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Ambrose Burnside, the Union general, was a major player on the Civil War stage from the first clash at Bull Run until the final summer of the war. He led a corps or army during most of this time and played important roles in various theaters of the war. But until now, he has been remembered mostly for his distinctive side-whiskers that gave us the term "sideburns" and as an incompetent leader who threw away thousands of lives in the bloody battle of Fredericksburg. In a biography focusing on the Civil War years, William Marvel reveals a more capable Burnside who managed to acquit himself creditably as a man and a soldier. Along the Carolina coast in 1862, Burnside won victories that catapulted him to fame. In that same year, he commanded a corps at Antietam and the Army of the Potomac at Fredericksburg. In East Tennessee in the summer and fall of 1863, he captured Knoxville, thereby fulfilling one of Lincoln's fondest dreams. Back in Virginia during the spring and summer of 1864, he once again led a corps at the battles of the Wilderness, Spotsylvania, Cold Harbor, and Petersburg. But after the fiasco of the Crater he was denied another assignment, and he resigned from the army the day that Lincoln was assassinated. Marvel challenges the traditional evaluation of Burnside as a nice man who failed badly as a general. Marvel's extensive research indicates that Burnside was often the scapegoat of his superiors and his junior officers and that William B. Franklin deserves a large share of the blame for the Federal defeat at Fredericksburg. He suggests that Burnside's Tennessee campaign of 1863 contained much praiseworthy effort and shows during the Overland campaign from the Wilderness to Petersburg, and at the battle of the Crater, Burnside consistently suffered slights from junior officers who were confident that they could get away with almost any slur against "Old Burn." Although Burnside's performance included an occasional lapse, Marvel argues that he deserved far better treatment than he has received from his peers and subsequently from historians.
"First published in a slight different form in Great Britain in 2019 by Profile Books Ltd."--Title page verso.
Shortlisted for the 2014 T.S. Eliot Prize and the Forward Prize for Best Collection ‘There are lines in All One Breath for instance, that brand themselves into your brain with the fire of painful recognition. And yet it is also part of his genius to be ever alert to beauty, too.’ - Sebastian Barry, a New Statesman Book of the Year In this absorbing, brilliant new collection – his first since Black Cat Bone – John Burnside examines our shared experience of this mortal world: how we are ‘all one breath’ and – with that breath – how we must strive towards the harmony of choir. Recognising that our attitudes to other creatures – human and non-human – cause too much damage and hurt, that ‘we’ve been going at this for years: / a steady delete / of anything that tells us what we are’, these poems celebrate the fleeting, charged moments where, through measured and gracious encounters with other lives, we find our true selves, and bring some brief, insubstantial goodness and beauty into being. He presents the world in a series of still lifes, in tableaux vivants and tableaux morts, in laboratory tests, anatomy lessons, in a Spiegelkabinett where the reflections in the mirrors, distorted as they seem, reveal buried truths. All the images are in some sense self-portraits: all are, in some way, elegies. One of the finest and most celebrated lyric poets at work today, John Burnside is a master of the moment – when the frames of our film seem to slow and stop and a life slips through the gap in between – and each poem here is a perfect, uncanny hymn to humanity, set down ‘to tell the lives of others’.
In the early years of this century, Burnside, Kentucky, was a bustling community perched on and above the floodplain formed by the Cumberland River and the South Fork. It was a center for shipping by rail and steamboat packet, and its lumber mills sent their products all over the world. The lower part of the town -- once the heart of its economic being -- now lies beneath the waters of Lake Cumberland, and the remaining streets above no longer resound with the clatter and roar of older and busier times. Harriet Simpson Arnow moved to Burnside with her parents and sisters in 1913, a few months.
What is the real meaning of 'an eye for an eye and a tooth for a tooth'? Where did the idea for the 'Jubilee 2000' and 'Drop the Debt' campaigns come from? Here, Burnside looks at aspects of law and legality in the Bible, from the patriarchal narratives in the Hebrew Bible through to the trials of Jesus in the New Testament.
As a child, Luke’s mother often tells him the story of the Dumb House, an experiment on newborn babies raised in silence, designed to test the innateness of language. As Luke grows up, his interest in language and the delicate balance of life and death leads to amateur dissections of small animals – tiny hearts revealed still pumping, as life trickles away. But as an adult, following the death of his mother, Luke’s obsession deepens, resulting in a haunting and bizarre experiment on Luke’s own children. ‘A wonderfully disturbing book - chillingly focused and lyrically amoral with moments of remarkable stillness and beauty.’ A.L. Kennedy ‘Burnside's prose is exquisite, and he dissects his themes with delicacy to produce a novel resonant with poetic menace’ Sunday Times
The spectacular Batgirl series by Brenden Fletcher, Camron Stewart and Babs Tarr in one omnibus! Barbara Gordon's ready for a fresh start. She's packing her bags, crossing the bridge, and heading to Gotham's coolest neighborhood: Burnside. And when a freak fire burns up her costume and gear, Babs has the chance to become a whole new Batgirl! But she barely slips on her new DIY costume before Batgirl starts trending as Gotham's first viral vigilante -- and attracting a new wave of enemies who want her social-media spotlight for themselves. Meanwhile, the girl beneath the gear's got a whole new crew of friends, college classes that are kicking her Bat-butt and a dating scene that can make anyone want to swipe left on life. This bat's done living in the shadows. But will the bright lights of Burnside burn her for good? Red-hot creative team Cameron Stewart, Brenden Fletcher and Babs Tarr reinvent Barbara Gordon from the boots up in BATGIRL: THE BATGIRL OF BURNSIDE (collects issues Batgirl #35-52, Batgirl Annual #3, Secret Origins #10 and DC Sneak Peek: Batgirl #1.
Profile of the troops whose last stand helped prevent the destruction of the Army of Northern Virginia, providing Robert E. Lee with yet another chance for a northern invasion .
Unique among Union army corps, the Ninth fought in both the Eastern and Western theaters of the Civil War. The corps’ veterans called their service a “geography class,” and others have called the Ninth “a wandering corps” because it covered more ground than any corps in the Union armies. With the same attention to detail that he gave to the First Corps in First for the Union, Darin Wipperman vividly reconstructs life—and death—in the Ninth Corps. The roots of the Ninth Corps lay in the early 1862 coastal expeditions in the Carolinas under Ambrose Burnside. After this successful campaign—a master class in Civil War amphibious warfare that turned Burnside into a star—Burnside’s units coalesced into a corps, part of which reinforced Pope’s Army of Virginia at Second Bull Run during the summer of 1862. The Ninth fought with the Army of the Potomac in the Maryland campaign in September 1862, first at the Battle of South Mountain and then, in its most famous action, at Antietam, where it suffered 25 percent casualties attempting to seize what became known as Burnside’s Bridge. Three months later, the corps was lightly engaged at the Battle of Fredericksburg, during which Burnside commanded the entire Army of the Potomac. After the disaster of Fredericksburg, the Ninth—again under Burnside—spent much of 1863 in the West with the Army of the Ohio, performing occupation duty in Kentucky and then in Grant’s campaign to take Vicksburg, Mississippi. It fought in Tennessee and helped take Knoxville before returning East, a shell of itself thanks largely to disease. Reorganized, the Ninth joined Grant’s Overland Campaign in Virginia, fighting—with horrifying losses—at the Wilderness and Spotsylvania. It joined the siege of Petersburg, including the infamous Battle of the Crater in July 1864, and remained at Petersburg through the end of the war, where it participated in the assault that broke the siege in April 1865, forcing Lee’s army into retreat, and final defeat, at Appomattox. From the Carolinas to Maryland, from Kentucky, Mississippi, and Tennessee to Virginia, the Ninth Corps sacrificed for the Union—and burnished its place in the annals of the American Civil War.