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Like its companion volume, Telecommunications in Europe, this book deals with the evolution of powerful monopoly institutions in the communications field--the public broadcasters--and the dramatic changes that took place in the late 1980s throughout Europe, and transformed the media landscape. It provides a comprehensive view of European broadcasting systems, using the perspective of economics and policy analysis. The introductory part offers a framework for understanding media and the forces of change affecting them. The main section is a unique series of chapters covering the broadcast and cable television systems of almost thirty European countries.
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Part I together with Part II launch the process of formulation of the European Union policy on infrastructure. Part II launches a broad discussion with all interested parties of the major issues involved in the future regulation of network infrastructure. This will allow the development of a common approach to infrastructure provision in the European Union. Covers: the major drivers for change; universal service; employment, societal & cultural issues; & much more. Charts & tables.
Analyzing the role of governments in the regulation of the new "Information Society", the ten chapters in this book stem from a seminar hosted by the European Media Regulation Seminar Group (ESRG) at the University of Warwick. Each chapter explores the regulatory responses of the UK govermentand the EU to commercial, technical and market convergence in the broadcasting, telecommunications, print media and computing sectors. The text focuses on the establishment of satellite pay-TV, telecommunications and the launch of digital terrestrial TV as they blend real andcyber-governance.
Completely rewritten, the Third Edition of this successful guide to European media systems has also been expanded to include Central and Eastern Europe as well as Western Europe. Covering 23 countries, the volume highlights and explains key issues of debate and current tendencies in media policy.
First Published in 1985. Routledge is an imprint of Taylor & Francis, an informa company.
This is the first introductory sociology text to look at Britain in terms of its geographical position within Europe and its political and economic situation as a member of the European Union.
In this book, Jack Banks examines the historical development of music video as a commodity and analyzes the existing structures within which music video is produced, distributed, and exhibited on its premier music channel, MTV. }In August 1981, Music Televisionnow popularly known as MTVwas launched. Within a matter of years it revitalized a struggling record industry; made the careers of leading pop stars like Madonna, Boy George, Cyndi Lauper, and Duran Duran; infiltrated traditional network television and the movie industry; revolutionized the advertising industry; and stimulated purchases in several markets, most notably fashion apparel. The reach of MTV has proven long and profitable. In this book, Jack Banks examines the historical development of music video as a commodity and analyzes the existing structures within which music video is produced, distributed, and exhibited on its premier music channel, MTV. Who controls MTV? What part do record companies play in the financing and production of music video? How do the power brokers in the business affect the ideological content of music video? Given the tight sphere of influence within the music industry, what are the future trends for music video and for artistic freedom of expression? Banks tackles these questions in an intelligent, lively, and sophisticated investigation into one of the most influential media enterprises of our society. }