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A major obstacle for materialist theories of the mind is the problem of sensory consciousness. How could a physical brain produce conscious sensory states that exhibit the rich and luxurious qualities of red velvet, a Mozart concerto or fresh-brewed coffee? Caging the Beast: A Theory of Sensory Consciousness offers to explain what these conscious sensory states have in common, by virtue of being conscious as opposed to unconscious states. After arguing against accounts of consciousness in terms of higher-order representation of mental states, the theory claims that sensory consciousness is a special way we have of representing the world. The book also introduces a way of thinking about subjectivity as separate and more fundamental than consciousness, and considers how this foundational notion can be developed into more elaborate varieties. An appendix reviews the connection between consciousness and attention with an eye toward providing a neuropsychological instantiation of the proposed theory. (Series A)
The Beast is an animal You'd better lock the Gate Or when it's dark, It comes for you Then it will be too late Alys was the only one to see the soul eaters when they came to her village. The others were sleeping. They never woke up... Now, an orphan, Alys knows the full danger of the soul eaters. She's heard the nursery rhymes the chidren sing about the twin sisters who feed on souls. She's seen people disappear into the fforest and never come back. So why, then, does she find herself mysteriously drawn to the fforest? Is she what everyone around her says she is? A witch? Alys soon finds herself on a journey that will take her to the very heart of the fforest. There she must decide where true evil lies. And face the thing they call ... The Beast. A fairy tale with a difference: shivery, dark, and deeply satisfying. 'Read it if you loved The Handmaid's Tale' - Entertainment Weekly
A 3-d pop up book featuring the work of artist Sandra Chevrier
An Economist and Financial Times “Best Book of the Year” “Harrowing” true stories from two years of immersion reporting on the migrant trail from Chiapas to Arizona—an “honorable successor to enduring works like George Orwell’s The Road to Wigan Pier” (New York Times) One day a few years ago, 300 migrants were kidnapped between the remote desert towns of Altar, Mexico, and Sasabe, Arizona. A local priest got 120 released, many with broken ankles and other marks of abuse, but the rest vanished. Óscar Martínez, a young writer from El Salvador, was in Altar soon after the abduction, and his account of the migrant disappearances is only one of the harrowing stories he garnered from two years spent traveling up and down the migrant trail from Central America and across the US border. More than a quarter of a million Central Americans make this increasingly dangerous journey each year, and each year as many as 20,000 of them are kidnapped. Martínez writes in powerful, unforgettable prose about clinging to the tops of freight trains; finding respite, work and hardship in shelters and brothels; and riding shotgun with the border patrol. Illustrated with stunning full-color photographs, The Beast is the first book to shed light on the harsh new reality of the migrant trail in the age of the narcotraficantes.
"I have never resented Ivan's good looks. But there are times, once I became of age to date girls and women, that I wish I could look more like him than myself. Women are not often quick to date a monster. I was okay with that. Until now. Until Winter. She changed everything..."Ivan Petrov is a ruthless Russian businessman who is only six degrees off mob boss. He doesn't give a rat's ass about anything other than getting what he wants. And he wants Winter Rose, the prodigy opera singer, and is willing to torment her sexually until she begs for it. He could care less that Yury, his disfigured and most trusted guard has fallen for her.Winter's Beast is one part sugar and sweet, two parts sex and sweat. It is not your typical Romance and although it has an HEA, it's a dark, twisty road to get there.***WARNING***This novel is filled with angsty consensual non-consent. Yeah, you read that right. I'll say it again...consensual non-consent. It might be triggering for some. As for everyone else... Shake off those strict Puritan morals and enjoy... Because Ivan Petrov, The Sexual Sadist certainly has.With Love, Twyla
Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.
MAGIC RULES. WE SERVE. In a darkly fantastical debut set in modern-day Britain, magic users control everything: wealth, politics, power—and you. If you’re not one of the ultimate one-percenters—the magical elite—you owe them ten years of service. Do those years when you’re old, and you’ll never get through them. Do them young, and you’ll never get over them. This is the darkly decadent world of Gilded Cage. In its glittering milieu move the all-powerful Jardines and the everyday Hadleys. The families have only one thing in common: Each has three children. But their destinies entwine when one family enters the service of the other. They will all discover whether any magic is more powerful than the human spirit. Have a quick ten years. . . . Look for all three books in the mesmerizing Dark Gifts trilogy: GILDED CAGE • TARNISHED CITY • BRIGHT RUIN Praise for Gilded Cage “Beautifully characterised and compellingly plotted, Gilded Cage is an impressive debut.”—The Guardian “Exquisitely wicked . . . a lavishly opulent, yet brutally vivid, alternate England which subtly questions modern beliefs . . . If ever there was a speculative fiction book that captured the zeitgeist of an era this is it.”—SFFWorld “An alternate modern-day England where enticing drama and social unrest mix with aristocratic scandal and glamorous magic . . . conjuring up the specters of Les Misérables and Downton Abbey . . . an absorbing first installment that presages an intriguing new fantasy series.”—Kirkus Reviews “Gilded Cage is a heart-pounding combination of dark magic, political revolution, and forbidden romance that had me addicted from the first page!”—Danielle L. Jensen, USA Today bestselling author of The Malediction Trilogy “Devious and deliciously dark with lashings of magic, mystery, and mayhem, this juggernaut of a book will keep you hanging on by your fingernails until the very last page.”—Taran Matharu, New York Times bestselling author of the Summoner series “A dark and intriguing vision of an alternate, magic-drenched Britain, Gilded Cage kept me up long into the night.”—Aliette de Bodard, author of The House of Shattered Wings
Erik Larson, New York Times bestselling author of Devil in the White City, delivers a remarkable story set during Hitler’s rise to power. The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history. A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition. Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.
Sarah has always been on the move. Her mother hates the cold, so every few months her parents pack their bags and drag her off after the sun. She's grown up lonely and longing for magic. She doesn't know that it's magic her parents are running from. When Sarah's mother walks out on their family, all the strange old magic they have tried to hide from comes rising into their mundane world. Her father begins to change into something wild and beastly, but before his transformation is complete, he takes Sarah to her grandparents—people she has never met, didn't even know were still alive. Deep in the forest, in a crumbling ruin of a castle, Sarah begins to untangle the layers of curses affecting her family bloodlines, until she discovers that the curse has carried over to her, too. The day she falls in love for the first time, Sarah will transform into a beast . . . unless she can figure out a way to break the curse forever.
In the depths of a reservoir lives a monstrous creature. Its existence is unknown to anyone except the teenage boy who feeds it. Six years ago it was a vicious little baby. Now it has grown huge, and its rusting cage can't hold it much longer... Stephen is a boy with many secrets, and the Beast is the biggest. His life in foster care, always bad, is getting worse, and he's in trouble with the police. All the odds are against him finding a decent place in the world, but his efforts to free himself of the Beast make him a hero that readers will never forget. "I really love this book... BEAST should be a monster hit" Amanda Craig, THE TIMES "BEAST has a tension that never lets up. Ally Kennen is a remarkably assured writer" INDEPENDENT SHORTLISTED for the CILIP Carnegie Medal