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On the road again! Jimmy, Bones, Slim and Ralph Rojas take their band of Be-boppin' bugs on the road. Sparks fly at the Fox Theatre in Oaktown, where our boys luck their way into a wild jam session with the McKinley Blues Band, crossing Bop with the electric blues for a historic meeting of musical minds. Set in a 'bug noir' Manhattan of the nineteen-fifties, Bughouse weaves the story of an ensemble of characters who are essentially human beings with bug-like features, as they dance on the edge of the abyss. Steve Lafler brings alive a lost era of jazz and drugs that evokes a range of emotions and experience rarely seen in comic books.
Six bugs find a tennis ball and turn it into a wonderful house for themselves.
In 1945, the American poet Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. Before the trial could take place, however, he was pronounced insane. Escaping a possible death sentence, he was sent to St. Elizabeths Hospital near Washington, D.C., where he was held for more than a decade. At the hospital, Pound was at his most infamous, and most contradictory. He was a genius and a traitor, a great poet and a madman. He was also an irresistible figure and, in his cell on Chestnut Ward and on the elegant hospital grounds, he was visited by the major poets and writers of his time. T. S. Eliot, Elizabeth Bishop, Robert Lowell, John Berryman, Charles Olson, and Frederick Seidel all went to sit with him. They listened to him speak and wrote of what they had seen. This was perhaps the world’s most unorthodox literary salon: convened by a fascist, held in a lunatic asylum, with chocolate brownies and mayonnaise sandwiches served for tea. Pound continues to divide all who read and think of him. At the hospital, the doctors who studied him and the poets who learned from him each had a different understanding of this wild and most difficult man. Tracing Pound through the eyes of his visitors, Daniel Swift’s The Bughouse tells a story of politics, madness, and modern art in the twentieth century.
An investigation of how the digital revolution is fundamentally changing our concept of work, and what it means for our future economy.
With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results
In 1890s San Francisco, former Pinkerton operative Sabina Carpenter and her detective partner, ex-Secret Service agent John Quincannon, tackle two seemingly unrelated cases that are complicated by two murders and the interference of Sherlock Holmes.
‘An extraordinary book of real passionate research’ Edmund de Waal In 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade. At the hospital, Pound was at his most contradictory and most controversial: a genius writer – ‘The most important living poet in the English language’ according to T. S. Eliot – but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound – the artistic flair, the profound human flaws – whilst telling the grand story of politics and art in the twentieth century.
First in a series of lighthearted historical mysteries set in 1890s San Francisco featuring a former Pinkerton operative and an ex-Secret Service agent. Private detectives Sabina Carpenter and John Quincannon undertake what initially appear to be two unrelated investigations. Sabina’s case involves the hunt for a ruthless lady “dip” who uses fiendish means to relieve her victims of their valuables at Chutes Amusement Park and other crowded places. Quincannon, meanwhile, is after a slippery housebreaker who targets the homes of wealthy residents, following a trail that leads him from the infamous Barbary Coast to an oyster pirate’s lair to a Tenderloin parlor house known as the Fiddle Dee Dee. The two cases eventually connect in surprising fashion, but not before two murders and assorted other felonies complicate matters even further. And not before the two sleuths are hindered, assisted, and exasperated by the bughouse Sherlock Holmes. Fans of Marcia Muller’s bestselling Sharon McCone novels and Bill Pronzini’s Nameless Detective series will applaud this and future exploits from the annals of Carpenter and Quincannon, Professional Detective Services. “Those who enjoy historical mysteries are in for a particular treat with this delightful story featuring two intrepid detectives who solve their cases using different but equally effective methods.” —Booklist “The easy and amusing read flows beautifully . . . A treat for Rhys Bowen and Laurie R. King readers.” —Library Journal “Fans of Steve Hockensmith’s Holmes on the Range historicals will welcome this Carpenter and Quincannon novel . . . A doubly impossible crime only adds to the enjoyable plot.” —Publishers Weekly
First published in 1949 (this edition in 1968), this book is a dictionary of the past, exploring the language of the criminal and near-criminal worlds. It includes entries from Australia, New Zealand, Canada and South Africa, as well as from Britain and America and offers a fascinating and unique study of language. The book provides an invaluable insight into social history, with the British vocabulary dating back to the 16th century and the American to the late 18th century. Each entry comes complete with the approximate date of origin, the etymology for each word, and a note of the milieu in which the expression arose.