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A playful and delicious cookbook from the host of ABC’s Food for Thought with Claire Thomas and creator of the much loved food blog The Kitchy Kitchen. Every cook needs an arsenal of staples, whether for the perfect dinner party entrée to wow a crowd, or throw-it-together lunches for lazy afternoons…but we all know that the real fun comes in making basic recipes your own. The Kitchy Kitchen is tastemaker Claire Thomas’s solution for amping up your everyday culinary routine, introducing her approach to her own kitchen: loose, personal, unfussy, and most of all, fun. With new takes on classic favorites—think adding farmer’s market peaches to upgrade a BLT, spicing up tempura cauliflower with a zesty harissa sauce, or transforming basic red velvet cupcakes into decadent pancakes—this cookbook is filled with fresh, produce-driven recipes for every skill set and occasion. It’s your best friend and personal chef, all rolled into one. Gorgeously illustrated and peppered with stylish entertaining tips and quirky essays that will inspire you to take the recipes you love and make them new, The Kitchy Kitchen will make your life in the kitchen a little easier, a little more fabulous, and positively delicious.
"A comprehensive, thoroughly researched, and deeply felt guide to one of the world's most beautiful and varied regions. Santa Barbara and the neighboring counties of San Luis Obispo and Ventura comprise a transitional zone where the plants and animals of Northern California mix with those of the south, creating diverse and dynamic habitats. Lucid explications of the geological and ecological forces that continue to shape and reshape the area are interspersed with personal accounts, as the author delights in the salty breath of a two-hundred-ton whale near the Channel Islands, the antics of beach hoppers along the shoreline, the explosion of wildflowers on the Carrizo Plain, memories of exploring the chaparral with her father, excursions into oak woodlands, and hikes to lofty peaks and canyons cloaked with pinyon pine and juniper. Enhanced with ample, specially commissioned photographs, maps, and charts, this book will broaden our understanding and deepen our enjoyment of a unique and constantly surprising region."--Back cover.
The Colorful Story of a Santa Barbara Landmark The Santa Barbara County Courthouse is a widely recognized icon of the city called the e oeCalifornia Riviera, e and just as widely known as a historic architectural achievement. Thousands, if not millions, visit it each yeare "jurists and tourists alikee "but although everyone appreciates its beauty, few really know how it came to be. Surprisingly, in the three-quarters of a century that the building has graced its grounds, no one has undertaken to document this architectural masterpiece. Authors Patricia Gebhard and Kathryn Masson have changed that once and for all with their book, The Santa Barbara County Courthouse. Together with photographer James Chen and book designer Eric Larson, they have created a work that is not only historically important, but nearly as beautiful as the courthouse itself. Many people know or assume that Santa Barbara had a courthouse before the present building was erected in 1929, but almost no one knows anything about it. Gebhard and Masson begin there, with historic photos of the original, classical-style courthouse and its Queen Anne hall of records add-on. In 1919 the county, needing more room, held a design competition for a new courthouse, and the entries received, as Gebhard and Masson show us, were heavily inA3/4uenced by the Spanish baroque style that was popularized by the 1915 Panama-California Exhibition in San Diego. None of these designs was built, however, because the county was unable to raise money to pay for construction. It wasne (TM)t until 1925, when the old courthouse was destroyed by the earthquake that leveled much of Santa Barbara, that a new building became imperative and funds were Aznally secured. Construction began in 1926, with the result we see today. (The footprint of the old building is reflected in the contours of the ! sunken gardens behind the present courthouse.) To document their story, Gebhard and Masson spent months poring over County Supervisorse (TM) minutes, news reports in the Santa Barbara Morning Press and articles in architectural magazines, and courthouse docentse (TM) records. They were able to identify nearly all of the architects, craftsmen, and artists who designed the building and created the exquisite tile, ironwork, furniture, murals and landscaping that grace it inside and out. Many of these individuals and companies are long gone, of course, but many are still active, and, as the authors point out, some of the courthousee (TM)s Azttings can still be ordered from their catalogs. Chene (TM)s 75 full-color photographs beautifully capture the courthousee (TM)s ambiance, and Larsone (TM)s open and asymmetrical book design reA3/4ects the buildinge (TM)s balance between void space and intricate detail. They combine with Gebhard and Massone (TM)s careful research to produce a deAznitive study and appreciation of the Santa Barbara County Courthouse, one that can hope to stand as long as the building itself.
A revelatory resituation of Van Gogh's familiar works in the company of the surprising variety of nineteenth-century art and literature he most revered Vincent van Gogh's (1853-1890) idiosyncratic style grew out of a deep admiration for and connection to the nineteenth-century art world. This fresh look at Van Gogh's influences explores the artist's relationship to the Barbizon School painters Jean-François Millet and Georges Michel--Van Gogh's self-proclaimed mentors--as well as to Realists like Jean-François Raffaëlli and Léon Lhermitte. New scholarship offers insights into Van Gogh's emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Israëls, and his keen interest in the work of the Impressionists. This copiously illustrated volume also discusses Van Gogh's allegiance to the colorism of Eugène Delacroix, as well as his alliance with the Realist literature of Charles Dickens and George Eliot. Although Van Gogh has often been portrayed as an insular and tortured savant, Through Vincent's Eyes provides a fascinating deep dive into the artist's sources of inspiration that reveals his expansive interest in the artistic culture of his time. Published in association with the Santa Barbara Museum of Art Published in association with the Santa Barbara Museum of Art Exhibition Schedule: Columbus Museum of Art (November 12, 2021-February 6, 2022) Santa Barbara Museum of Art (February 27-May 22, 2022)