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In 1730, Edmund Burt was sent to Scotland to work as a contractor for the government. For most of the time, he was based in Inverness, from where he wrote regularly to an acquaintance in London about his experiences. Burt had an insatiable curiosity about everything. From cooking and personal hygiene (the standards of which continually shocked him), to weddings, funerals, public executions and even the activities of witches, no aspect of Highland life or society escaped his scrutiny. Burt's witty and satirical style makes entertaining reading, but whilst he was certainly critical of many things, he draws a very sympathetic picture of the grinding hardship and poverty faced by so much of the ordinary population. His writing is a salutary antidote to many of the Romantic views of the Highlands and Jacobitism, which were later to take hold. It is now available for the first time in one volume, with modernised spelling and includes an Introduction by Charles W. J. Withers, Professor of Geography in the University of Edinburgh.
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Stepping Westward is the first book dedicated to the literature of the Scottish Highland tour of 1720-1830, a major cultural phenomenon that attracted writers and artists like Pennant, Johnson and Boswell, William and Dorothy Wordsworth, Coleridge, Scott, Hogg, Keats, Daniell, and Turner, as well as numerous less celebrated travellers and tourists. Addressing more than a century's worth of literary and visual representations of the Highlands, the book casts new light on how the tour developed a modern literature of place, acting as a catalyst for thinking about improvement, landscape, and the shaping of British, Scottish, and Gaelic identities. It pays attention to the relationship between travellers and the native Gaels, whose world was plunged into crisis by rapid and forced social change. At the book's core lie the best-selling tours of Pennant and Dr Johnson, associated with attempts to 'improve' the intractable Gaidhealtachd in the wake of Culloden. Alongside the Ossian craze and Gilpin's picturesque, their books stimulated a wave of 'home tours' from the 1770s through the romantic period, including writing by women like Sarah Murray and Dorothy Wordsworth. The incidence of published Highland Tours (many lavishly illustrated), peaked around 1800, but as the genre reached exhaustion, the 'romantic Highlands' were reinvented in Scott's poems and novels, coinciding with steam boats and mass tourism, but also rack-renting, sheep clearance, and emigration.
At the start of the1700s the life of Scottish clansmen was settled compared to the past. This book describes how Clan families lived simple lives in primitive homes. The Battle of Culloden in 1746 changed Scotland forever. Clansmen were now subject to English justice, prohibited from wearing traditional clothing and carrying weapons. Clan chiefs morphed into hard-nosed landlords and ordinary clansmen faced a different and difficult future, with challenges never experienced by their forefathers. Land reform and the introduction of sheep displaced Gaelic Scots, who had to either live elsewhere, become crofters or emigrate. The development of crofting communities dependant on growing potatoes, and the lives of the people who lived in them, is an essential part of this book. While focused on Mull and Iona, it is a fascinating story about the hardship that tenants experienced throughout Scotland. Disease that decimated potato crops in 1846, caused famine, starvation and great poverty. People lost their livelihoods and were evicted from their homes. Evictions, starvation and government policy led to an upsurge in emigration. Until economic conditions improved during the Crimean War, emigration played a key role in the salvation of a starving population.
Reprint of the original, first published in 1878.