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Sunday Times bestseller Lessons to live by, without getting up with the lark Hannah Jackson (aka The Red Shepherdess) grew up in the Wirral, and hadn't set foot on a farm until she was 20-years-old. But she'd always loved animals and on a visit to the Lake District, she saw a lamb being born and had a light bulb moment - a burning desire to succeed as a farmer - and never looked back. In Tales of a Shepherdess, Hannah gives us a unique insight into farm life and the values it has taught her that we can use in our everyday lives to change ourselves and our world for the better - from connection, communication and community, to leadership, patience and resilience. Hannah will show us how becoming a lambing and farming contractor in a male-dominated and traditional world taught her grit and determination; how training her loyal sheepdog Fraser taught her to trust; and how sometimes failure can teach us more about ourselves than success. Hannah's journey also teaches us how we should find what sets our hearts on fire and throw everything into it. Hannah's simple and universal wisdom, practical advice, and words of encouragement will inspire you to achieve your goals, follow your dreams and focus on what's really important in life.
They didn't have the perfect life, but it was their life; Devon's and his dad's. Then Lily came along, enchanting his father with her shy glances, spicy cooking, and exotic teas. Devon has a bad feeling about this new woman who seems endearing one minute, ice cold the next. It isn't until Devon finds himself in an unfamiliar room in an unfamiliar country that he starts to realize just what type of person Lily is and what she is capable of. Clinging to thoughts of his father and of home, he fights to find hope while living a nightmare.
Cass Adams is crazy, and everyone in Deacon, Kansas, knows it. But when her good-for-nothing husband, Roland, goes missing, no one suspects that Cass buried him in their unfinished koi pond. Too bad he doesn’t stay there for long. Cass gets arrested on the banks of the Spring River for dumping his corpse after heavy rain partially unearths it. The police chief wants a quick verdict—he’s running for sheriff and has no time for crazy talk. But like Roland’s corpse, secrets start to surface, and they bring more to light than anybody expected. Everyone in Cass’s life thinks they know her—her psychic grandmother, her promiscuous ex-best friend, her worm-farming brother-in-law, and maybe even her local ghost. But after years of separate silences, no one knows the whole truth. Except Roland. And he’s not talking.
The #1 New York Times bestselling series! Red Queen, by #1 New York Times bestselling author Victoria Aveyard, is a sweeping tale of power, intrigue, and betrayal, perfect for fans of George R.R. Martin’s Game of Thrones series. Mare Barrow's world is divided by blood—those with common, Red blood serve the Silver-blooded elite, who are gifted with superhuman abilities. Mare is a Red, scraping by as a thief in a poor, rural village, until a twist of fate throws her in front of the Silver court. Before the king, princes, and all the nobles, she discovers she has an ability of her own. To cover up this impossibility, the king forces her to play the role of a lost Silver princess and betroths her to one of his own sons. As Mare is drawn further into the Silver world, she risks everything and uses her new position to help the Scarlet Guard—a growing Red rebellion—even as her heart tugs her in an impossible direction. One wrong move can lead to her death, but in the dangerous game she plays, the only certainty is betrayal. Discover more wonders in the world of Red Queen with Broken Throne: A Red Queen Collection, a companion novel with stories from fan favorites and new voices, featuring never-before-seen maps, flags, bonus scenes, journal entries, and much more exclusive content! Plus don't miss Realm Breaker! Irresistibly action-packed and full of lethal surprises, this stunning fantasy series from Victoria Aveyard, #1 New York Times bestselling author of the Red Queen series, begins where hope is lost and asks: When the heroes have fallen, who will take up the sword?
Never before available in hardback, this is a lavish edition of one of the greatest love stories of our time. The perfect gift for anyone captivated by Elio and Oliver. A sudden and powerful romance blossoms between Elio, an adolescent boy, and Oliver, his parents' guest, over the course of one summer. Each is unprepared for the consequences of their attraction, when, during the hot restless weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy.
Elio believes he has left behind his first love - but as an affair with an older man intensifies, his thoughts turn to the past and to Oliver. Oliver, a college professor, husband and father, is preparing to leave New York. The imminent trip stirs up longing and regret, awakening an old desire and propelling him towards a decision that could change everything. In Call Me By Your Name, we fell in love with Oliver and Elio. Find Me returns to these unforgettable characters, exploring how love can ripple out from the past and into the future.
A brilliant tragicomedy based on the most infamous espionage trial of the twentieth century Thirty years after they walked hand in hand to the electric chair, sentenced to die for giving the gift of the atom bomb to the Soviet Union, Solomon and Dolores Rubell are the targets of a new investigation—conducted not by the FBI, or some paranoid Senate subcommittee, but by Gerald Lerner, boyhood Communist and author of such classic chronicles of the American Jewish experience as Hot Pastrami Sandwich and Kosher and Topless. What does Gerald hope to find, all these years later, by placing ads in the Jewish Daily Forward and Screw seeking former Soviet spies willing to chat? The short answer: His sanity. With a gleam in its eye and tenderness in its heart, David Evanier’s irreverent and incisive novel peers into one of the darkest chapters in American history—the execution of Julius and Ethel Rosenberg on charges of spying for the Soviet Union. Because, as Suzie Sizzle—great-niece of Dolly and Solly Rubell and star of a “goodly number” of hardcore films—explains to Gerald, this is not really a story about death, despite its gloomy ending. It is a story about love—the true love two proud Jewish underdogs had for each other, and the misguided love an entire generation of American leftists had for a political system whose grand promises masked terrible, irreconcilable truths. They say love will make you do crazy things. So, too, will Communism.
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Reared in isolation by her father on the Western prairie, Mary Dove has been taught to fear only one thing. One sparkling October day it happens. The inevitable stranger rides in off the plains, and Mary Dove does what she had always promised her father she would--she shoots. Yet compassion overcomes Mary's fear. In remorse, she tends to the wounded stranger, and what follows is their tentative discovery of each other and a love story that weaves universal and timeless themes. The mother who died before Mary Dove could know her was African-American. And so completely has Mary Dove's father sheltered her that she cannot begin to comprehend what society would so cruelly teach her. Archetypal in their blamelessness and in how deeply they must suffer for their love, Mary Dove and her cowboy, "Red" Christopher Columbus Jones, are so thoroughly West Texan that they prove Rushing's mastery of character and place. "Get away," she said "Now I ain't gonna hurt you," he said, "and I don't want to know nothing about you that you don't want to tell." He came a step closer. "Stop right now," she said, "or I'll shoot." "You wouldn't," he said. He was so nearly right. She believed what he said--or nearly. But she had been afraid so long. And wasn't it a law of God to do what your father said? She trembled, looking into his smiling blue eyes. It would have been easier if he had been preparing to pounce, like the panther, or striking, like the snake. The rifle barrel dropped, a little. "I knew you wouldn't," he said, taking another step towards her. "I have to," she said, and with a terrible struggle to hold the gun steady, she fired.
Dread Locks is the first entry in the Dark Fusion series from master storyteller Neal Shusterman. He cleverly weaves together familiar parts of fairy tales and Greek mythology to tell the story of fourteen-year-old Parker Bear, rich and utterly bored with life—until a new girl arrives in town. Tara's eyes are always hidden behind designer sunglasses, and her hair, blond with glimmering spirals, seems almost alive. Parker watches, fascinated, as one by one Tara chooses high school students to befriend; he even helps her by making the necessary introductions. Over time, her “friends” develop strange quirks, such as drinking gallons of milk, eating dirt, and becoming lethargic. By the time Parker realizes what Tara is doing, he is too embroiled to stop her. In fact, she has endowed him with certain cravings of his own. . . .To say more would spoil the spooky fun of this wild thriller—let the twist speak for itself and leave you still as a statue.