known as Lucky Les, but it seems his luck has finally run out. Detective Inspector John Jago discovers a mysterious photograph and some suspicious-looking petrol ration books among Latham's belongings. These lead him off on a murky trail of deceit, corruption and murder. It seems that the Blitz Detective will have to make his own luck to bring to light an unexpected killer.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...
'A compelling and fascinating tale.' The Times It is 1907 Edwardian London, as social revolution and psychiatry pose new questions for the Law and for the first time the Media is co-opted to run a killer to ground. Twenty-two-year-old Emily Dimmock lies murdered in her Camden Town flat, her head all but severed from her body. There is no thread or stain or fingerprint to point to the perpetrator, only a postcard which, after publication nationally in the newspapers, manoeuvres a young artist into the shadow of the scaffold. This is a vintage whodunit told verbatim by those involved at the time, presided over now by the author, who draws on his experience as a judge at the Old Bailey to get inside the mind of the outspoken but irresolute trial judge of the day. 'A fascinating book that draws you into the murky underworld of Edwardian London and the high drama of a capital trial, meticulously researched and true to the evidence, as well as being a rattling good yarn.' Tom Tyson, The Crime Club 'This is the first in a new series, loved the writing style... Very happy to recommend this on to others.' Fiona Sharp, Waterstones Durham 'If you're after something rather gritty to sink your teeth into this winter, look no further as The Postcard Murder is the one for you! ...You end up taking on the role of a 13th juror without possibly even realising it. Trust me when I say this; you will form your own opinions about the crime, and there is a high chance that you will do what I did and end up shouting blue murder... I am so excited to read more from Paul Worsley.' The Writing Garnet `An enthralling account of human frailty and forensic analysis.` Nicholas Hilliard, Recorder of London `A fascinating reconstruction of one of the most controversial trials ever to have been heard at the Old Bailey... A real whodunit brilliantly told which keeps the reader guessing throughout.` William Clegg, author of Under the Wig 'A gripping debut' Hello Magazine. ABOUT THE AUTHOR Paul Worsley was for ten years a judge at the Old Bailey, where the so-called Postcard Murder was tried. He now lives in rural North Yorkshire, where, as a practising QC, most of his murder cases took place. In The Postcard Murder he gets into the mind of the trial judge in order to lay bare Justice as it was understood and dispensed in Edwardian times.
Examines the century-old series of murders that terrorized London in the 1880s, drawing on research, state-of-the-art forensic science, and insights into the criminal mind to reveal the true identity of the infamous Jack the Ripper.
The brutal murder of Emily Elizabeth 'Phyllis' Dimmock in her Camden Town bedroom during September 1907 and the subsequent police investigation - culminating in the arrest, trial and acquittal of graphic designer, Robert Wood - shocked and fascinated Edwardian England in equal measure. Many writers have attempted to tell the story of this famous unsolved crime but none have managed to do so without misunderstanding, or missing, important clues. Taking a fresh look at the evidence, David Barrat considers documents from the Metropolitan Police file in the National Archives, as well as contemporary newspaper accounts, genealogical records and other sources, to put together the most detailed and accurate account of the case ever published. In doing so, he reveals, for the first time, the astonishing truth about one of the key prosecution witnesses and introduces both new and long-forgotten suspects. He also uncovers hitherto hidden connections between the murder of Emily Dimmock and two other famous unsolved murders of the period. This book is a must-read for anyone interested in historical true crime as the author enables the reader to form their own conclusion as to who might have committed the murder.