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For Gabe Considine, Grand Duke of Illyria and a ruthless billionaire businessman, it's payback time! He believes his ex-fiancée, Sara Milton, stole a priceless family heirloom and betrayed him with another man. Now Gabe wants his pride — and his property — returned! He'll lure Sara to his remote castle — and keep her there until she gives him everything he wants, even if he has to seduce her into submission.…
Princess Melissa Considine of Illyria is instantly captivated by billionaire Hawke Kennedy. She throws caution to the winds and lets Hawke teach her how to love…and be loved. But Melissa is virginal and innocent. How can she handle a man of the world like Hawke? And she's been brought up to put duty before love. But to leave Hawke's bed is to leave his life—what should she do?
Georgie is back and hanging the stockings with care when a murder interrupts her Christmas cheer in this all-new installment in the New York Times bestselling Royal Spyness series from Rhys Bowen. Georgie is excited for her first Christmas as a married woman in her lovely new home. She suggests to her dashing husband, Darcy, that they have a little house party, but when Darcy receives a letter from his aunt Ermintrude, there is an abrupt change in plans. She has moved to a house on the edge of the Sandringham estate, near the royal family, and wants to invite Darcy and his new bride for Christmas. Aunt Ermintrude hints that the queen would like Georgie nearby. Georgie had not known that Aunt Ermintrude was a former lady-in-waiting and close confidante of her royal highness. The letter is therefore almost a royal request, so Georgie, Darcy, and their Christmas guests: Mummy, Grandad, Fig, and Binky all head to Sandringham. Georgie soon learns that the notorious Mrs. Simpson, mistress to the Prince of Wales, will also be in attendance. It is now crystal clear to Georgie that the Queen expects her to do a bit of spying. There is tension in the air from the get-go, and when Georgie pays a visit to the queen, she learns that there is more to her request than just some simple eavesdropping. There have been a couple of strange accidents at the estate recently. Two gentlemen of the royal household have died in mysterious circumstances and another has been shot by mistake during a hunt. Georgie begins to suspect that a member of the royal family is the real target but her investigation will put her new husband and love of her life, Darcy, in the crosshairs of a killer.
For Gabe Considine, Grand Duke of Illyria and a ruthless billionaire businessman, it's payback time! He believes his ex–fiancee, Sara Milton, stole a priceless family heirloom and betrayed him with another man. Now Gabe wants his pride –– and his property –– returned! He'll lure Sara to his remote castle –– and keep her there until she gives him everything he wants, even if he has to seduce her into submission....
Charlie Avery is hoping to find direction when she arrives in Ireland, but feels more lost than ever, until she meets the mysterious Aiden who offers her the adventure of a lifetime. The only catch? She has to pretend to be his girlfriend at a family wedding. A Royal Wedding.Aiden, the second eldest prince of Lochland, is used to being recognized, so when he meets Charlie and realizes she thinks he's a normal guy he takes a chance and invites her into his world. When Charlie discovers the truth will she forgive Aiden and keep up the act or run from the feelings building in her heart?
Business consultants everywhere preach the benefits of innovation—and promise to help businesses reap them. A trendy industry, this type of consulting generates courses, workshops, books, and conferences that all claim to hold the secrets of success. But what promises does the notion of innovation entail? What is it about the ideology and practice of business innovation that has made these firms so successful at selling their services to everyone from small start-ups to Fortune 500 companies? And most important, what does business innovation actually mean for work and our economy today? In Creativity on Demand, cultural anthropologist Eitan Wilf seeks to answer these questions by returning to the fundamental and pervasive expectation of continual innovation. Wilf focuses a keen eye on how our obsession with ceaseless innovation stems from the long-standing value of acceleration in capitalist society. Based on ethnographic work with innovation consultants in the United States, he reveals, among other surprises, how routine the culture of innovation actually is. Procedures and strategies are repeated in a formulaic way, and imagination is harnessed as a new professional ethos, not always to generate genuinely new thinking, but to produce predictable signs of continual change. A masterful look at the contradictions of our capitalist age, Creativity on Demand is a model for the anthropological study of our cultures of work.