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Offers a study of the famous home of Henry Clay Frick, which houses the Frick Collection in New York City. This work examines the history of the house and how it influenced the collection itself.
This handsome volume documents the temporary installation of The Frick Collection in its temporary home, with stunning photographs by Joseph Coscia Jr. and a reflective foreword by Roxane Gay.
The Frick Collection, housed in an elegant New York City mansion, is one of the most extraordinary small museums in the world. This lavishly illustrated survey of the Collection offers a dazzling array of great paintings as well as rarely published sculptural treasures and numerous masterpieces of the decorative arts. 198 illustrations, 178 in color.
During the final decades of the ancient regime, prominent collectors in Paris commissioned and collected French paintings of the period, works by Greuze, Fragonard, David and others that together comprised 'l'Ecole Francoise' - the French School. In this book, an art historian discusses six of these collectors and the collections they assembled, showing that private patronage in this period was revitalized by this patriotic desire to collect contemporary art. Colin B. Bailey explains why a taste for modern art emerged at this time and how it was encouraged and fostered. Examining the relationship between artist and patron, he discusses the degree of influence these enlightened patrons and collectors expected to exercise when new works were being commissioned. Bailey shows that collectors of eighteenth-century French painting seem not to have made rigid distinctions between the various genres or styles of the Academy's practitioners. Instead, history paintings and genre paintings - both rococo and neo-classical - were exhibited proudly on their walls as superb examples of the French School.
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
The Frick Collection was founded by Henry Clay Frick (1849-1919), the Pittsburgh coke and steel industrialist, philanthropist and art collector. On his death, he bequeathed his New York residence and remarkable collection of western paintings, sculpture and decorative arts to the public. Designed and built in 1913-14, the mansion is reminiscent of the noble houses of Europe, providing a grand, domestic setting for the art from the Renaissance to the nineteenth century that it contains. The collection includes masterpieces by renowned artists such as Bellini, Constable, Fragonard, Goya, El Greco, Ingres, Rembrandt, Vermeer and Whistler, as well as superb examples of French eighteenth-century furniture, Italian Renaissance bronzes and Limoges enamels.
The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.