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"Gods and devils. Flesh and spirit. Sacred and profane. One of the leading lights of Pop Surrealism, Tara McPherson has traveled the world with her work, gaining new inspirations. Bunny in the Moon features compelling new works and sculpture informed by mythology and folklore. The resulting imagery combines the primal power at the core of ancient culture with McPherson's contemporary explorations of love, loss, strength, vulnerability, and female empowerment."--Publisher's website.
Gods and devils. Flesh and spirit. Sacred and profane. One of the leading lights of Pop Surrealism, Tara McPherson has traveled the world with her work, gaining new inspirations. Bunny in the Moonfeatures compelling new works and sculpture informed by mythology and folklore. The resulting imagery combines the primal power at the core of ancient culture with McPherson's contemporary explorations of love, loss, strength, vulnerability, and female empowerment. * Foreword by filmmaker Morgan Spurlock (Supersize Me). * Tara's work has been featured in Vanity Fair, The New York Times, and Juxtapoz!
DIVA cultural studies reading of white southern femininity as seen in a range of popular sites including novels, television, and tourist attractions./div
Presents the backstories of storybook and nursery rhyme characters who live side-by-side with humans.
Loss, love, and loneliness. Altered forms and transfigured ideas. Power and vulnerability. Parallel universes of the heart and mind. Space and time. In a few brief years, the stunning visual oeuvre of Tara McPherson has grown and evolved at thrilling speed. Expanding beyond the limits of rock poster art into the worlds of commercial illustration and fine art, her paintings, drawings, toys, sculptures, and installations have pushed her influence and authority across the breadth of creative expression and helped redefine the boundaries of pop surrealism. Lost Constellations: The Art of Tara McPherson Volume 2 is the compelling road map to the artist's most recent and ambitious journeys in paint, pencil, and sculpture.
Examines the repeated association of new electronic media with spiritual phenomena from the telegraph in the late 19th century to television.
In 1974, legendary Marvel Comics publisher Stan Lee approached underground pioneer Denis Kitchen and offered a way for them to collaborate. Their resulting series was called Comix Book and featured work by many of the top underground cartoonists including Joel Beck, Kim Deitch, Justin Green, Harvey Pekar, Trina Robbins, Art Spiegelman (first national appearance of Maus), Skip Williamson, and S. Clay Wilson. The Best of Comix Book showcases 150-pages of classic underground comix (printed on newsprint, as they originally appeared), many never before reprinted.
Thinking through Digital Media: Transnational Environments and Locative Places speculates on animation, documentary, experimental, interactive, and narrative media that probe human-machine performances, virtual migrations, global warming, structural inequality, and critical cartographies across Brazil, Canada, China, India, USA, and elsewhere.
Examines the evolution of the artists' book and their perception in the art world.