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The former FDIC Chairwoman, and one of the first people to acknowledge the full risk of subprime loans, offers a unique perspective on the greatest crisis the U.S. has faced since the Great Depression.
When it comes to the quality of our lives, is seeing really believing, or does our attitude create our reality? Rick Baty has lived a rich life, full of both good and not-so-good times. The bull's horns have gotten him more than once, and now he's learned how to change his attitude to grab those horns and turn things around. Along the way, he discovered that despite our culture's focus on winning, it is losing that builds character. He now navigates the unpredictable waters of life with a simple map: appreciate the good times, trust your instincts, keep a strong faith and hold your dear ones close to you. Whether your life is currently the magic carpet ride you always envisioned, or whether the bull's got you, the wisdom in this little book helped Rick survive his not-so-good days, and it can help you, too. Rick reminds us all to remember this: When the bull hooks you, life isn't over. It has just begun.
“A must read!” —USA TODAY How big was the pressure? How deep was the division? Those were the questions that would beg answering long after the Chicago Bulls had completed their strife-ridden 1997-98 season in the National Basketball Association. BLOOD ON THE HORNS details the infighting & conflict between Jordan, coach Phil Jackson, teammate Scottie Pippen and the team's general manager, Jerry Krause, and managing partner, Jerry Reinsdorf. Through exclusive interviews with the team and staff, Lazenby expertly recreates the drama of 1997-98 and the Bulls’ struggle to remain a team.
Ray E. Aquitania, M.D., shares some of his most memorable and unusual extracurricular adventures in different parts of the globe, outside the medical arena. The Running of the Bulls in Pamplona. His first skydiving excursion. An in-flight medical emergency. The rigorous sports disciplines of marathon and triathlon. A glacier trek in Iceland. And more. These true stories of extraordinary exploits should stir your imagination and also encourage you to take the bull by the horns!
Maia Wojciechowska's 1965 Newbery Medal winner about a young boy struggling with his father's legacy. Manolo was only three when his father, the great bullfighter Juan Olivar, died. But Juan is never far from Manolo's consciousness--how could he be, with the entire town of Arcangel waiting for the day Manolo will fulfill his father's legacy? But Manolo has a secret he dares to share with no one--he is a coward, without afición, the love of the sport that enables a bullfighter to rise above his fear and face a raging bull. As the day when he must enter the ring approaches, Manolo finds himself questioning which requires more courage: to follow in his father's legendary footsteps or to pursue his own destiny?
Much like Lin-Manuel Miranda did in Hamilton, the New York Times best-selling author David Elliott turns a classic on its head in form and approach, updating the timeless story of Theseus and the Minotaur. A rough, rowdy, and darkly comedic young adult retelling in verse, which NPR called “beautifully clever,” Bull will have readers reevaluating one of mythology's most infamous monsters. SEE THE STORY OF THESEUS AND THE MINOTAUR IN A WHOLE NEW LIGHT Minos thought he could Pull a fast one On me, Poseidon! God of the Sea! But I’m the last one On whom you Should try such a thing. The nerve of that guy. The balls. The audacity. I AM THE OCEAN! I got capacity! Depths! Darkness! Delphic power! So his sweet little plan Went big-time sour And his wife had a son Born with horns and a muzzle Who ended up In an underground puzzle. What is it with you mortals? You just can’t seem to learn: If you play with fire, babies, You’re gonna get burned.
BY THE HORNS is an epic, sci-fi fantasy comic book series set in a dangerous world of magic and technology written by Markisan Naso, illustrated by Jason Muhr and colored by Andrei Tabacaru, published monthly by Scout Comics. Elodie hates unicorns. For nearly a year, she's dedicated her life to killing them all for trampling her husband. Exiled from her village home for selfishly neglecting her duties, Elodie and her companion, Sajen, search the continent of Solothus to exact bloody revenge. But to make unicorns extinct she’ll need to fake an alliance with Zoso and Rigby, two of the very beasts she hates most, and battle four wind sorcerers who are extracting magic from all the mystical creatures on the continent. With the ability to rip off the unicorn horns and combine them to form wizard-slaying weapons, Elodie has a fighting chance. But will she decide to use those gifts to save magic in the world? Or destroy all the unicorns left alive?
Horn givers readers peace of mind and sanity and shows how to stop unethical, uncooperative, or unpleasant people from running and ruining readers' lives.
This Aesop's Fable has been re-imagined as part of a social venture project to raise money for literacy charities. DERT works with emerging designers to create unique, customized books. Each DERT book features the design and conceptual artwork created by graphic design students.Aesop's Fables are a collection of stories credited to Aesop, a slave and storyteller who lived in ancient Greece from 620 - 560 BC. A keen observer of both animals and people, Aesop used the qualities and natural tendencies of animals to focus on human traits and wisdom within his stories. Each fable has an accompanying moral to be learned from the tale. Far from child-like moral lessons one would expect, these fables are also seen as clever jokes and witty one-liners that result in bite size pieces of wisdom for daily life.
One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.