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Meet young Melvin—the future Mel Blanc of Looney Tunes fame—as he drives everyone a little nuts with the noisy soundtrack to his day-to-day life Melvin is an imaginative and noisy little boy who grows up to be Mel Blanc, Looney Tunes cartoon character pioneer and the voice behind Bugs Bunny, Daffy Duck, Woody Woodpecker, the Tasmanian Devil, and so many more familiar personalities. Readers are treated to a typical day for young Melvin, when ordinary tasks like getting ready for school, riding the bus, and completing his chores are charged with sound effects and accompanied by his own personal soundtrack. His knack for making funny noises and using the versatility of his voice was like no other—much to the relief of his teachers. Penned by Blanc's daughter-in-law, this first-person fiction-based-in-reality story is a fun romp and is sure to inspire young readers to turn trouble into triumph! “Reading this book aloud will guarantee a boisterous romp of a story time in a library or classroom setting.” —School Library Journal
An illustrated biography of a brilliant Canadian artist whose reputation has been hidden behind the familiar and beloved cartoon characters he designed -- Bugs Bunny, Punkinhead, Elmer Fudd and Little Hiawatha, to name just a few.
The Isle of the Dragon The Last Flight of the Bugs Bunny By: Rolf Stibbe In The Isle of the Dragon, author Rolf Stibbe portrays the heroism and courage of United States Army Air Corps flight crews during combat in World War II against the forces of Imperial Japan. In the wake of the attack on Pearl Harbor, the Japanese swept all Allied military threats from the South Pacific, including the Philippines, Singapore, Malaysia, Dutch East Indies, Guam, and the Wake Islands. Facing peril and with death likely, a unique cast of characters make for a suspenseful, riveting read. Stibbe interviewed a World War II combat veteran who flew the B-25 Mitchell Bomber nicknamed “Bugs Bunny,” in New Guinea. It sparked his interest to write this jungle adventure story. Readers will be thoroughly drawn into the story and entertained as they follow the plight of the lost bomber crew.
A Sight & Sound Book of the Year Jez Stewart charts the course of this extraordinarily fertile area of British film from early experiments with stop-motion and the flourishing of animated drawings during WWI. He reveals how the rockier interwar period set the shape of the industry in enduring ways, and how creatives like Len Lye and Lotte Reiniger brought art to advertising and sponsored films, building a foundation for such distinctive talents as Bob Godfrey, Alison De Vere and George Dunning to unleash their independent visions in the age of commercial TV. Stewart highlights the integral role of women in the industry, the crucial boost delivered by the arrival of Channel 4, the emergence of online animation and much more. The book features 'close-up' analyses of key animators such as Lancelot Speed and Richard Williams, as well as more thematic takes on art, politics and music. It builds a framework for better appreciating Britain's landmark contributions to the art of animation, including Halas and Batchelor's Animal Farm (1954), Dunning's Yellow Submarine (1968) and the creations of Aardman Animations.
Laura and her family move to Minnesota where they live in a dugout until a new house is built and face misfortunes caused by flood, blizzard, and grasshoppers.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Interviews with the legendary Warner Bros. artist who helped shaped the history of American animation