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This contextual reading of Byron's epic poem argues that the importance of the Don Juan legend has been considerably underestimated. Focusing on such issues as seduction, class sexualities, and popular theatrical form, this book argues that the Don Juan legend is a vital context for understanding the poem's cultural and sexual politics. This study also critiques traditional myth-criticism and applies postmodern and feminist theories to its consideration of both Byron's poem and the legend itself.
Haslett argues that the importance of the Don Juan legend has been considerably underestimated, and reveals that innocent or neutral readings of the poem were precluded by the figure's notoriety.
Don Juan is a satirical poem inspired by the Spanish libertine, who's known for his romantic trysts, frequent adventures and salacious activities throughout the land. George Gordon reinvents the character, by subverting expectations and changing the narrative. The character of Don Juan has an infamous legacy tied to his relations with women. According to Gordon, his exploits began as a teenager when he engaged in an extramarital affair with a 23-year-old woman. When the pair are discovered, Juan is exiled and forced to travel abroad. This leads to many adventures, where he finds himself in one peculiar situation after another. Despite the obstacles, Juan is never too far from a woman's love and affection. With Don Juan, George Gordon delivers a vibrant and entertaining take on a literary classic. He infuses humor into a series of hapless tales taking the reader on a nonstop adventure. It's an enduring legend that's been adapted and reimagined for hundreds of years. With an eye-catching new cover, and professionally typeset manuscript, this edition of Don Juan is both modern and readable.
Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womanizer but as someone easily seduced by women. It is a variation on the epic form. Byron himself called it an "Epic Satire". Modern critics generally consider it Byron's masterpiece. The poem is in eight line iambic pentameter with the rhyme scheme ab ab ab cc – often the last rhyming couplet is used for a humor comic line or humorous bathos. This rhyme scheme is known as ottava rima. In Italian, because of the common rhymed endings, the effect of ottava rima is often highly comedic or highly tragic. Because of its few rhymed endings, the effect of ottava rima in English is often comic, and Byron chose it for this reason. Although the various iterations of the Don Juan myth show some variation, the basic storyline remains the same. Starting with Tirso's work, Don Juan is portrayed as a wealthy, seductive libertine who devotes his life to seducing women, taking great pride in his ability to seduce women of all ages and stations in life. His life is also punctuated with violence and gambling, and in many interpretations (Tirso, Espronceda, Zorrilla), he kills Don Gonzalo, the father of a girl he has seduced, Doña Ana. This leads to the famous last supper scene, whereby Don Juan invites the dead father to dinner. The ending depends on which version of the legend one is reading. Tirso's original play was meant as religious parable against Don Juan's sinful ways, and ends with his death, having been denied salvation by God. Other authors and playwrights would interpret the ending in their own fashion. Espronceda's Don Felix walks into hell and to his death of his own volition, whereas Zorrilla's Don Juan asks for, and receives, a divine pardon. The figure of Don Juan has inspired many modern interpretations.
Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womanizer but as someone easily seduced by women. As a young man he is precocious sexually, and has an affair with a friend of his mother. The husband finds out, and Don Juan is sent away to Cádiz. On the way, he is shipwrecked, survives and meets the daughter of a pirate, whose men sell Don Juan as a slave. A young woman, who is a member of a sultan's harem, sees that this slave is purchased. She disguises him as a girl and sneaks him into her chambers. Don Juan escapes, joins the Russian army and rescues a Muslim girl named Leila. Don Juan meets Catherine the Great, who asks him to join her court. Don Juan becomes sick, is sent to England, where he finds someone to watch over Leila. Moving from one place to the next, Don Juan encounters new women and new adventures.
Don Juan By Lord Byron Don Juan is a poem by Lord Byron which is based on the legend of Don Juan, which Byron reverses, portraying Juan as someone easily seduced by women instead of being a womanizer. Byron called it an "Epic Satire". It contains more than 16,000 lines of verse of which Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.
Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
Lord Byron's satirical poem 'Don Juan' is based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women. It is a variation on the epic form. Byron himself called it an Epic Satire. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.
In his satiric poem Don Juan, Lord Byron refigures the legend as a man easily seduced by women, rather than as a dangerous womanizer. When the first two cantos were anonymously published in 1819, they were criticized for being immoral. They were also immensely popular. Byron only completed 16 cantos, leaving the 17th unwritten when he died in 1824. Don Juan is commonly considered to be his masterpiece.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 30. Chapters: Adventures of Don Juan, A Free Man of Color, Broken Flowers, Camino Real (play), Domino Dancing, Dom Juan, Don Giovanni, Don Giovanni Tenorio, Don Juan, or If Don Juan Were a Woman, Don Juan (1969 film), Don Juan (Byron), Don Juan (Strauss), Don Juan DeMarco, Don Juan in Soho, Don Juan Tenorio, Don Juan Triumphant, El estudiante de Salamanca, Have You Ever Really Loved a Woman?, L'empio punito, Man and Superman, The Devil's Eye, The Private Life of Don Juan, The Stoned Guest, The Stoned Guest (album), The Stone Guest (Dargomyzhsky), The Stone Guest (play), The Trickster of Seville and the Stone Guest. Excerpt: Byron's Don Juan (Penguin Classics version)Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womanizer but as someone easily seduced by women. It is a variation on the epic form. Byron himself called it an "Epic Satire" (Don Juan, c. xiv, st. 99). Modern critics generally consider it Byron's masterpiece, with a total of more than 16,000 lines of verse. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work. When the first two cantos were published anonymously in 1819, the poem was criticized for its 'immoral content', though it was also immensely popular. Byron was a rapid as well as a voluminous writer. Nevertheless, the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life. He began the first canto of Don Juan in the autumn of 1818, and he was still at work on a seventeenth canto in the spring of 1823. The poem was issued in parts, with intervals of unequal duration. Interruptions in the composition and publication of Don Juan were due to the disapproval...