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In the shadows of great wealth, and among Cairo’s famous monuments, runs a world of street children. Mustafa, a former student radical who never really believed in the slogans, sets out to tell their story through a documentary he is making with his American girlfriend, Marcia. Alienated from a corrupt and corrupting society, Mustafa watches as the Cairo he cherishes crumbles around him. His former leftist comrades are now all either capitalists or Islamists, while his friends and acquaintances struggle to find lovers worthy of their love and causes worthy of their sacrifice, in a country that no longer deserves their loyalty. Meanwhile, the children of the streets wait for the city to take notice. Cairo Swan Song weaves together a patchwork narrative of overlapping lives, dreams, and realities all centering on Cairo’s famous downtown neighborhood.
Unlike The Literary Atlas of Cairo, which focuses on the literary geopolitics of the cityscape, this companion volume immerses the reader in the complex network of socioeconomic and cultural lives in the city. The seven chapters first introduce the reader to representations of some of Cairo's prominent profiles, both political and cultural, and their impact on the city's literary geography, before presenting a spectrum of readings of the city by its multiethnic, multinational, and multilingual writers across class, gender, and generation. Daunting images of colonial school experiences and startling contrasts of postcolonial educational realities are revealed, while Cairo's moments of political participation and oppression are illustrated, as well as the space accorded to women within the city across history and class. The city's marginals are placed on its literary map, alongside representations of the relationship between writing and drugs, and the places, paraphernalia, and products of the drug world across class and time.
In the shadows of great wealth, and among Cairo's famous monuments, runs a world of street children. Mustafa, a former student radical who never really believed in the slogans, sets out to tell their story through a documentary he is making with his American girlfriend, Marcia. Alienated from a corrupt and corrupting society, Mustafa watches as the Cairo he cherishes crumbles around him. His former leftist comrades are now all either capitalists or Islamists, while his friends and acquaintances struggle to find lovers worthy of their love and causes worthy of their sacrifice, in a country that.
In 1986, when this autobiography opens, the author is a typical fourteen-year-old boy in Asyut in Upper Egypt. Attracted at first by the image of a radical Islamist group as "strong Muslims," his involvement develops until he finds himself deeply committed to its beliefs and implicated in its activities. This ends when, as he leaves the university following a demonstration, he is arrested. Prison, a return to life on the outside, and attending Cairo University all lead to Khaled al-Berry's eventual alienation from radical Islam. This book opens a window onto the mind of an extremist who turns out to be disarmingly like many other clever adolescents, and bears witness to a history with whose reverberations we continue to live. It also serves as an intelligent and critical guide for the reader to the movement's unfamiliar debates and preoccupations, motives and intentions. Fluently written, intellectually gripping, exciting, and often funny, Life Is More Beautiful than Paradise provides a vital key to the understanding of a world that is both a source of fear and a magnet of curiosity for the west.
Under the Israeli occupation of the '70s and '80s, writers in Gaza had to go to considerable lengths to ever have a chance of seeing their work in print. Manuscripts were written out longhand, invariably under pseudonyms, and smuggled out of the Strip to Jerusalem, Cairo or Beirut, where they then had to be typed up. Consequently, fiction grew shorter, novels became novellas, and short stories flourished as the city's form of choice. Indeed, to Palestinians elsewhere, Gaza became known as 'the exporter of oranges and short stories'. This anthology brings together some of the pioneers of the Gazan short story from that era, as well as younger exponents of the form, with ten stories that offer glimpses of life in the Strip that go beyond the global media headlines; stories of anxiety, oppression, and violence, but also of resilience and hope, of what it means to be a Palestinian, and how that identity is continually being reforged; stories of ordinary characters struggling to live with dignity in what many have called 'the largest prison in the world'.
Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.
The Oxford Handbook of Arab Novelistic Traditions encompasses the genesis of the Arabic novel in the second half of the nineteenth century and its development to the present in every Arab country, as well as Arab immigrant writing in many languages around the world.
Kavalali Mehmed Ali Pasha (c. 1770–1849), often dubbed "the founder of modern Egypt", was one of the most important figures in the history of the Ottoman Empire. Born in what is now Greece, and seemingly headed for an everyday existence as a tobacco trader, he joined the Ottoman army at the age of thirty, and went on to become both the leader of Egypt for nearly fifty years and the founder of a dynasty that ruled for a century after his death. In this insightful and well-constructed biography, Khaled Fahmy assesses the renowned ruler’s life, and his significant contribution to Egyptian, Ottoman, and Islamic history. Examining the unprecedented economic, military, and social policies that he introduced in Egypt, as well as Mehmed Ali’s intricate relationship with his family, Fahmy provides a fresh assessment of this towering nineteenth-century personality.
"First published in Great Britain in 2016 by Comma Press"--Title page verso.
An unique angle on a fascinating period in British and Egyptian history from a man that was at the centre.