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Winner, 2008 Otto Gründler Book Prize, The Medieval Institute Winner, 2008 Otto Gründler Book Prize, The Medieval Institute Notorious for his cleverness and daring, John Hawkwood was the most feared mercenary in early Renaissance Italy. Born in England, Hawkwood began his career in France during the Hundred Years' War and crossed into Italy with the famed White Company in 1361. From that time until his death in 1394, Hawkwood fought throughout the peninsula as a captain of armies in times of war and as a commander of marauding bands during times of peace. He achieved international fame, and city-states constantly tried to outbid each other for his services, for which he received money, land, and, in the case of Florence, citizenship—a most unusual honor for an Englishman. When Hawkwood died, the Florentines buried him with great ceremony in their cathedral, an honor denied their greatest poet, Dante. William Caferro's ambitious account of Hawkwood is both a biography and a study of warfare and statecraft. Caferro has mined more than twenty archives in Britain and Italy, creating an authoritative portrait of Hawkwood as an extraordinary military leader, if not always an admirable human being.
In The Hundred Years War: Further Considerations, sixteen essays consider various economic, legal, military, and psychological aspects of the long conflict that touched much of late-medieval Europe.
"The essays collected in this volume are by colleagues and students of Donald R. Howard - all noted authorities on Geoffrey Chaucer and late medieval English literature. The essay subjects range from a study of Chaucer's Edwardian period to the writings of Margery of Kempe." "Alfred David begins the section on Chaucer's culture with an exploration of Chaucer's earliest poetry, linking it with the culture of Edward III's reign. Lee Patterson analyzes Chaucer's several ventures into the complaint form, showing the interconnections between and among complaint, lyric, and narrative. Glending Olson treats the Canterbury Tales as a game, with games and gamemanship as normative rather than extraneous, while Sherron E. Knopp examines the relations between Augustinian poetic theory and Chaucer's use of the imagination of the Book of the Duchess. R. W. Hanning assesses the role of "pryvetee," or privacy, in Chaucer's poetics." "In the section devoted to Chaucer and his writings, Paul Strohm studies the ideological language of historical documents that harmonize especially well with Chaucer's short poem Lak of Stedfastnesse. John M. Fyler traces the influence of the House of Fame on Alexander Pope's writings. Florence H. Ridley offers a comprehensive history of criticism of the Friar's Tale. Ralph Hanna III examines affiliations between and among important manuscript groupings of Troilus and Criseyde, while Karla Taylor evaluates the significance of the Merchant as a "reticent" storyteller." "John M. Ganim begins the third section, Medieval Culture and Society, with an evaluation of the Annales school and its importance for the study of medieval culture and literature. Anne Middleton scrutinizes the meaning and significance of Langland's "life" as it is represented in and through Piers Plowman. Thomas Moser analyzes the interpretive context of a short Middle English lyric on "inordinate love" from Copenhagen Thott 110. Sue Ellen Holbrook argues against previous biographical and psychological readings of The Boke of Margery Kempe, while George H. Brown discusses the use and abuse of Scripture by medieval writers. Finally, Steven F. Kruger treats the issue of the bodies of Jews, including bodily injury, in the Prioress's Tale and the Play of the Sacrament."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The sixth volume of The New Cambridge Medieval History covers the fourteenth century, a period dominated by plague, other natural disasters and war which brought to an end three centuries of economic growth and cultural expansion in Christian Europe, but one which also saw important developments in government, religious and intellectual life, and new cultural and artistic patterns. Part I sets the scene by discussion of general themes in the theory and practice of government, religion, social and economic history, and culture. Part II deals with the individual histories of the states of western Europe; Part III with that of the Church at the time of the Avignon papacy and the Great Schism; and Part IV with eastern and northern Europe, Byzantium and the early Ottomans, giving particular attention to the social and economic relations with westerners and those of other civilisations in the Mediterranean.
Volumes for 1898-1968 include a directory of publishers.