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Callista is an arresting picture of Christian commitment under trial in the third century A.D. John Henry Newman's novel follows the moral and spiritual development of three very different characters caught up in the mysterious processes of divine Providence, who all fulfill their destinies through suffering and self-sacrifice. The Greek sculptress Callista, an exile from her native island in the Sea of Marmara, serves the cause of paganism by fashioning images of the gods. Agellius, her suitor, rediscovers his Christian duty and vocation in the terrifying circumstances in which he finds himself, while his brother Juba struggles to overcome his own passions and inner torment.Far from being tied to the past, Newman's novel challenges the assumptions of the modern reader in unexpected ways. More perhaps than his major works, Newman's fiction reveals the contours of his imaginative life, the range and power of his prose writing, and the wider literary culture which he so often subordinated to hishigher vocation or the demands of controversy. Callista's picture of the Christian venture of faith, so close to Newman's own, and the setting in his beloved church of the Fathers in Roman North Africa, make it one of his most characteristic works. Callista is an important text for understanding Newman's lifelong vocation as a Christian apologist, and the importance for him of the early Church.
In CALLISTA: A TALE OF THE THIRD CENTURY John Henry Newman brings the riches of his intellect and imagination to bear upon the the Roman colony of Sicca Veneria in North Africa, circa 250 A.D. Persecution is far from most Christians' living memory. Priests and bishops have grown lukewarm in matters of faith and preoccupied with matters of business. In celebration of the Roman millenium, Emperor Decius decrees that all citizens must pay homage to Rome by swearing by the genius of the Emperor and worshipping Jove. Against this backdrop Newman's novel dramatizes Pagan-Christian conflicts of great consequence through the interwoven fates of three main characters: Agellius, a Christian farmer of Roman descent; Caecilius Cyprianus, the persecuted Bishop of Carthage; and Callista, a Greek decorator of sculptures drawn to the Christian way. Together they must reckon with the most pressing problems of tolerance and exclusivity, conversion and martyrdom.Wiseblood Books fosters fiction, poetry, and philosophy that render truths with what Flannery O'Connor called an unyielding "realism of distances." Such works find redemption in uncanny places and people; wrestle us from the tyranny of boredom; mock the pretensions of respectability; engage the hidden mysteries of the human heart, be they sources of either violence or courage; articulate faith and doubt in their incarnate complexity; dare an unflinching gaze at human beings as "political animals"; and suffer through this world's trials without forfeiting hope. Visit us at www.wisebloodbooks.com. We are wide-eyed for new epiphanies of beauty.