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The tales contained in this collection were first told in the dark decade of Burmese history (1876–85) during the coming event of the British conquest. The stories combine exotic background with strong details that offer the Western reader both a picture of Burma in the nineteenth century and an understanding of the basic good sense, gaiety, and gentleness of the Burmese people and the Buddhist clergy. The characters that appear in the book illustrate timeless truths about human nature, which today's reader can apply to existing people and situations. For the first time since the eleventh century the future of Burmese Buddhism became uncertain, and there was widespread fear, both in Upper Burma still under a Burmese king and in Lower Burma already under British rule, that the final fall of the Burmese kingdom would result in the total extinction of both the national religion and the Burmese way of life. Told with the purpose of allaying this anxiety and fear, these tales give a full and faithful résumé and appraisal of the position of Burmese Buddhism on the eve of the British conquest of 1886.
From the author of the internationally bestselling The Art of Hearing Heartbeats comes this charming collection of folktales that offer a window into Burma’s fascinating history and culture. Since 1995 Jan-Philipp Sendker has visited Myanmar (Burma) dozens of times, and while doing research for his novels The Art of Hearing Heartbeats and A Well-Tempered Heart, he encountered numerous folktales and fables. These moving stories speak to the rich mythology of the diverse peoples of Burma, the spirituality of humankind, and the profound social impact of Buddhist thought. Some are so strange he couldn’t classify them or identify a familiar moral, while others reminded him of the fairy tales of his childhood, except that here monkeys, tigers, elephants, and crocodiles inhabited the fantastic lands instead of hedgehogs, donkeys, or geese. Their morals resemble those of the Brothers Grimm or Hans Christian Andersen, illustrating how all cultures draw on a universal wisdom to create their myths. The Long Path to Wisdom’s evocative stories run the gamut of human emotions, from the familiar to the shocking, and are sure to delight fans of The Art of Hearing Heartbeats as well as those newly discovering the magic of Sendker’s incandescent writing.
Burma has often been portrayed as a timeless place, a country of egalitarian Buddhist villages, ruled successively by autocratic kings, British colonialists and, most recently, a military dictatorship. The Making of Modern Burma argues instead that many aspects of Burmese society today, from the borders of the state to the social structure of the countryside to the very notion of a Burmese identity, are largely the creations of the nineteenth century - a period of great change - away from the Ava-based polity of early modern times, and towards the 'British Burma' of the 1900s. The book provides a sophisticated and much-needed account of the period, and as such will be an important resource for policy makers and students as a basis for understanding contemporary politics and the challenges of the modern state. It will also be read by historians interested in the British colonial expansion of the nineteenth century.
The sequel to the international best-selling novel The Art of Hearing Heartbeats. Almost ten years have passed since Julia Win came back from Burma, her father’s native country. Though she is a successful Manhattan lawyer, her private life is at a crossroads; her boyfriend has recently left her and she is, despite her wealth, unhappy with her professional life. Julia is lost and exhausted. One day, in the middle of an important business meeting, she hears a stranger’s voice in her head that causes her to leave the office without explanation. In the following days, her crisis only deepens. Not only does the female voice refuse to disappear, but it starts to ask questions Julia has been trying to avoid. Why do you live alone? To whom do you feel close? What do you want in life? Interwoven with Julia’s story is that of a Burmese woman named Nu Nu who finds her world turned upside down when Burma goes to war and calls on her two young sons to be child soldiers. This spirited sequel, like The Art of Hearing Heartbeats, explores the most inspiring and passionate terrain: the human heart.
Ranging from short Zen parables to longer folktales with dragons, goddesses, and talking animals, these tales explore Buddhist themes of compassion, humor, enlightenment, and life after death. This beautifully illustrated book is perfect for anyone interested in Buddhist ideas--and anyone who enjoys a good story. Full color.
The village story teller in Burma considered a tale as a tale and no more, and would not distinguish or classify the stories that he told. But actually tales told in Burmese village could be divided into three categories.1.folk tales 2.folk legends 3.Jatakas or Buddhist birth tales. This Collection of Burmese folk tales is highly coloured and exotic. the stories illumine universal human truths. the atmosphere of these tales is of the same kind as their European counterparts. Some of the tales are highly significant in courts of low and often contain pointers as to how certain situations should be dealt with. they from the foundation of many decisions taken in courts of low.
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.