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William Taylor (1821-1902) was a Methodist minister specializing in "street preaching" in Baltimore and Washington, D.C., when the Methodist church sent him to California as a missionary evangelist in 1849. He remained in the West for seven years, going on to become one of the church's most tireless worldwide evangelists. He later conducted crusades in Canada, Britain, Australia, New Zealand, South America, and South Africa. In 1884 he was named Missionary Bishop for Africa and he focused his energies on missionary activities on that continent. Taylor spent his last years in California, the site of his first mission. California life illustrated (1858) expands on his reminiscences in Seven years' street preaching in San Francisco (1857). He describes his voyage to California and gives details of family life, social life, politics and church history in San Jose, Santa Cruz, and Sacramento. He comments at length on California agriculture and mineral resources and offers a chapter on mining camp life. After founding the Powell Street church, Taylor explains, he undertook a mission to sailors in San Francisco which left him so burdened by debt that he returned east to publish books and conduct revivals in the hope of putting his finances in order.
"[A] gorgeously illustrated compendium."--Sunset This lavishly illustrated atlas takes readers off the beaten path and outside normal conceptions of California, revealing its myriad ecologies, topographies, and histories in exquisite maps and trail paintings. Based on decades of exploring the backcountry of the Golden State, artist-adventurer Obi Kaufmann blends science and art to illuminate the multifaceted array of living, connected systems like no book has done before. Kaufmann depicts layer after layer of the natural world, delighting in the grand scale and details alike. The effect is staggeringly beautiful: presented alongside California divvied into its fifty-eight counties, for example, we consider California made up of dancing tectonic plates, of watersheds, of wildflower gardens. Maps are enhanced by spirited illustrations of wildlife, keys that explain natural phenomena, and a clear-sighted but reverential text. Full of character and color, a bit larger than life, The California Field Atlas is the ultimate road trip companion and love letter to a place.
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
From Monterey Bay to northern British Columbia, zoologist Eugene Kozloff describes the common plants and animals that inhabit rocky shores, sandy beaches, and quiet bays and estuaries.
A look at what Native American life was like in the Bay Area before the arrival of Europeans. Two hundred years ago, herds of elk and antelope dotted the hills of the San Francisco–Monterey Bay area. Grizzly bears lumbered down to the creeks to fish for silver salmon and steelhead trout. From vast marshlands geese, ducks, and other birds rose in thick clouds “with a sound like that of a hurricane.” This land of “inexpressible fertility,” as one early explorer described it, supported one of the densest Indian populations in all of North America. One of the most ground-breaking and highly-acclaimed titles that Heyday has published, The Ohlone Way describes the culture of the Indian people who inhabited Bay Area prior to the arrival of Europeans. Recently included in the San Francisco Chronicle’s Top 100 Western Non-Fiction list, The Ohlone Way has been described by critic Pat Holt as a “mini-classic.” Praise for The Ohlone Way “[Margolin] has written thoroughly and sensitively of the Pre-Mission Indians in a North American land of plenty. Excellent, well-written.” —American Anthropologist “One of three books that brought me the most joy over the past year.” —Alice Walker “Margolin conveys the texture of daily life, birth, marriage, death, war, the arts, and rituals, and he also discusses the brief history of the Ohlones under the Spanish, Mexican, and American regimes . . . Margolin does not give way to romanticism or political harangues, and the illustrations have a gritty quality that is preferable to the dreamy, pretty pictures that too often accompany texts like this.” —Choice “Remarkable insight in to the lives of the Ohlone Indians.” —San Francisco Chronicle “A beautiful book, written and illustrated with a genuine sympathy . . . A serious and compelling re-creation.” —The Pacific Sun
This guide to the wildlife and vegetation of California’s Central Valley and Foothills Regions features more than seven hundred detailed line drawings. California’s San Joaquin and Sacramento Valleys and the nearby Sierra Nevada Foothills are host to abundant, varied, and often surprising plants and wildlife. This fully illustrated guide pairs over seven hundred meticulous line drawings with descriptions of the birds, mammals, amphibians, reptiles, fishes, invertebrates, plants, and fungi that make this diverse and beautiful region their home. Like a ranger-led nature walk, each species receives a lively overview; readers will learn about freshwater jellyfish, mushrooms that decompose railroad ties, handstanding spotted skunks, salt-shedding pickleweed—not to mention insects. Every write-up not only contains fun facts but also conveys a sense of the complex connections and interactions that sustain life in a unique place. Previously published as Magpies and Mayflies (Heyday, 2005), The Naturalist’s Illustrated Guide to the Sierra Foothills and Central Valley features updated scientific and common names, and a full redesign.
An epic, gloriously illustrated journey up and down California's shoreline California's coastline is world famous, an endless source of fascination and fantasy, but there is no book about it like this one. Obi Kaufmann, author-illustrator of The California Field Atlas and The Forests of California, now turns his attention to the 1,200 miles of the Golden State where the land meets the ocean. Bursting with color, The Coasts of California is in Kaufmann's signature style, fusing science with art and pure poetic reverie. And much more than a survey of tourist spots, Coasts is a full immersion into the astonishingly varied natural worlds that hug California's shoreline. With hundreds of gorgeous watercolor maps and illustrations, Kaufmann explores the rhythms of the tides, the lives of sea creatures, the shifting of rocks and sand, and the special habitats found on California's islands. At the book's core is an expansive, detailed walk down the California Coastal Trail, including maps of parks along the way--a wealth of knowledge for any coast-lover. The Coasts of California is a geographic epic, an odyssey in nature, a grand and glorious book for a grand and glorious part of the world.
An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of Californias contribution to modern and contemporary art in the United States and globally.