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Journals are great for writing down ideas, taking notes, writing about travels and adventures, describing good and bad times. Writing down your thoughts and ideas is a great way to relieve stress. Journals are good for the soul!
Get a taste of the real Vietnam and its people on a sometimes funny, always fascinating journey from the bustling cities to the out of the way villages, into Buddhist monasteries and along the Mekong - a real delight for armchair travellers and those contemplating their own adventure.
For artists, creativity plays a powerful role in understanding, confronting, and negotiating the crises of the present. Seeding the Tradition explores conflicting creativities in traditional music in Hõ Chí Minh City, the Mekong Delta, and the Vietnamese diaspora, and how they influence contemporary southern Vietnamese culture. The book centers on the ways in which musicians of đón ca tài tù, a "music for diversion," practice creativity or sáng tạo in early 21st-century southern Vietnam. These musicians draw from long-standing theories of primarily Daoist creation while adopting strategically from and also reacting to a western neo-liberal model of creativity focused primarily—although not exclusively—on the individual genius. They play with metaphors of growth, development, and ruin to not only maintain their tradition but keep it vibrant in the rapidly-shifting context of modern Vietnam. With ethnographic descriptions of zither lessons in Hõ Chi Minh City, outdoor music cafes in Cãn Thơ, and television programs in Đõng Tháp, Seeding the Tradition offers a rich description of southern Vietnamese sáng tạo and suggests revised approaches to studying creativity in contemporary ethnomusicology.
Representative of a new wave of anthropological research on religion in Vietnam, Modernity and Re-enchantment brings together in a single book the latest and best research available on this topic. Its lively and original descriptions deftly evoke the burgeoning field of religiosity in contemporary Vietnam. With case studies into a great variety of religious practices, it covers more ground than the small handful of single-authored books currently available on religion in Vietnam.
Postcolonial Vietnam has an urgent need for contextualized theology of mission, God, Christ, and the church that is rooted in indigenous cultural traditions and the dual Vietnamese spirit of resistance and assimilation. Dr KimSon Nguyen navigates the religio-cultural dimensions of Vietnamese spirituality and Daoism that have hindered the assimilation of the Christian faith in the Vietnamese context and explores a fresh approach to missiology in Vietnam. Dr Nguyen draws upon his deep knowledge of Vietnamese evangelical history to analyze contextualization and mission theology in Vietnam. He proposes an evangelical theology of God as Ðạo (way / 道), the centrality of the Vietnamese home as the “house of the Lord,” and ancestor veneration as a theological framework for an indigenous theology of the family. Narrowing the gap between culturally removed evangelical missionary practice and widespread syncretistic spirituality in Vietnam, Nguyen calls for a paradigm shift in Vietnamese mission theology that is both robustly evangelical and authentically Vietnamese.
Shawn McHale explores why the communist-led resistance in Vietnam won the anticolonial war against France (1945–54), except in the south. He shows how broad swaths of Vietnamese people were uneasily united in 1945 under the Viet Minh Resistance banner, all opposing the French attempt to reclaim control of the country. By 1947, resistance unity had shattered and Khmer-Vietnamese ethnic violence had divided the Mekong delta. From this point on, the war in the south turned into an overt civil war wrapped up in a war against France. Based on extensive archival research in four countries and in three languages, this is the first substantive English-language book focused on southern Vietnam's transition from colonialism to independence.