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"By Reef and Palm" by Louis Becke. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
"The Ebbing of the Tide" by Louis Becke is a fascinating collection of brief memories set within the wonderful locales of the South Pacific for the duration of the overdue nineteenth and early 20th centuries. Louis Becke, an Australian author and adventurer, draws on his own reviews inside the Pacific Islands to craft testimonies that explore the complexities of human relationships against the backdrop of the area's lush landscapes and various cultures. The tales in this series frequently characteristic sailors, buyers, and islanders, supplying a glimpse into the tumultuous interactions among Europeans and the indigenous human beings. Becke skillfully navigates themes of love, betrayal, and cultural conflict, shooting the essence of life in the South Pacific for the duration of a time of substantial social and economic exchange. With an eager information of the human situation, Becke's narratives are imbued with an experience of adventure, romance, and the cruel realities of colonialism. "The Ebbing of the Tide" showcases Becke's storytelling prowess, transporting readers to a international wherein the tides of fortune reflect the ebb and waft of human destinies in the spell binding and every now and then perilous islands of the Pacific.
Not Drowning, Waving formed in Melbourne in 1983. Over the next decade they became one of Australia's most original rock bands, recording a series of inventive albums and attracting critical acclaim. Music At The Borders provides a detailed history of one remarkable facet of their career, their long-term engagement with the music - and musicians - of Papua New Guinea. Individual chapters analyse the Melbourne music culture from which the band emerged, the musical style they developed; their work with musicians associated with PNG's Pacific Gold Studios; and the band's re-union for the 1996 Sing Sing tour.