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Poetry. In the poems of Feng Chen's darkly spellbinding debut collection, BUTCHER'S TREE, the page evokes and provokes legendary creatures, kills them and puts on their skin--then cures the meat. This startling and unusual book is a medium that channels damned and contaminated creatures such as Grendel, Wukong, and Prometheus. It reconsiders what it means to construct a myth; to mold around a hollow space a materiality of shape that depends on contours without content. Life that has no life. These are love poems whose monstrous repetition demystifies these once powerful beings while at the same time plunging deeper into insensible consciousness, where the human ceases to retain its proper form. "Like a thousand tiny teeth gnawing through language's tender membranes, BUTCHER'S TREE eats through the gloom of the visible world. Nocturnal, feral, and foraging, Chen's is a poetry whose 'purity strips the meat from inside.' Inside these mesmeric vaults, skins fuse and 'the cored body' grows rhizomes, burrowing into everything. The echolocating clicks and pops of Chen's alchemical practice make audible the astounding sound of our own 'hearts...growing teeth.'"--Lara Glenum "BUTCHER'S TREE is animal, foody, and thick with the materials of local and ancient and visionary worlds. My favorite parts feel ripped from the myths and tales and fables I might have known once upon a time, waving like strange numinous laundry on the line of Feng Sun Chen."--Ariana Reines
Examples of owner-built houses are depicted in this photographic journey through the countryside.
"A deep . . . dive into urban society's need for--and relationship with--trees that sought to return the natural world to the concrete jungle."--Adrian Higgins, Washington Post Winner of the Foundation for Landscape Studies' 2019 John Brinckerhoff Jackson Prize Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dümpelmann explains, the planting of street trees in cities to serve specific functions is not a new phenomenon. In her eye-opening work, Dümpelmann shows how New York City and Berlin began systematically planting trees to improve the urban climate during the nineteenth century, presenting the history of the practice within its larger social, cultural, and political contexts. A unique integration of empirical research and theory, Dümpelmann's richly illustrated work uncovers this important untold story. Street trees--variously regarded as sanitizers, nuisances, upholders of virtue, economic engines, and more--reflect the changing relationship between humans and nonhuman nature in urban environments. Offering valuable insights and frameworks, this authoritative volume will be an important resource for years to come.