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Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
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DigiCat presents to you this unique collection of the greatest works written by Lord Byron. This carefully crafted and meticulously edited collection is formatted for your eReader with a functional and detailed table of contents: Hours of Idleness: To George, Earl Delawarr Damœtas To Marion Oscar of Alva Translation from Anacreon From Anacreon The Episode of Nisus and Euryalus Translation from the Medea of Euripides Lachin y Gair To Romance The Death of Calmar and Orla To Edward Noel Long, Esq To a Lady English Bards and Scotch Reviewers The Giaour: A Fragment of a Turkish Tale The Bride of Abydos: A Turkish Tale The Corsair: A Tale Lara Hebrew Melodies: She walks in Beauty The Harp the Monarch Minstrel swept If that High World The Wild Gazelle Oh! weep for those On Jordan's Banks Jeptha's Daughter Oh! snatched away in Beauty's Bloom My Soul is Dark I saw thee weep Thy Days are done Saul Song of Saul before his Last Battle "All is Vanity, saith the Preacher" When Coldness wraps this Suffering Clay Vision of Belshazzar Sun of the Sleepless! Were my Bosom as False as thou deem'st it to be Herod's Lament for Mariamne On the Day of the Destruction of Jerusalem by Titus By the Rivers of Babylon we sat down and wept "By the Waters of Babylon" The Destruction of Sennacherib A Spirit passed before me The Siege of Corinth Parisina The Prisoner of Chillon The Dream Darkness Prometheus Manfred: A Dramatic Poem The Lament of Tasso Beppo: A Venetian Story Childe Harold's Pilgrimage Don Juan Mazeppa The Prophecy of Dante Marino Faliero The Vision of Judgment Sardanapalus: A Tragedy The Two Foscari: An Historical Tragedy Cain: A Mystery Heaven and Earth; A Mystery Werner; or, The Inheritance: A Tragedy The Deformed Transformed: A Drama The Age of Bronze; or, Carmen Seculare et Annus haud Mirabilis The Island; or, Christian and his Comrades Biographies: Byron by John Nichol The Life of Lord Byron by John Galt
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.