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Williams College, in Williamstown, MA, has collected art since the mid-19th century. In this chronological journey through American art in all media, each of 56 highlighted objects from the museum receives a mini-essay of several hundred words, signed by contributors who frequently are the acknowledged experts on particular artists or works. A full factual entry on each work appears at the back of the book, preceded by extremely brief summaries of the acquisitions histories of the overall collection's painting, drawing, sculpture, Williams portraits, prints, photographs, posters, and decorative arts. College alumni donated many items, including collections on Rube Goldberg, Thomas Nast, and the Prendergasts. This is not the definitive book on American art, but it is an excellent survey with many interesting objects not commonly reproduced. For art history collections. 64 colour & 65 b/w illustrations
Charles Burchfeild, one of the finest American watercolorists of the 20th century- and perhaps our greatest visionary - used watercolors with weight, power and flexibility to achieve a variety of effects unprecedented in scale and technique for the medium. Working out of the 19th-century Romantic tradition in which nature's primordial energy is revealed throught the drama of human emotions, Burchfield makes the commonplace extraordinary, the everyday miraculous.
pages) by J. Benjamin Townsend. What a great event--the edited and annotated journals of Burchfield Brilliantly edited (from 72 bound notebooks comprising some 10,000 (1893-1967), the preeminent American watercolorist and painter of nature, complemented by 41 color plates and 131 bandw illustrations. And what a journal--Burchfield's intelligence, sensitivity, spirituality revealed in notes on activities, sketching trips, nature observations, personal encounters, literature and music, artistic growth, and religious conflict. Beginning with the summer before his third year of high school and continuing up to nine months before his death, the journals constitute a huge 20th-century spiritual autobiography. Annotation copyrighted by Book News, Inc., Portland, OR
Dissatisfied with painting realistically, Burchfield returned in the 1940s to his fanciful style of 1917 and expanded old ideas, even the actual paintings themselves, into larger and more meaningful interpretations of nature. A lifetime of spiritual soul-searching and self-doubt, the recurrence of serious illnesses, and the steady persuasiveness of his wife, Bertha, led to Burchfield's eventual adoption of the Lutheran faith in 1943-44. Autobiographical, romantic landscapes of this period contain his symbols for man's place in the universal scheme.
"Written to commemorate the centenary of Freud's classic work, this illustrated book examines the shifting roles that dreams have played in twentieth century art and science."--BOOK JACKET.
DIV A practical guide to listening to the whispers, warnings, power, and presence of the Holy Spirit—and expecting the miraculous every day./div
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
A comprehensive overview of the artist's work focuses on Burchfield's expressive watercolors and includes drawing from his 1917 sketchbook, camouflage designs from his tour in the army, and wallpaper designs from the 1920s.