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In January 2011, just before political reforms in Myanmar ended a decades-old military regime, writer and travel expert Marek Lenarcik arrived in Yangon on a short-term work assignment. Little did he know then that a broken heart and dwindling savings would lead him to pursue a dream career working for one of the country's top tour companies. On duty as a travel product manager, Marek traverses the country by trains, planes and automobiles to experience stunning landscapes, ruins of empires, exotic food and unique cultures in search of the best that the nation's budding tour and hospitality industry has to offer. With stories from the emerald shores of the Andaman Sea at Ngapali beach to the mountain peaks of Chin State, Burma Lost & Found brings humour, vivid desrciption and insight to his adventures and encounters with an eclectic cast of characters including an eccentric monk, dodgy expats, charismatic guides, gracious hosts and many more.
This thorough introduction to the history, art, and culture of Arakan, an ancient state located in the northeast corner of Burma, explains and illustrates how Southeast Asia from the beginning of the first millennium absorbed and reinterpreted the influences of many cultures. It is written by a noted scholar who visited the area over many years while conducting research for her doctoral thesis on Arakan. Off the Bay of Bengal, in the northwest corner of Burma lie the splendid capital cites of ancient Arakan; Dhanyaawadi, Vesali and Mrauk-U (Myohaung) being the largest. Mentioned in Ptolemy's "Geographia" (2nd century), Arakan was from earliest times a cosmopolitan state with a vigorous and mixed culture. Indian Brahmins conducted the royal ceremonials, Buddhist monks spread their teachings, traders came and went, and artists and architects used Indian models for inspiration. Through Buddhism, Arakan came into contact with other remote countries, including Sri Lanka, Nepal, Tibet, and China. To the east were the many early empires of Southeast Asia: Burman, Siamese, and Khmer, while later came influences from the Islamic courts of Bengal and Delhi. This is the first comprehensive study on the history, art, and culture of Arakan. It also serves as an excellent introduction to the hitherto almost unknown bronze and stone art of Arakan.
In this intrepid and brilliant memoir, Emma Larkin tells of the year she spent travelling through Burma, using as a compass the life and work of George Orwell, whom many of Burma's underground teahouse intellectuals call simply "the prophet". In stirring, insightful prose, she provides a powerful reckoning with one of the world's least free countries. Finding George Orwell in Burma is a brave and revelatory reconnaissance of modern Burma, one of the world's grimmest and most shuttered dictatorships, where the term "Orwellian" aptly describes the life endured by the country's people. This book has come to be regarded as a classic of reportage and travel and a crucial book for anyone interested in Burma and George Orwell.
Rumours of buried Spitfires from the Second World War have spread around the world for seventy-five years. In April 2012, the press reported that the UK had negotiated an agreement with Myanmar for the recovery of twenty crated Spitfires, reportedly buried after WW2. Astonishingly the agreement came about through the single-minded determination of a farmer, David Cundall. Armed with a high-tech survey showing mysterious shapes under the surface of Yangon International Airport, David's expedition is equipped with JCB excavators. But instead of Spitfires, the team unearths a tale of fake history. The Buried Spitfires of Burma explores what happened next as David Cundall's dream unravelled over the course of a historical 'whodunnit' that spans seven decades and three continents. It follows one of the most bizarre stories since the sensational Hitler Diaries hoax.
Study compelling photographs that will testify not only to Richard Diran's skill as an artist, but to his persistence in the face of the tribes' suspicion and fear of foreigners. At times, his undertaking was outright dangerous due to constant guerrilla activity, but the results are breathtaking, showcasing colorful and elaborate costumes and jewelry, rare instruments, and, above all, unforgettable faces, rich in expressiveness and beauty. "...spectacular photographs..."--Fiber Arts.
A New York Times Critics' Top Book of 2019 A Foreign Affairs Best Book of 2020 “An urgent book.” —Jennifer Szalai, New York Times During a century of colonialism, Burma was plundered for its natural resources and remade as a racial hierarchy. Over decades of dictatorship, it suffered civil war, repression, and deep poverty. Today, Burma faces a mountain of challenges: crony capitalism, exploding inequality, rising ethnonationalism, extreme racial violence, climate change, multibillion dollar criminal networks, and the power of China next door. Thant Myint-U shows how the country’s past shapes its recent and almost unbelievable attempt to create a new democracy in the heart of Asia, and helps to answer the big questions: Can this multicultural country of 55 million succeed? And what does Burma’s story really tell us about the most critical issues of our time?
Previous edition: London: Penguin, 1997.
“Craig wields powerful and vivid prose to illuminate a country and a family trapped not only by war and revolution, but also by desire and loss.” —Viet Thanh Nguyen, Pulitzer Prize–winning author Miss Burma tells the story of modern-day Burma through the eyes of Benny and Khin, husband and wife, and their daughter Louisa. After attending school in Calcutta, Benny settles in Rangoon, then part of the British Empire, and falls in love with Khin, a woman who is part of a long-persecuted ethnic minority group, the Karen. World War II comes to Southeast Asia, and Benny and Khin must go into hiding in the eastern part of the country during the Japanese occupation, beginning a journey that will lead them to change the country’s history. Years later, Benny and Khin’s eldest child, Louisa, has a danger-filled, tempestuous childhood and reaches prominence as Burma’s first beauty queen soon before the country falls to dictatorship. As Louisa navigates her newfound fame, she is forced to reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the cause of the Karen people. Based on the story of the author’s mother and grandparents, Miss Burma is a captivating portrait of how modern Burma came to be and of the ordinary people swept up in the struggle for self-determination and freedom. “At once beautiful and heartbreaking . . . An incredible family saga.” —Refinery29 “Miss Burma charts both a political history and a deeply personal one—and of those incendiary moments when private and public motivations overlap.” —Los Angeles Times
For nearly two decades Western governments and a growing activist community have been frustrated in their attempts to bring about a freer and more democratic Burma—through sanctions and tourist boycotts—only to see an apparent slide toward even harsher dictatorship. But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future? In The River of Lost Footsteps, Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world. The River of Lost Footsteps is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling.
This book has been an opportunity for Erwitt to revisit the photographs he made in his early career and to uncover meaning upon second glance which was not apparent when the image was originally taken. The master of visual one-liners--bold statement images replete with humour, irony and acknowledged absurdity--the photographs selected for this book are quieter, more subtle and suggest Erwitt's increasing confidence in his own eye. By selecting these photographs he has begun to both examine and challenge how his younger self saw the world.