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Frank Bank's story is a sometimes wild, sometimes bawdy, often poignant, always funny account of a real-life Louie Louie who led a nation to California-dreamin'.
Eddie Haskell was the bad kid who never went away. When child actor Ken Osmond stepped onto the set of Leave it to Beaver in 1957, he not only entered our living rooms, he homesteaded a permanant place in American pop culture. The poster child for sneaky, rotten kids everywhere, he was the reference point for cautious mothers to warn their children about. And every one in America knew an Eddie Haskell at some point in his or her life. The amazing phenomenon of Ken Osmond's character is still going strong, over half a century after the show's cancellation. Even today, the name Eddie Haskell remains firmly entrenched in the American lexicon. Political foes from both sides of the ideological spectrum love to accuse their opponents of 'acting like Eddie Haskell, ' and when Kobe Bryant argues a referee's call, tweets go out labeling him and 'Eddie Haskell'. Psychology Today Magazine has published articles about recognizing and treatin the 'Eddie Haskell Syndrome' and Matt Groening created Bart Simpson as his own version of the 'son of Eddie Haskell.' Now it's time to meet Ken Osmond, the man behind America's preeminent bad boy. A man who, as co-star Jerry Mathers said, 'Was the best actor on the program, because he was so diametrically opposed to the character he played.' A devoted husband, father, and patriot, he's a man who's been forever shadowed by Eddie Haskell, but whose own life, was even more amazing than the character he portrayed (from Amazon website)
Major Ernest Pettigrew is perfectly content to lead a quiet life in the sleepy village of Edgecombe St Mary, away from the meddling of the locals and his overbearing son. But when his brother dies, the Major finds himself seeking companionship with the village shopkeeper, Mrs Ali. Drawn together by a love of books and the loss of their partners, they are soon forced to contend with irate relatives and gossiping villagers. The perfect gentleman, but the most unlikely hero, the Major must ask himself what matters most: family obligation, tradition or love? Funny, comforting and heart-warming, Major Pettigrew's Last Stand proves that sometimes, against all odds, life does give you a second chance.
Don't call me a demon. I prefer the term Fallen Angel. Everybody deserves a vacation, right? Especially if you have a pointless job like tormenting the damned. So who could blame me for blowing off my duties and taking a small, unauthorized break? Besides, I've always wanted to see what physical existence is like. That's why I "borrowed" the slightly used body of a slacker teen. Believe me, he wasn't going to be using it anymore anyway. I have never understood why humans do the things they do. Like sin—if it's so terrible, why do they keep doing it? I'm going to have a lot of fun finding out!
Countersexual Manifesto is an outrageous yet rigorous work of trans theory, a performative literary text, and an insistent call to action. Seeking to overthrow all constraints on what can be done with and to the body, Paul B. Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire. Preciado lays out mock constitutional principles for a countersexual revolution that will recognize genitalia as technological objects and offers step-by-step illustrated instructions for dismantling the heterocentric social contract. He calls theorists such as Derrida, Foucault, Butler, and Haraway to task for not going nearly far enough in their attempts to deconstruct the naturalization of normative identities and behaviors. Preciado’s claim that the dildo precedes the penis—that artifice, not nature, comes first in the history of sexuality—forms the basis of his demand for new practices of sexual emancipation. He calls for a world of sexual plasticity and fabrication, of bio-printers and “dildonics,” and he invokes countersexuality’s roots in the history of sex toys, pornography, and drag in order to rupture the supposedly biological foundations of the heterocentric regime. His claims are extreme, but supported through meticulous readings of philosophy and theory, as well as popular culture. The Manifesto is now available in English translation for its twentieth anniversary, with a new introduction by Preciado. Countersexual Manifesto will disrupt feminism and queer theory and scandalize us all with its hyperbolic but deadly serious defiance of everything we’ve been told about sex.
Two best friends. The boy who loves them both. What happens when there is only one girl left? Piper and Sloane are best friends. They grew up together, dress alike, and never do anything without each other. To Sloane, Piper has always been extraordinary: fierce and pretty and powerful. The only thing that makes Sloane special is that Piper chose her for a sisterhood that was supposed to last forever. That is, until Piper caught Sloane kissing Piper’s boyfriend, Soup—and the next day, Piper is found dead, washed ashore on a beach. As Sloane and Soup relive their deep, sometimes painful histories with Piper and face a future without her, they are racked by questions: Who is to blame for Piper’s death? How do you make amends for hurting someone you love if that person is no longer around? And how can you ever move on and love again? Told from alternating perspectives in Karen Rivers's signature lyrical prose, All That Was is a story about the complexity of friendships, forgiveness, and growing up.
A ring of braided grass. A promise. Ten years of separation. And memories of an innocent love with the power to last through time. When Luca Ward was five years old, he swore he would love Imre Claybourne forever. Years later, that promise holds true-and when Luca finds himself shipped off to Imre's North Yorkshire goat farm in disgrace, long-buried feelings flare back to life when he finds, in Imre, the same patiently stoic gentle giant he'd loved as a boy. The lines around Imre's eyes may be deeper, the once-black night of his hair silvered to steel and stone...but he's still the same slow-moving mountain of a man whose quiet-spoken warmth, gentle hands, and deep ties to his Roma heritage have always, to Luca, meant home. The problem? Imre is more than twice Luca's age. And Luca's father's best friend. Yet if Imre is everything Luca remembered, for Imre this hot-eyed, fey young man is nothing of the boy he knew. Gone is the child, replaced by a vivid man whose fettered spirit is spinning, searching for north, his heart a thing of wild sweet pure emotion that draws Imre into the compelling fire of Luca's frustrated passions. That fragile heart means everything to Imre-and he'll do anything to protect it. Even if it means distancing himself, when the years between them are a chasm Imre doesn't know how to cross. But can he resist the allure in cat-green eyes when Luca places his trembling heart in Imre's hands...and begs for his love, over and over again?
Seven-year-old Che was abandoned by his radical Havard-student parents during the upheaval of the 1960s, and since then has been raised in isolated privilege by his New York grandmother. He yearns to see or hear news of his famous outlaw parents, but his grandmother refuses to tell him anything. When a woman named Dial comes to collect Che, it seems his wish has come true: his mother has come back for him. But soon, they too are on the run, and Che is thrown into a world where nothing is what it seems.
In My Body Is a Book of Rules, Elissa Washuta corrals the synaptic gymnastics of her teeming bipolar brain, interweaving pop culture with neurobiology and memories of sexual trauma to tell the story of her fight to calm her aching mind and slip beyond the tormenting cycles of memory.
Lumpy-eared:Elephants do not believe in borders like birds, but they can not fly. Do you think that free and border less life is possible only in the heavens? Cuckoo:I'm not saying it's completely true. My mother took refuge in the sky like a beautiful palm tree!– A beautiful palm, which, although rooted in the soil, spreads its green leaves in the farthest point of the earth, in the blue sky! My mother also took refuge in the sky because the earth was not a safe place for her; the earth captivated her while the sky freed her; never the less,she was always thinking about her land, where she said goodbye to her father and husband! She always missed the ground because her root was in there, not the sky! ‘Lumpy-eared’An unheard of tale of the mysterious life and love between an elephant and a bird that grew up among migratory swallows;“Cuckoo” meets “Lumpy-eared” in the middle of migration and reaching her destination, and this acquaintance changes the course of their lives..“