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These beautiful and timeless stories from the African Bush were gathered more than a century ago and have touched thousands of readers ever since. The South African-born author, Sir Laurens van der Post, revered them and helped to make them known throughout the world. For this special new edition, Gregory McNamee has adapted the original nineteenth-century English translations to create modern versions of the stories for readers without a prior knowledge of the Bushman ways of life. The stories in this book carry universal observations and truths and, with their historical and ethnographic roots in the African Bushman culture, they are fascinating and educational for readers and listeners of all ages. They bear powerful testimony to a desert people living at one with Nature.
Wilhelm Bleek was fascinated by African languages and set out to make sense of a complex and alien Bushman tongue. At first Lucy Lloyd worked as his assistant, but soon proved to be so gifted a linguist and empathetic a listener that she created a monumental record of Bushman culture. Their informants were a colorful cast. The teenager, /A!kunta, taught Bleek and Lloyd their first Bushman words and sentences. The wise old man and masterful storyteller, //Kabbo, opened their eyes to a richly imaginative world of myth and legend. The young man, Dia!kwain, explained traditional beliefs about sorcery, while his friend #Kasin spoke of Bushman medicines and poisons. The treasures of Bushman culture were most fully revealed in conversations with a middle-aged man known as /Han=kass'o, who told of dances, songs and the meaning of images on rocks. The human histories and relationships involved in this unique collaboration across cultures are explored in full for the first time in this remarkable narrative.
Gordon (anthropology, U. of Vermont) describes the expedition 16 Denver businessmen sponsored to make their city famous by bringing back a man and women who represented the missing link between humans and the lower animals. He presents the photographs that were nearly the only result of the effort, and interprets what they were intended to portray to their creator and his audience. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR
J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, uses ethnographic, archival, and archaeological lines of research to understand San-Bushman mythological stories. From this, he establishes a more nuanced theory of the role of myths in cultures worldwide.
Specimens of Bushman Folk-lore was published by Dr. W.H.I. Bleek only after he'd overcome many great difficulties (and great they were in late 1800s South Africa). So complete is this volume that Dr. Bleek even provides explanations on how to make the many click sounds that are endemic to the Bushman language. Good luck wrapping your tongue around them! This 260 page volume contains 84 stories about Bushman myths and legends, including interpretations of the natural world, animal fables, the story of the first man, and customs, superstitions, and more. There are stories about girls and frogs, hyenas that seek revenge, the wind, and the making of arrows. There are also stories about the origin of the stars Sirius and Canopus, the treatment of bones, prayers to the moon, and a man who mistakenly ordered his wife to cut off his ears. Of special interest is the story of one Bushman's first ride on the train from Mowbray to Cape Town, which describes his treatment at the hands of the local police and the imposition of the white man's laws upon him and his people. The old adage "Everything changes, everything stays the same," comes to mind. So curl up with this treasure of ancient Africa, this documentation of a changing world, and engross yourself in a culture that has no place for MP3 players, video games, or television. A percentage of every book sold will help fund the education of an underprivileged person in South Africa. SPECIAL NOTE: Rock art and archaeological evidence indicates that the San Bushmen once occupied countries as far north as Libya, Egypt, Sudan, and Ethiopia, with some evidence of occupation in Kenya. Over time, environmental conditions and the negroid races pushed the Bushmen further and further south-today, they can now only be found in the countries of Southern Africa. Even now, the Bushmen's traditional way of life is further threatened by government regulations and policies that seek to restrict their nomadic tradition and "encourage" them to assume a more pastoral lifestyle.
What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion. While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art. The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.
This new edition of the long-out-of print classic collection of Bushman tales provides a fascinating look into the life of these little-known people. As Megan Biesele writes in her Foreword: The fact that a family of trained linguists and their associates sat down between 1870 and 1884 with a group of /Xam people who had been temporarily sprung free of imprisonment in Cape Town's Breakwater Prison has immense potential consequences. San people today, like indigenous peoples all over the world, are quietly organizing educational futures for themselves which will make fine use of this record of the intellectual history of their culture. This edition reproduces the English text of the 1911 edition and is richly illustrated with photographs.
"We don't govern water. Water governs us," writes James Workman. In Heart of Dryness, he chronicles the memorable, cautionary tale of the famed Bushmen of the Kalahari--remnants of one of the world's most successful civilizations, today at the exact epicenter of Africa's drought--and their remarkable, widely publicized battle over water with the government of Botswana, to explore the larger story of what many feel is becoming the primary resource battleground of the 21st century: water. The Bushmen's story may well prefigure our own. Even the most upbeat optimists concede the U.S. now faces an unprecedented water crisis. Large dams on the Colorado River, which serve 30 million in 7 states, will be dry in 13 years. Southeast drought cut Tennessee Valley Authority hydropower in half, exposed Lake Okeechobee's floor, dried $787 million of Georgia's crops, and left Atlanta with 60 days of water. Cities east and west are drying up. As reservoirs and aquifers fail, officials ration water, neighbors snitch on one another, corporations move in, and states fight states to control shared rivers. Each year, inadequate water kills more humans than AIDS, malaria, and all wars combined. Global leaders pray for rain. Bushmen tap more pragmatic solutions. James Workman illuminates the present and coming tensions we will all face over water and shows how, from the remoteness of the Kalahari, a primitive (by our standards) people is showing the world a viable path through the encroaching desert of the coming Dry Age.
This is a story of an almost vanished Africa; a world of myth and magic in which the indigenous peoples of the continent lived for uncountable centuries before the Europeans came to shatter it. The main character is a boy who has a relationship with this Africa not unlike Kipling's Kim with the antique world of India. François Joubert, whose Huguenot ancestors settled in Africa three hundred years ago, lives as a solitary child on his father's farm. 'Hunter's Drift'. Here, in the far interior of Africa, he experiences the wonder and mystery of an ageless, natural primitive life, his perception of it heightened by the influence of three people in particular - his Bushman nurse, the head herdsman of the local Matabele clan (his father's chosen partners in the pioneering of Hunter's Drift), and a hunter of legendary fame, now the chief ranger of a vast game reserve nearby. François' meeting with an untamed Bushman, Xhabbo, whose intuitive teaching nourishes his spirit; his strange pilgrimage to the distant krall of a powerful witch-doctor; his dramatic encounter and relationship with the daughter of a retired colonial governor; all are examples of African point and European counterpoint, in a highly original theme, moving to a strangely presaged and omened climax.